Yahoo Archive: Page 51 of 67

 

Messages in runacc group. Page 51 of 67.

Group: runacc Message: 2502 From: Martin Gear Date: 10/30/2012
Subject: Re: historical workmanship judging guidelines
Group: runacc Message: 2503 From: Martin Gear Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries
Group: runacc Message: 2504 From: bruno@soulmasque.com Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries
Group: runacc Message: 2505 From: Aurora Celeste Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries
Group: runacc Message: 2506 From: Byron Connell Date: 10/31/2012
Subject: Re: one day memberships and masquerade entries
Group: runacc Message: 2507 From: Nora & Bruce Mai Date: 11/1/2012
Subject: Re: one day memberships and masquerade entries
Group: runacc Message: 2508 From: Betsy Marks Delaney Date: 11/1/2012
Subject: Re: one day memberships and masquerade entries
Group: runacc Message: 2509 From: Nora & Bruce Mai Date: 12/4/2012
Subject: Invites for the CC bidders
Group: runacc Message: 2510 From: Betsy Marks Delaney Date: 12/4/2012
Subject: Re: Invites for the CC bidders
Group: runacc Message: 2511 From: Nora & Bruce Mai Date: 12/30/2012
Subject: Re: Invites for the CC bidders
Group: runacc Message: 2512 From: bruno@soulmasque.com Date: 1/5/2013
Subject: Costume-Con 31 Progress Report 2
Group: runacc Message: 2513 From: bruno@soulmasque.com Date: 1/5/2013
Subject: CC34 bid?
Group: runacc Message: 2514 From: Byron Connell Date: 1/5/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2515 From: osierhenry@cs.com Date: 1/5/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2516 From: Sarah Bloy Date: 1/6/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2517 From: Kaijugal . Date: 1/7/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2518 From: staceylee25 Date: 1/9/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2519 From: Byron Connell Date: 1/9/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2520 From: Jamie Butler Date: 1/9/2013
Subject: Re: CC34 bid?
Group: runacc Message: 2521 From: dandyhank Date: 1/26/2013
Subject: Paging Dawn M!
Group: runacc Message: 2522 From: dandyhank Date: 1/29/2013
Subject: Paging Sandy Swank!
Group: runacc Message: 2523 From: spiritof_76 Date: 1/29/2013
Subject: award ribbons
Group: runacc Message: 2524 From: Marg Grady Date: 1/30/2013
Subject: Re: Award Ribbons
Group: runacc Message: 2525 From: Kevin Roche Date: 1/30/2013
Subject: Re: Award Ribbons
Group: runacc Message: 2526 From: Martin Gear Date: 1/30/2013
Subject: Re: award ribbons
Group: runacc Message: 2527 From: Byron Connell Date: 1/30/2013
Subject: Re: Award Ribbons
Group: runacc Message: 2528 From: spiritof_76 Date: 1/30/2013
Subject: Re: award ribbons
Group: runacc Message: 2529 From: spiritof_76 Date: 1/31/2013
Subject: canadian vendors at US cons
Group: runacc Message: 2530 From: Nora & Bruce Mai Date: 1/31/2013
Subject: Re: award ribbons
Group: runacc Message: 2531 From: Betsy Marks Delaney Date: 1/31/2013
Subject: Re: award ribbons
Group: runacc Message: 2532 From: Martin Gear Date: 1/31/2013
Subject: Re: award ribbons
Group: runacc Message: 2533 From: Byron Connell Date: 1/31/2013
Subject: Re: award ribbons
Group: runacc Message: 2534 From: Andrew Trembley Date: 2/1/2013
Subject: Re: canadian vendors at US cons
Group: runacc Message: 2535 From: Byron Connell Date: 2/28/2013
Subject: What Happened to CC 13?
Group: runacc Message: 2536 From: Betsy Marks Delaney Date: 2/28/2013
Subject: Re: What Happened to CC 13?
Group: runacc Message: 2537 From: Kevin Roche Date: 3/1/2013
Subject: Re: What Happened to CC 13?
Group: runacc Message: 2538 From: Betsy Marks Delaney Date: 3/1/2013
Subject: Re: What Happened to CC 13?
Group: runacc Message: 2539 From: Kevin Roche Date: 3/1/2013
Subject: Re: What Happened to CC 13?
Group: runacc Message: 2540 From: Nora & Bruce Mai Date: 3/1/2013
Subject: Re: What Happened to CC 13?
Group: runacc Message: 2541 From: spiritof_76 Date: 4/17/2013
Subject: folio at the door
Group: runacc Message: 2542 From: Betsy Marks Delaney Date: 4/17/2013
Subject: Re: folio at the door
Group: runacc Message: 2543 From: Trudy Leonard Date: 4/17/2013
Subject: Re: folio at the door
Group: runacc Message: 2544 From: spiritof_76 Date: 4/17/2013
Subject: Re: folio at the door
Group: runacc Message: 2545 From: Pierre & Sandy Pettinger Date: 4/17/2013
Subject: Re: folio at the door
Group: runacc Message: 2546 From: Elaine Sims Date: 4/18/2013
Subject: Re: folio at the door
Group: runacc Message: 2547 From: ma0902432 Date: 4/18/2013
Subject: Re: folio at the door
Group: runacc Message: 2548 From: Byron Connell Date: 4/18/2013
Subject: Re: folio at the door
Group: runacc Message: 2549 From: Aurora Celeste Date: 4/18/2013
Subject: Re: folio at the door
Group: runacc Message: 2550 From: Byron Connell Date: 4/18/2013
Subject: Re: folio at the door
Group: runacc Message: 2551 From: Elaine Mami Date: 4/18/2013
Subject: Re: folio at the door

 


 

Group: runacc Message: 2502 From: Martin Gear Date: 10/30/2012
Subject: Re: historical workmanship judging guidelines

FWIIW, unless one is reproducing a historic garment prior to the 1830’s
I see no objection to machine sewing, and in fact if the garment is
recreation/interpretation rather than a reproduction (or whatever set of
terms is being used) I don’t really mind someone using a sewing machine
for the earlier garments. I have judged too many costumes where the
contestant went on a great length about how much time they had spent
hand sewing something (poorly) when it would have looked much better had
the main seams been sewn on the most basic of machines. My one
grandfather was a Greek tailor and my one cousin has his PhD in costume
design. Both of them are capable of perfect hand sewing garments, and
both used/use sewing machines where ever possible.

Marty (wearing his judges hat.)

On 10/28/2012 11:26 PM, bruno@soulmasque.com wrote:
>
> I had someone ask me yesterday if there are judging guidelines for the
> historical workmanship so that people know exactly what they are being
> judged on. The question came from someone who is a pretty serious
> historical costumer, is a past officer in Costume Society of America and
> never been to CC. Is more weight given to hand sewing or is machine
> sewing acceptable for the historical?
>
> Michael
>
>
>
> No virus found in this message.
> Checked by AVG – www.avg.com <http://www.avg.com>
> Version: 2012.0.2221 / Virus Database: 2441/5359 – Release Date: 10/28/12
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2503 From: Martin Gear Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries

I’m pretty sure that we (CC-27) permitted one day memberships to
compete, particularly in the case of groups. Also, I never close my
registration prior to the afternoon on the day of the masquerade. I’ve
seen too many cases where weird transportation problems have delayed
people getting there.
Marty
Marty

On 10/29/2012 11:09 PM, bruno@soulmasque.com wrote:
>
> A recent thought on one day memberships . . . at most conventions, one
> could get a one day membership for Saturday only, register for the
> masquerade that day and be in the masquerade. However, I think at CC,
> masquerade registration traditionally closes on Friday night. Are
> people allowed to enter the masquerades with only a membership for the
> day of the masquerade. I know we generally want full weekend attending
> memberships, but we could lose potential masquerade entries and one day
> memberships.
>
> Thoughts?
>
> Michael
> CC31
>
>
>
> No virus found in this message.
> Checked by AVG – www.avg.com <http://www.avg.com>
> Version: 2012.0.2221 / Virus Database: 2441/5361 – Release Date: 10/29/12
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2504 From: bruno@soulmasque.com Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries

Does registration until Noon on the day of the Historical leave enough
time for workmanship judging and tech?

Michael

On 2012-10-30 11:21, Martin Gear wrote:
> I’m pretty sure that we (CC-27) permitted one day memberships to
> compete, particularly in the case of groups. Also, I never close my
> registration prior to the afternoon on the day of the masquerade.
> I’ve
> seen too many cases where weird transportation problems have delayed
> people getting there.
> Marty

 

Group: runacc Message: 2505 From: Aurora Celeste Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries

I believe reg on historical usually ends on friday and Sat/Sun are judging.

On Tue, Oct 30, 2012 at 8:35 PM, <bruno@soulmasque.com> wrote:

> Does registration until Noon on the day of the Historical leave enough
> time for workmanship judging and tech?
>
> Michael
>
>
> On 2012-10-30 11:21, Martin Gear wrote:
> > I’m pretty sure that we (CC-27) permitted one day memberships to
> > compete, particularly in the case of groups. Also, I never close my
> > registration prior to the afternoon on the day of the masquerade.
> > I’ve
> > seen too many cases where weird transportation problems have delayed
> > people getting there.
> > Marty
>
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2506 From: Byron Connell Date: 10/31/2012
Subject: Re: one day memberships and masquerade entries

Yes, because entrants who register early can begin workmanship judging, and maybe tech, early. Those registering later will have fewer time slots from which to choose. (I prefer 10-minute tech rehearsal slots; however, others prefer briefer periods.) For a Sunday historical, it may even be possible to begin workmanship judging on Saturday (the judges willing and the space available). Beginning the day before might not be feasible for a Saturday historical.

Byron

On Oct 30, 2012, at 8:35 PM, bruno@soulmasque.com wrote:

> Does registration until Noon on the day of the Historical leave enough
> time for workmanship judging and tech?
>
> Michael
>
> On 2012-10-30 11:21, Martin Gear wrote:
> > I’m pretty sure that we (CC-27) permitted one day memberships to
> > compete, particularly in the case of groups. Also, I never close my
> > registration prior to the afternoon on the day of the masquerade.
> > I’ve
> > seen too many cases where weird transportation problems have delayed
> > people getting there.
> > Marty
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2507 From: Nora & Bruce Mai Date: 11/1/2012
Subject: Re: one day memberships and masquerade entries
If you’re talking SF, then yeah, Noon on Saturday is more normal.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of bruno@soulmasque.com
Sent: Monday, October 29, 2012 10:09 PM
To: runacc@yahoogroups.com
Subject: [runacc] one day memberships and masquerade entries

A recent thought on one day memberships . . . at most conventions, one could get a one day membership for Saturday only, register for the masquerade that day and be in the masquerade. However, I think at CC, masquerade registration traditionally closes on Friday night. Are people allowed to enter the masquerades with only a membership for the day of the masquerade. I know we generally want full weekend attending memberships, but we could lose potential masquerade entries and one day memberships.

Thoughts?

Michael
CC31

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 2013.0.2742 / Virus Database: 2617/5861 – Release Date: 10/29/12

 

Group: runacc Message: 2508 From: Betsy Marks Delaney Date: 11/1/2012
Subject: Re: one day memberships and masquerade entries
If the masquerade director allows for electronic documentation as well as
paper back-up, and electronic registration, I don’t see why a one-day
membership for Sunday wouldn’t work. Considering the historically (heh)
lower rates of entries in the Historical Masquerade, I’d think any excuse
to add folks would be welcome.

My own $0.02. Your mileage may vary…

-b



Betsy Marks Delaney

http://www.hawkeswood.com/

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2509 From: Nora & Bruce Mai Date: 12/4/2012
Subject: Invites for the CC bidders
Who handles these – Betsy?

Bruce

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2510 From: Betsy Marks Delaney Date: 12/4/2012
Subject: Re: Invites for the CC bidders

Karen and I are the only admins for the group.

All the subscription info is below. Or just shoot an email to
runacc-owner@yahoogroups.com (I think).

Thanks!

Betsy

On Tue, Dec 4, 2012 at 10:56 PM, Nora & Bruce Mai <casamai@sbcglobal.net> wrote:
> Who handles these – Betsy?
>
>
>
> Bruce
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>




Betsy Marks Delaney

http://www.hawkeswood.com/

 

Group: runacc Message: 2511 From: Nora & Bruce Mai Date: 12/30/2012
Subject: Re: Invites for the CC bidders

I believe there are a couple of Madison folks who should be on this list.
Of course, it’s been ages since I followed this up. I know there is at
least one or two. Could those folks speak up?

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Betsy Marks Delaney
Sent: Tuesday, December 04, 2012 10:01 PM
To: runacc@yahoogroups.com
Subject: Re: [runacc] Invites for the CC bidders

Karen and I are the only admins for the group.

All the subscription info is below. Or just shoot an email to
runacc-owner@yahoogroups.com (I think).

Thanks!

Betsy

On Tue, Dec 4, 2012 at 10:56 PM, Nora & Bruce Mai <casamai@sbcglobal.net>
wrote:

> Who handles these – Betsy?
>
>
>
> Bruce
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>




Betsy Marks Delaney

http://www.hawkeswood.com/

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 2013.0.2793 / Virus Database: 2634/5937 – Release Date: 12/04/12

 

Group: runacc Message: 2512 From: bruno@soulmasque.com Date: 1/5/2013
Subject: Costume-Con 31 Progress Report 2
It has just been emailed to all Attendees and Supporting memberships,
persons who have signed up for our mailing list, and everyone on the
Perpetual CC email list. Paper copies will go out by mail to persons
who requested those on Monday.

<http://cc31denver.us2.list-manage.com/track/click?u=e618552d20e92f7e04e2525f4&id=a5deba8d9d&e=d113f0fb03>

 

Group: runacc Message: 2513 From: bruno@soulmasque.com Date: 1/5/2013
Subject: CC34 bid?
Has there been an official announcement of the CC34 bid? When do we
need mail the ballots for early voting?

Thanks.

Michael

 

Group: runacc Message: 2514 From: Byron Connell Date: 1/5/2013
Subject: Re: CC34 bid?

Not one that I’ve seen.

Byron

On Jan 5, 2013, at 6:03 PM, bruno@soulmasque.com wrote:

> Has there been an official announcement of the CC34 bid? When do we
> need mail the ballots for early voting?
>
> Thanks.
>
> Michael
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2515 From: osierhenry@cs.com Date: 1/5/2013
Subject: Re: CC34 bid?

In a message dated 1/5/2013 5:03:05 PM Central Standard Time,
bruno@soulmasque.com writes:

> Has there been an official announcement of the CC34 bid? When do we
> need mail the ballots for early voting?
>
>
>

There is one from Madison, Wisconsin. Karen does know about it. Last I
knew, ballots need to go out three months before the con.

Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2516 From: Sarah Bloy Date: 1/6/2013
Subject: Re: CC34 bid?

The Bid Committee to bring CC34 to Madison is working, full-steam ahead.
If you are interested in getting updates as they come out, we have a
Facebook page listed under “Costume Con Madison” as well as a Twitter feed,
@CostumeCon34. If you are on neither of these, feel free to drop me a line
by email as other updating methods will likely become available.

Sarah Bloy
CC Madison Bid Committee Chair

On Sat, Jan 5, 2013 at 6:33 PM, <osierhenry@cs.com> wrote:

> **
>
>
> In a message dated 1/5/2013 5:03:05 PM Central Standard Time,
> bruno@soulmasque.com writes:
> > Has there been an official announcement of the CC34 bid? When do we
> > need mail the ballots for early voting?
> >
> >
> >
> There is one from Madison, Wisconsin. Karen does know about it. Last I
> knew, ballots need to go out three months before the con.
>
> Henry
>
>
> [Non-text portions of this message have been removed]
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2517 From: Kaijugal . Date: 1/7/2013
Subject: Re: CC34 bid?

Great News!

All the best!

~Dawn McKechnie
Fibre Fantasy Artists of Canada / Costume-Con 32

> To: runacc@yahoogroups.com
> From: berzerker.prime@gmail.com
> Date: Sat, 5 Jan 2013 23:18:08 -0600
> Subject: Re: [runacc] CC34 bid?
>
> The Bid Committee to bring CC34 to Madison is working, full-steam ahead.
> If you are interested in getting updates as they come out, we have a
> Facebook page listed under “Costume Con Madison” as well as a Twitter feed,
> @CostumeCon34. If you are on neither of these, feel free to drop me a line
> by email as other updating methods will likely become available.
>
> Sarah Bloy
> CC Madison Bid Committee Chair
>
>
> On Sat, Jan 5, 2013 at 6:33 PM, <osierhenry@cs.com> wrote:
>
> > **
> >
> >
> > In a message dated 1/5/2013 5:03:05 PM Central Standard Time,
> > bruno@soulmasque.com writes:
> > > Has there been an official announcement of the CC34 bid? When do we
> > > need mail the ballots for early voting?
> > >
> > >
> > >
> > There is one from Madison, Wisconsin. Karen does know about it. Last I
> > knew, ballots need to go out three months before the con.
> >
> > Henry
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2518 From: staceylee25 Date: 1/9/2013
Subject: Re: CC34 bid?

Hooray, I found the invite and got onto the list! Hello everyone!

— In runacc@yahoogroups.com, bruno@… wrote:
>
> Has there been an official announcement of the CC34 bid? When do we
> need mail the ballots for early voting?

As secretary and vice-chair of the CC34 Bid Committee, I would like to know what sorts of documents and logistical things we need to be doing. Do WE prepare announcements or does someone else? Who prepares said ballots? And what sorts of things are we expected to do as a bid committee at CC31?

Thanks for your collective help in advance. Most of us on the committee for Madison are not new to running conventions nor attending CC, but we are first-time CostumeCon bidders. We’d love all the advice you wise folks can give.

Stace
MACS president
CC34 Madison secretary/vice-chair

 

Group: runacc Message: 2519 From: Byron Connell Date: 1/9/2013
Subject: Re: CC34 bid?

Stace —

Welcome!

I have absolutely no official role. However, I may be helpful. Many of your questions are answered in the Costume-Con ConStiitution and supporting documents on the Costume-Con web site at:

http://www.costume-con.org/constitution.shtml

I believe that, once you have submitted the required bid material (see sections 2.4 and 2.5 of the ConStitution) to Karen Schnaubelt (aka, Ghod) and she has verified that yours is a valid bid, you would be free to make announcements and otherwise publicize your bid (e.g., Madison Area Costuming Society is bidding to offer Costume-Con 24 in ______) using any and all media (e.g., web site, Facebook page, Twitter, paper announcements, press releases, shouting out the window, embroidery on costumes. . . ).

The ConStitution requires CC 31 to prepare and distribute the ballot and to count the votes (section 2.10).

At CC 31, you should work on promoting the bid. This could include a fan table, entries in masquerades promoting the bid, sponsoring the Con Suite, making awards to entries in the masquerades that relate to the con’s philosophy or theme, and so forth. Check with the CC 31 concom. Wearing hall costumes that promote the bid would not hurt.

Remember, I have absolutely no official position, so anything I say is subject to correction or contradiction. If in doubt, ask Karen; she’s the service mark holder.

Byron

On Jan 9, 2013, at 12:55 PM, staceylee25 <staceylee25@yahoo.com> wrote:

> Hooray, I found the invite and got onto the list! Hello everyone!
>
> — In runacc@yahoogroups.com, bruno@… wrote:
> >
> > Has there been an official announcement of the CC34 bid? When do we
> > need mail the ballots for early voting?
>
> As secretary and vice-chair of the CC34 Bid Committee, I would like to know what sorts of documents and logistical things we need to be doing. Do WE prepare announcements or does someone else? Who prepares said ballots? And what sorts of things are we expected to do as a bid committee at CC31?
>
> Thanks for your collective help in advance. Most of us on the committee for Madison are not new to running conventions nor attending CC, but we are first-time CostumeCon bidders. We’d love all the advice you wise folks can give.
>
> Stace
> MACS president
> CC34 Madison secretary/vice-chair
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2520 From: Jamie Butler Date: 1/9/2013
Subject: Re: CC34 bid?

I did submit the bid for MACS before the deadline. Karen emailed me and said everything looked good but she needed more time to go through it. I haven’t heard back from her since, but I know we are the only bid. I emailed her (i think) about a month ago asking if there was anything else, but I guess she is dealing with a lot of personal issues right now.

Jamie Butler

Vice President – Madison Area Costuming Society

Guilde of St. George

— On Wed, 1/9/13, Byron Connell <byronpconnell@gmail.com> wrote:

From: Byron Connell <byronpconnell@gmail.com>
Subject: Re: [runacc] CC34 bid?
To: runacc@yahoogroups.com
Date: Wednesday, January 9, 2013, 7:28 PM

Stace —

Welcome!

I have absolutely no official role.  However, I may be helpful.  Many of your questions are answered in the Costume-Con ConStiitution and supporting documents on the Costume-Con web site at:

http://www.costume-con.org/constitution.shtml

I believe that, once you have submitted the required bid material (see sections 2.4 and 2.5 of the ConStitution) to Karen Schnaubelt (aka, Ghod) and she has verified that yours is a valid bid, you would be free to make announcements and otherwise publicize your bid (e.g., Madison Area Costuming Society is bidding to offer Costume-Con 24 in ______) using any and all media (e.g., web site, Facebook page, Twitter, paper announcements, press releases, shouting out the window, embroidery on costumes. . . ).

The ConStitution requires CC 31 to prepare and distribute the ballot and to count the votes (section 2.10).

At CC 31, you should work on promoting the bid.  This could include a fan table, entries in masquerades promoting the bid, sponsoring the Con Suite, making awards to entries in the masquerades that relate to the con’s philosophy or theme, and so forth.  Check with the CC 31 concom.  Wearing hall costumes that promote the bid would not hurt.

Remember, I have absolutely no official position, so anything I say is subject to correction or contradiction.  If in doubt, ask Karen; she’s the service mark holder.

Byron

On Jan 9, 2013, at 12:55 PM, staceylee25 <staceylee25@yahoo.com> wrote:

> Hooray, I found the invite and got onto the list! Hello everyone!
>
> — In runacc@yahoogroups.com, bruno@… wrote:
> >
> > Has there been an official announcement of the CC34 bid? When do we
> > need mail the ballots for early voting?
>
> As secretary and vice-chair of the CC34 Bid Committee, I would like to know what sorts of documents and logistical things we need to be doing. Do WE prepare announcements or does someone else? Who prepares said ballots? And what sorts of things are we expected to do as a bid committee at CC31?
>
> Thanks for your collective help in advance. Most of us on the committee for Madison are not new to running conventions nor attending CC, but we are first-time CostumeCon bidders. We’d love all the advice you wise folks can give.
>
> Stace
> MACS president
> CC34 Madison secretary/vice-chair
>
>

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2521 From: dandyhank Date: 1/26/2013
Subject: Paging Dawn M!
Dawn,
Please contact me directly. I have a question for you.
Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2522 From: dandyhank Date: 1/29/2013
Subject: Paging Sandy Swank!
Sandy,
Contact me directly!
Thanks!
Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2523 From: spiritof_76 Date: 1/29/2013
Subject: award ribbons
Recommendations for manufacturers and when do I need to order them?

Thanks.

Michael

 

Group: runacc Message: 2524 From: Marg Grady Date: 1/30/2013
Subject: Re: Award Ribbons
Hodges Ribbons is the place that Marty recommends for the big “horse show”
ribbons.

You want to allow about six weeks, more if you can, iirc.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2525 From: Kevin Roche Date: 1/30/2013
Subject: Re: Award Ribbons

I concur. Hodges is who we used, too, for CC26, and will for Westercon 66
as well.

On Wed, Jan 30, 2013 at 7:22 AM, Marg Grady <marg1066@gmail.com> wrote:

> Hodges Ribbons is the place that Marty recommends for the big “horse show”
> ribbons.
>
> You want to allow about six weeks, more if you can, iirc.
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2526 From: Martin Gear Date: 1/30/2013
Subject: Re: award ribbons

Michael –
As Marg told you, most of the East Coast cons use Hodges Badge Company
for their ribbon orders. Because they started out selling ribbons for
horse shows the closest to the horse show season the busier they get. I
try to order ribbons for Balticon (end of May) at least two months in
advance, although I think that we ordered the ribbons for CC-30 about 3
weeks before and still got them in time. They also have some ribbons
that they can produce in 72 hours. If you can order before the end of
February, you get a discount on your order. If you are having a special
logo made for the center of the rosettes allow an extra week to get it
made. NOTE: there is a one time charge for the die but no charge after
that for using it. They also have a selection of available stamps for
the rosette centers which makes more sense when you are doing a one shot
con. They are really good people to deal with, their quality is
excellent, and of course they make plain badge ribbons both vertical and
horizontal as well as the rosettes. Remember that there will be a
charge each time that you change text. I usually do my ribbon order and
let them calculate the charges for the text changes. They will fax you a
copy of your order priced out for you to approve before they start to
produce the ribbons. If I can be of any help, please drop me a line.
Marty

Their website is: www.hodgesbadge.com

On 1/29/2013 10:22 PM, bruno@soulmasque.com wrote:
>
> Recommendations for manufacturers and when do I need to order them?
>
> Thanks.
>
> Michael
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2527 From: Byron Connell Date: 1/30/2013
Subject: Re: Award Ribbons

I also concur. I used Hodges for Philcon masquerades, the three years I ran them. We used the company for CC 29 and I believe Chicon 7 used it for all its ribbons.

Byron

On Jan 30, 2013, at 12:31 PM, Kevin Roche <kevin@twistedimage.com> wrote:

> I concur. Hodges is who we used, too, for CC26, and will for Westercon 66
> as well.
>
> On Wed, Jan 30, 2013 at 7:22 AM, Marg Grady marg1066@gmail.com> wrote:
>
> > Hodges Ribbons is the place that Marty recommends for the big “horse show”
> > ribbons.
> >
> > You want to allow about six weeks, more if you can, iirc.
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ————————————
> >
> > View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> > Groups Links
> >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2528 From: spiritof_76 Date: 1/30/2013
Subject: Re: award ribbons

How about an estimate on number of ribbons needed? I’m sure that are
many variables.

Michael

On 2013-01-30 11:02, Martin Gear wrote:
> Michael –
> As Marg told you, most of the East Coast cons use Hodges Badge
> Company
> for their ribbon orders. Because they started out selling ribbons
> for
> horse shows the closest to the horse show season the busier they
> get. I
> try to order ribbons for Balticon (end of May) at least two months
> in
> advance, although I think that we ordered the ribbons for CC-30
> about 3
> weeks before and still got them in time. They also have some ribbons
> that they can produce in 72 hours. If you can order before the end
> of
> February, you get a discount on your order. If you are having a
> special
> logo made for the center of the rosettes allow an extra week to get
> it
> made. NOTE: there is a one time charge for the die but no charge
> after
> that for using it. They also have a selection of available stamps
> for
> the rosette centers which makes more sense when you are doing a one
> shot
> con. They are really good people to deal with, their quality is
> excellent, and of course they make plain badge ribbons both vertical
> and
> horizontal as well as the rosettes. Remember that there will be a
> charge each time that you change text. I usually do my ribbon order
> and
> let them calculate the charges for the text changes. They will fax
> you a
> copy of your order priced out for you to approve before they start
> to
> produce the ribbons. If I can be of any help, please drop me a line.
> Marty
>
> Their website is: www.hodgesbadge.com
>
>

 

Group: runacc Message: 2529 From: spiritof_76 Date: 1/31/2013
Subject: canadian vendors at US cons
We have an inquiry from a Canadian vendor about permits. I vaguely
recall a discussion about something similar. I know for US vendors, we
refer them to the CO tax office to handle all of their own tax stuff.

Anyone one closer to Canada had to work with Canadian dealers?

Michael

 

Group: runacc Message: 2530 From: Nora & Bruce Mai Date: 1/31/2013
Subject: Re: award ribbons
You might want to also look at Stineman Ribbons: http://www.stinemanribbon.com/ – I got the Ribbon Project rosettes from them.
From what I hear of Hodges the service & prices are about the same but it might give you some style variants.

Basic ribbons would probably be the same from each but Stineman has some options & colors I didn’t see on Hodges site.
They were great at communication and really fast delivery, although it’s always good to plan in advance.

Just another option,

Nora

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of bruno@soulmasque.com
Sent: Tuesday, January 29, 2013 9:22 PM
To: runacc@yahoogroups.com
Subject: [runacc] award ribbons

Recommendations for manufacturers and when do I need to order them?

Thanks.

Michael

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 2013.0.2890 / Virus Database: 2639/6064 – Release Date: 01/28/13

 

Group: runacc Message: 2531 From: Betsy Marks Delaney Date: 1/31/2013
Subject: Re: award ribbons
Excellent question (and repeated often).

One of the nice things about Yahoo Groups is the ability to store links to
useful stuff.

I just created a folder there, called Award Ribbons.

http://groups.yahoo.com/group/runacc/links/Award_Ribbons_001359646081/

You’ll find these two companies listed, with the name of the company,
address and URL.

Anyone who is a member of this list can add links. Also files, etc.

I see these things requested often and I’m going to suggest that it would
be a GOOD THING ™ to take your documentation and place a copy up in the
files section, or in links, and share this data so we don’t have to ask
every time for each new con.

Yes, the purpose of this list is to share info. The purpose of the site is
to make that sharing easier.

Setting up the links took me about three minutes (less time than it took to
compose this message).

Go explore Yahoo, please!

(Note: You do need a Yahoo account to access the benefits of the group
beyond just getting email, but setting up a Yahoo account is trivial. If
you need help connecting your Yahoo account to this group, drop me a line
and I’ll take care of it for you.)

Cheers,

Betsy



Betsy Marks Delaney

http://www.hawkeswood.com/

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2532 From: Martin Gear Date: 1/31/2013
Subject: Re: award ribbons

Michael –
The short answer is that you will order either too many or too few. Too
many is better because if you have ti place a second order there will be
extra charges. I believe that Kevin or Bruce have kept stats regarding
what percentage of attendees compete, and what percentage of those win
an award. Hopefully they can give you a better idea. If I get some time
this weekend I’ll send you my technique for changing the center streamer
so that you can save on the Best-in-Class and Best-in-Show ribbons.
Marty

On 1/30/2013 11:36 PM, bruno@soulmasque.com wrote:
>
> How about an estimate on number of ribbons needed? I’m sure that are
> many variables.
>
> Michael
>
> On 2013-01-30 11:02, Martin Gear wrote:
> > Michael –
> > As Marg told you, most of the East Coast cons use Hodges Badge
> > Company
> > for their ribbon orders. Because they started out selling ribbons
> > for
> > horse shows the closest to the horse show season the busier they
> > get. I
> > try to order ribbons for Balticon (end of May) at least two months
> > in
> > advance, although I think that we ordered the ribbons for CC-30
> > about 3
> > weeks before and still got them in time. They also have some ribbons
> > that they can produce in 72 hours. If you can order before the end
> > of
> > February, you get a discount on your order. If you are having a
> > special
> > logo made for the center of the rosettes allow an extra week to get
> > it
> > made. NOTE: there is a one time charge for the die but no charge
> > after
> > that for using it. They also have a selection of available stamps
> > for
> > the rosette centers which makes more sense when you are doing a one
> > shot
> > con. They are really good people to deal with, their quality is
> > excellent, and of course they make plain badge ribbons both vertical
> > and
> > horizontal as well as the rosettes. Remember that there will be a
> > charge each time that you change text. I usually do my ribbon order
> > and
> > let them calculate the charges for the text changes. They will fax
> > you a
> > copy of your order priced out for you to approve before they start
> > to
> > produce the ribbons. If I can be of any help, please drop me a line.
> > Marty
> >
> > Their website is: www.hodgesbadge.com
> >
> >
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2533 From: Byron Connell Date: 1/31/2013
Subject: Re: award ribbons

For Anticipation, the 2009 Worldcon, I had 25 entries. I ordered 120 award ribbons and ran out. I had to limit winning groups in the master division to one ribbon per group. This year, I placed the same order for Chicon, had 25 entries, and had a few left over.

What you need to do is have each MD estimate the number of bodies in the show and the proportion winning a workmanship award or a presentation award. This is their job, not yours. In a show such as the historical, that easily could exceed 100 percent of the number of bodies, since awards are made for documentation, workmanship, and presentation. Your MDs should review the data on SF and historical masquerades in the recent past on CostumeCon.org and make estimates for their own shows.

If you keep all ribbons simple and generic (e.g., “CostumeCon 31 Award”), you aren’t limited to using one sent of ribbons for one show. I also do not use different colored or labeled ribbons for different awards (e.g., best in show). In the tradition of the original Olympics in ancient Greece, everyone receives the same ribbon; the certificate says what it was for.

I hope this helps.

Byron

On Jan 31, 2013, at 4:53 PM, Martin Gear <MartinGear@comcast.net> wrote:

> Michael –
> The short answer is that you will order either too many or too few. Too
> many is better because if you have ti place a second order there will be
> extra charges. I believe that Kevin or Bruce have kept stats regarding
> what percentage of attendees compete, and what percentage of those win
> an award. Hopefully they can give you a better idea. If I get some time
> this weekend I’ll send you my technique for changing the center streamer
> so that you can save on the Best-in-Class and Best-in-Show ribbons.
> Marty
>
> On 1/30/2013 11:36 PM, bruno@soulmasque.com wrote:
> >
> > How about an estimate on number of ribbons needed? I’m sure that are
> > many variables.
> >
> > Michael
> >
> > On 2013-01-30 11:02, Martin Gear wrote:
> > > Michael –
> > > As Marg told you, most of the East Coast cons use Hodges Badge
> > > Company
> > > for their ribbon orders. Because they started out selling ribbons
> > > for
> > > horse shows the closest to the horse show season the busier they
> > > get. I
> > > try to order ribbons for Balticon (end of May) at least two months
> > > in
> > > advance, although I think that we ordered the ribbons for CC-30
> > > about 3
> > > weeks before and still got them in time. They also have some ribbons
> > > that they can produce in 72 hours. If you can order before the end
> > > of
> > > February, you get a discount on your order. If you are having a
> > > special
> > > logo made for the center of the rosettes allow an extra week to get
> > > it
> > > made. NOTE: there is a one time charge for the die but no charge
> > > after
> > > that for using it. They also have a selection of available stamps
> > > for
> > > the rosette centers which makes more sense when you are doing a one
> > > shot
> > > con. They are really good people to deal with, their quality is
> > > excellent, and of course they make plain badge ribbons both vertical
> > > and
> > > horizontal as well as the rosettes. Remember that there will be a
> > > charge each time that you change text. I usually do my ribbon order
> > > and
> > > let them calculate the charges for the text changes. They will fax
> > > you a
> > > copy of your order priced out for you to approve before they start
> > > to
> > > produce the ribbons. If I can be of any help, please drop me a line.
> > > Marty
> > >
> > > Their website is: www.hodgesbadge.com
> > >
> > >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2534 From: Andrew Trembley Date: 2/1/2013
Subject: Re: canadian vendors at US cons

You might want to talk with Angela Jones at Angelwear
Creations<http://www.angelwearcreations.com/>
.

On Wed, Jan 30, 2013 at 9:35 PM, <bruno@soulmasque.com> wrote:

> We have an inquiry from a Canadian vendor about permits. I vaguely
> recall a discussion about something similar. I know for US vendors, we
> refer them to the CO tax office to handle all of their own tax stuff.
>
> Anyone one closer to Canada had to work with Canadian dealers?
>
>
> Michael
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2535 From: Byron Connell Date: 2/28/2013
Subject: What Happened to CC 13?
In doing some research in the Costume-Con Visual Archive, I found that CC 13 had been taken down. Will it be restored?

Byron

 

Group: runacc Message: 2536 From: Betsy Marks Delaney Date: 2/28/2013
Subject: Re: What Happened to CC 13?

It’s there, but oddly enough is appearing BEFORE CC12. Weird!

-b

On Thu, Feb 28, 2013 at 8:39 PM, Byron Connell <byronpconnell@gmail.com> wrote:
> In doing some research in the Costume-Con Visual Archive, I found that CC 13 had been taken down. Will it be restored?
>
> Byron



Betsy Marks Delaney

http://www.hawkeswood.com/

 

Group: runacc Message: 2537 From: Kevin Roche Date: 3/1/2013
Subject: Re: What Happened to CC 13?

All fixed (there is a re-order function built into the admin interface.)

Moving one item is easy-peasy.

Kevin

On Thu, Feb 28, 2013 at 6:05 PM, Betsy Marks Delaney
<aramintamd@gmail.com>wrote:

> It’s there, but oddly enough is appearing BEFORE CC12. Weird!
>
> -b
>
> On Thu, Feb 28, 2013 at 8:39 PM, Byron Connell <byronpconnell@gmail.com>
> wrote:
> > In doing some research in the Costume-Con Visual Archive, I found that
> CC 13 had been taken down. Will it be restored?
> >
> > Byron
> —
> —
> —
> Betsy Marks Delaney
>
> http://www.hawkeswood.com/
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2538 From: Betsy Marks Delaney Date: 3/1/2013
Subject: Re: What Happened to CC 13?

Thanks, Kevin! It’s been soooo long…

-b

On Fri, Mar 1, 2013 at 12:29 PM, Kevin Roche <kevin@twistedimage.com> wrote:
> All fixed (there is a re-order function built into the admin interface.)
>
> Moving one item is easy-peasy.
>
> Kevin




Betsy Marks Delaney

http://www.hawkeswood.com/

 

Group: runacc Message: 2539 From: Kevin Roche Date: 3/1/2013
Subject: Re: What Happened to CC 13?

I was just happy to discover my “keys to the car” still worked 🙂

On Fri, Mar 1, 2013 at 1:24 PM, Betsy Marks Delaney <aramintamd@gmail.com>wrote:

> Thanks, Kevin! It’s been soooo long…
>
> -b
>
> On Fri, Mar 1, 2013 at 12:29 PM, Kevin Roche <kevin@twistedimage.com>
> wrote:
> > All fixed (there is a re-order function built into the admin interface.)
> >
> > Moving one item is easy-peasy.
> >
> > Kevin
>
> —
> —
> —
> Betsy Marks Delaney
>
> http://www.hawkeswood.com/
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2540 From: Nora & Bruce Mai Date: 3/1/2013
Subject: Re: What Happened to CC 13?

I re-ordered the folders a while back (with Karen’s permission) so the newer
years are at the top.

Nora

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Kevin Roche
Sent: Friday, March 01, 2013 4:00 PM
To: runacc@yahoogroups.com
Subject: Re: [runacc] What Happened to CC 13?

I was just happy to discover my “keys to the car” still worked 🙂

On Fri, Mar 1, 2013 at 1:24 PM, Betsy Marks Delaney
<aramintamd@gmail.com>wrote:

> Thanks, Kevin! It’s been soooo long…
>
> -b
>
> On Fri, Mar 1, 2013 at 12:29 PM, Kevin Roche <kevin@twistedimage.com>
> wrote:
> > All fixed (there is a re-order function built into the admin interface.)
> >
> > Moving one item is easy-peasy.
> >
> > Kevin
>
> —
> —
> —
> Betsy Marks Delaney
>
> http://www.hawkeswood.com/
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 2013.0.2899 / Virus Database: 2641/6139 – Release Date: 02/28/13

 

Group: runacc Message: 2541 From: spiritof_76 Date: 4/17/2013
Subject: folio at the door
Does a copy of the folio go to everyone at the door or just full
weekend attendees?

Michael

 

Group: runacc Message: 2542 From: Betsy Marks Delaney Date: 4/17/2013
Subject: Re: folio at the door

CCXV gave a copy of the book to everyone who paid full freight during the
weekend (especially at the discounted Student rate). Can’t speak for the
others. We had about a box of them left over at the end of the con, and I
don’t recall whether we sold them to get rid of them or did something else
instead. Been too long.

-b

On Wed, Apr 17, 2013 at 2:10 AM, <bruno@soulmasque.com> wrote:

> Does a copy of the folio go to everyone at the door or just full
> weekend attendees?
>
> Michael
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>




Betsy Marks Delaney

http://www.hawkeswood.com/

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2543 From: Trudy Leonard Date: 4/17/2013
Subject: Re: folio at the door
We gave them to everyone with a full membership (and I mailed them, along with the rest of the “at door” packet to anyone that didn’t make it), and we still ended up with a bunch left over. I passed them out to folks who asked for a copy at later cons. I think I still have some and sent a bunch to recycling.

Trudy

To: runacc@yahoogroups.com
From: bruno@soulmasque.com
Date: Tue, 16 Apr 2013 23:10:40 -0700
Subject: [runacc] folio at the door

Does a copy of the folio go to everyone at the door or just full

weekend attendees?

Michael

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2544 From: spiritof_76 Date: 4/17/2013
Subject: Re: folio at the door

Thanks. That’s two for giving them to full weekend at the door.

Michael

On 2013-04-17 14:28, Trudy Leonard wrote:
> We gave them to everyone with a full membership (and I mailed them,
> along with the rest of the “at door” packet to anyone that didn’t make
> it), and we still ended up with a bunch left over. I passed them out
> to folks who asked for a copy at later cons. I think I still have some
> and sent a bunch to recycling.
>
> Trudy

 

Group: runacc Message: 2545 From: Pierre & Sandy Pettinger Date: 4/17/2013
Subject: Re: folio at the door

Note, that both of these CC’s were before the use
of digital folios. I believe CC28 provided a
disc containing the folio to people who joined at
the door. Henry will have to confirm. I’m not
sure what CC29 & 30 did. Printing is so
expensive, it’s much easier and cheaper to put a
digital copy on disc (PDF) than to actually print and bind (staple, whatever).

Just my 2 pence.

Sandy

At 08:35 PM 4/17/2013, you wrote:

>Thanks. That’s two for giving them to full weekend at the door.
>
>Michael
>
>On 2013-04-17 14:28, Trudy Leonard wrote:
> > We gave them to everyone with a full membership (and I mailed them,
> > along with the rest of the “at door” packet to anyone that didn’t make
> > it), and we still ended up with a bunch left over. I passed them out
> > to folks who asked for a copy at later cons. I think I still have some
> > and sent a bunch to recycling.
> >
> > Trudy
>
>

International Costumers’ Guild Archivist

http://www.costume.org/gallery2/main.php

“Those Who Fail to Learn History
Are Doomed to Repeat It;
Those Who Fail To Learn History Correctly –
Why They Are Simply Doomed.”

Achemdro’hm
“The Illusion of Historical Fact”
— C. Y. 4971

Andromeda

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2546 From: Elaine Sims Date: 4/18/2013
Subject: Re: folio at the door
I agree with Sandy. Having worked in the print & copy shop industry for
a little while, the costs easily get high very fast. I don’t recall if
at CC30 the folio was being offered on disk, but it was not in the ‘at
the door’ packets. (I just checked one that I filed away).

Thanks to the small cost of CDs, and the near-ubiquitousness of CD/DVD
burners in laptops, I would burn a small stack (25-50) and have them at
the check-in table. Have disks for those that request it, and if you run
out, burn on demand.

I personally think the digital folio is a great thing, but then I also
hate paperwork…

just my .02

~Elaine, who has never really run a Con 🙂

 

Group: runacc Message: 2547 From: ma0902432 Date: 4/18/2013
Subject: Re: folio at the door

PErsonally I LOVE t he idea of having a hard paper copy of the Folio.
Digital is okay……..but with the paper Folio, I Can print out photos
of people wearing the designs they made and tape them into the book (I
suppose that one could do this digitally, but I don’t live in a personal
digital world……).

Yours in costumign, Lisa A

On Thu, 18 Apr 2013 05:56:07 -0700 Elaine Sims <elaine@woollycat.net>
writes:

> I agree with Sandy. Having worked in the print & copy shop industry
> for
> a little while, the costs easily get high very fast. I don’t recall
> if
> at CC30 the folio was being offered on disk, but it was not in the
> ‘at
> the door’ packets. (I just checked one that I filed away).
>
> Thanks to the small cost of CDs, and the near-ubiquitousness of
> CD/DVD
> burners in laptops, I would burn a small stack (25-50) and have them
> at
> the check-in table. Have disks for those that request it, and if you
> run
> out, burn on demand.
>
> I personally think the digital folio is a great thing, but then I
> also
> hate paperwork…
>
> just my .02
>
> ~Elaine, who has never really run a Con 🙂
>
>
> ————————————
>
> View the Document:
> http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>
>

 

Group: runacc Message: 2548 From: Byron Connell Date: 4/18/2013
Subject: Re: folio at the door

Make it three.

Byron

On Apr 17, 2013, at 9:35 PM, bruno@soulmasque.com wrote:

> Thanks. That’s two for giving them to full weekend at the door.
>
> Michael
>
> On 2013-04-17 14:28, Trudy Leonard wrote:
> > We gave them to everyone with a full membership (and I mailed them,
> > along with the rest of the “at door” packet to anyone that didn’t make
> > it), and we still ended up with a bunch left over. I passed them out
> > to folks who asked for a copy at later cons. I think I still have some
> > and sent a bunch to recycling.
> >
> > Trudy
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2549 From: Aurora Celeste Date: 4/18/2013
Subject: Re: folio at the door

Maybe I’m out in left field, but I would consider paying $3-5 if the con
wanted to email digital and sell hard copies.

On Thu, Apr 18, 2013 at 6:29 PM, Byron Connell <byronpconnell@gmail.com>wrote:

> Make it three.
>
> Byron
>
>
> On Apr 17, 2013, at 9:35 PM, bruno@soulmasque.com wrote:
>
> > Thanks. That’s two for giving them to full weekend at the door.
> >
> > Michael
> >
> > On 2013-04-17 14:28, Trudy Leonard wrote:
> > > We gave them to everyone with a full membership (and I mailed them,
> > > along with the rest of the “at door” packet to anyone that didn’t make
> > > it), and we still ended up with a bunch left over. I passed them out
> > > to folks who asked for a copy at later cons. I think I still have some
> > > and sent a bunch to recycling.
> > >
> > > Trudy
> >
> >
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2550 From: Byron Connell Date: 4/18/2013
Subject: Re: folio at the door

Purchase of a copy of the Folio is included in an attending membership. Unless a con advertises that it will not be made available to at-the-door entrants in the same form provided to advance purchasers and reduces the at-the-door price to reflect its absence, the con is treating attending members unequally, to say the least.

Byron

On Apr 18, 2013, at 8:56 AM, Elaine Sims <elaine@woollycat.net> wrote:

> I agree with Sandy. Having worked in the print & copy shop industry for
> a little while, the costs easily get high very fast. I don’t recall if
> at CC30 the folio was being offered on disk, but it was not in the ‘at
> the door’ packets. (I just checked one that I filed away).
>
> Thanks to the small cost of CDs, and the near-ubiquitousness of CD/DVD
> burners in laptops, I would burn a small stack (25-50) and have them at
> the check-in table. Have disks for those that request it, and if you run
> out, burn on demand.
>
> I personally think the digital folio is a great thing, but then I also
> hate paperwork…
>
> just my .02
>
> ~Elaine, who has never really run a Con 🙂
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2551 From: Elaine Mami Date: 4/18/2013
Subject: Re: folio at the door

I know that 29 had CDs to give out, and we (30) had some CDs & some paper, in case we ran out – which we did. Elaine
To: runacc@yahoogroups.com
From: costumrs@radiks.net
Date: Wed, 17 Apr 2013 22:28:00 -0500
Subject: [runacc] RE: folio at the door

Note, that both of these CC’s were before the use

of digital folios. I believe CC28 provided a

disc containing the folio to people who joined at

the door. Henry will have to confirm. I’m not

sure what CC29 & 30 did. Printing is so

expensive, it’s much easier and cheaper to put a

digital copy on disc (PDF) than to actually print and bind (staple, whatever).

Just my 2 pence.

Sandy

At 08:35 PM 4/17/2013, you wrote:

>Thanks. That’s two for giving them to full weekend at the door.

>

>Michael

>

>On 2013-04-17 14:28, Trudy Leonard wrote:

> > We gave them to everyone with a full membership (and I mailed them,

> > along with the rest of the “at door” packet to anyone that didn’t make

> > it), and we still ended up with a bunch left over. I passed them out

> > to folks who asked for a copy at later cons. I think I still have some

> > and sent a bunch to recycling.

> >

> > Trudy

>

>

International Costumers’ Guild Archivist

http://www.costume.org/gallery2/main.php

“Those Who Fail to Learn History

Are Doomed to Repeat It;

Those Who Fail To Learn History Correctly –

Why They Are Simply Doomed.”

Achemdro’hm

“The Illusion of Historical Fact”

— C. Y. 4971

Andromeda

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

 

Yahoo Archive: Page 50 of 67

 

Messages in runacc group. Page 50 of 67.

Group: runacc Message: 2452 From: Bruce & Nora Mai Date: 7/1/2012
Subject: Re: Signed releases
Group: runacc Message: 2453 From: Byron Connell Date: 7/1/2012
Subject: Re: Signed releases
Group: runacc Message: 2454 From: Nora & Bruce Mai Date: 7/1/2012
Subject: Re: Signed releases
Group: runacc Message: 2455 From: Martin Gear Date: 7/2/2012
Subject: Re: Signed releases
Group: runacc Message: 2456 From: Trudy Leonard Date: 7/5/2012
Subject: contacting Ricky Dick
Group: runacc Message: 2457 From: Nora & Bruce Mai Date: 7/23/2012
Subject: Costume-Con Gallery “down”
Group: runacc Message: 2458 From: Kevin Roche Date: 7/23/2012
Subject: Re: Costume-Con Gallery “down”
Group: runacc Message: 2459 From: Kaijugal . Date: 7/23/2012
Subject: Membership Numbers
Group: runacc Message: 2460 From: osierhenry@cs.com Date: 7/23/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2461 From: Elaine Mami Date: 7/23/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2462 From: Kaijugal . Date: 7/24/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2463 From: Gravely MacCabre Date: 7/24/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2464 From: Kaijugal . Date: 7/24/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2465 From: Elaine Mami Date: 7/24/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2466 From: Nora & Bruce Mai Date: 7/24/2012
Subject: Re: Costume-Con Gallery “down”
Group: runacc Message: 2467 From: Nora & Bruce Mai Date: 7/24/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2468 From: bruno@soulmasque.com Date: 7/25/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2469 From: Kevin Roche Date: 7/25/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2470 From: Kaijugal . Date: 7/25/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2471 From: Kaijugal . Date: 7/25/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2472 From: Kevin Roche Date: 7/25/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2473 From: runacc@yahoogroups.com Date: 7/25/2012
Subject: New file uploaded to runacc
Group: runacc Message: 2474 From: Kevin Roche Date: 7/25/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2475 From: bruno@soulmasque.com Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2476 From: Martin Gear Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2477 From: Kaijugal . Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2478 From: Nora & Bruce Mai Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2479 From: Betsy Marks Delaney Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2480 From: Kevin Roche Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2481 From: martingear@comcast.net Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2482 From: Kaijugal . Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2483 From: osierhenry@cs.com Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2484 From: Byron Connell Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2485 From: Byron Connell Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2486 From: Elaine Mami Date: 7/26/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2487 From: cgalway@xmission.com Date: 7/27/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2488 From: Byron Connell Date: 7/27/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2489 From: Trudy Leonard Date: 7/27/2012
Subject: Re: Membership Numbers
Group: runacc Message: 2490 From: bruno@soulmasque.com Date: 8/21/2012
Subject: input required on folio rules
Group: runacc Message: 2491 From: Kaijugal . Date: 8/21/2012
Subject: Re: input required on folio rules
Group: runacc Message: 2492 From: bruno@soulmasque.com Date: 8/21/2012
Subject: Re: input required on folio rules
Group: runacc Message: 2493 From: Martin Gear Date: 8/21/2012
Subject: Re: input required on folio rules
Group: runacc Message: 2494 From: Bruce & Nora Mai Date: 8/21/2012
Subject: Re: input required on folio rules
Group: runacc Message: 2495 From: Byron Connell Date: 8/21/2012
Subject: Re: input required on folio rules
Group: runacc Message: 2496 From: bruno@soulmasque.com Date: 10/28/2012
Subject: historical workmanship judging guidelines
Group: runacc Message: 2497 From: Aurora Celeste Date: 10/28/2012
Subject: Re: historical workmanship judging guidelines
Group: runacc Message: 2498 From: Karen Heim Date: 10/29/2012
Subject: Re: historical workmanship judging guidelines
Group: runacc Message: 2499 From: Byron Connell Date: 10/29/2012
Subject: Re: historical workmanship judging guidelines
Group: runacc Message: 2500 From: bruno@soulmasque.com Date: 10/29/2012
Subject: one day memberships and masquerade entries
Group: runacc Message: 2501 From: Elaine Mami Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries

 


 

Group: runacc Message: 2452 From: Bruce & Nora Mai Date: 7/1/2012
Subject: Re: Signed releases

I’m referring to scanned hard copies.
Although the question of e-signatures is interesting but maybe another day 🙂

— On Sun, 7/1/12, martingear@comcast.net <MartinGear@comcast.net> wrote:

From: martingear@comcast.net <MartinGear@comcast.net>
Subject: Re: [runacc] Signed releases
To: runacc@yahoogroups.com
Date: Sunday, July 1, 2012, 2:37 PM

I keep mine for 5 years. Scanned copies of a form with an original signature
will probably pass muster. I would not count on eforms necessarily passing
the test unless the individual has a “security certificate” and your
software captures that to.
Marty

Sent from my Verizon Wireless Phone

—–Original message—–
From: Nora & Bruce Mai <casamai@sbcglobal.net>
To: runacc@yahoogroups.com
Sent: Sun, Jul 1, 2012 13:35:02 GMT+00:00
Subject: [runacc] Signed releases

How long should these be kept?
And how do we feel about scanning them? Are e-files of the releases still as
valid?

Nora

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2453 From: Byron Connell Date: 7/1/2012
Subject: Re: Signed releases

I agree with Marty about E-signatures and that scanned copies of original signatures probably are OK.

I keep releases in perpetuity because mine include model releases as well as liability. I’ve got lots of photos that are more than five years old, as do the ICG archives and the Costume-ConNections Web site.

Byron

On Jul 1, 2012, at 5:55 PM, Bruce & Nora Mai wrote:

> I’m referring to scanned hard copies.
> Although the question of e-signatures is interesting but maybe another day 🙂
>
> — On Sun, 7/1/12, martingear@comcast.net <MartinGear@comcast.net> wrote:
>
> From: martingear@comcast.net <MartinGear@comcast.net>
> Subject: Re: [runacc] Signed releases
> To: runacc@yahoogroups.com
> Date: Sunday, July 1, 2012, 2:37 PM
>
> I keep mine for 5 years. Scanned copies of a form with an original signature
> will probably pass muster. I would not count on eforms necessarily passing
> the test unless the individual has a “security certificate” and your
> software captures that to.
> Marty
>
> Sent from my Verizon Wireless Phone
>
> —–Original message—–
> From: Nora & Bruce Mai <casamai@sbcglobal.net>
> To: runacc@yahoogroups.com
> Sent: Sun, Jul 1, 2012 13:35:02 GMT+00:00
> Subject: [runacc] Signed releases
>
> How long should these be kept?
> And how do we feel about scanning them? Are e-files of the releases still as
> valid?
>
> Nora
>
> [Non-text portions of this message have been removed]
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2454 From: Nora & Bruce Mai Date: 7/1/2012
Subject: Re: Signed releases

You both are reinforcing what I was thinking already. I’m trying to get rid
of stuff and stacks of paperwork seemed like a good target.
If I’ve got the originals scanned and saved, I think that should be an
acceptable record and can then shred the originals.

Nora

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Byron Connell
Sent: Sunday, July 01, 2012 6:51 PM
To: runacc@yahoogroups.com
Subject: Re: [runacc] Signed releases

I agree with Marty about E-signatures and that scanned copies of original
signatures probably are OK.

I keep releases in perpetuity because mine include model releases as well as
liability. I’ve got lots of photos that are more than five years old, as do
the ICG archives and the Costume-ConNections Web site.

Byron

On Jul 1, 2012, at 5:55 PM, Bruce & Nora Mai wrote:

> I’m referring to scanned hard copies.
> Although the question of e-signatures is interesting but maybe another
> day 🙂
>
> — On Sun, 7/1/12, martingear@comcast.net <MartinGear@comcast.net> wrote:
>
> From: martingear@comcast.net <MartinGear@comcast.net>
> Subject: Re: [runacc] Signed releases
> To: runacc@yahoogroups.com
> Date: Sunday, July 1, 2012, 2:37 PM
>
> I keep mine for 5 years. Scanned copies of a form with an original
> signature will probably pass muster. I would not count on eforms
> necessarily passing the test unless the individual has a “security
> certificate” and your software captures that to.
> Marty
>
> Sent from my Verizon Wireless Phone
>
> —–Original message—–
> From: Nora & Bruce Mai <casamai@sbcglobal.net>
> To: runacc@yahoogroups.com
> Sent: Sun, Jul 1, 2012 13:35:02 GMT+00:00
> Subject: [runacc] Signed releases
>
> How long should these be kept?
> And how do we feel about scanning them? Are e-files of the releases
> still as valid?
>
> Nora
>
> [Non-text portions of this message have been removed]
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 10.0.1424 / Virus Database: 2437/5105 – Release Date: 07/01/12

 

Group: runacc Message: 2455 From: Martin Gear Date: 7/2/2012
Subject: Re: Signed releases

One of my clients who is both very security conscious and also paranoid,
insists on signed copies which are then scanned with a date stamp and
stored while the originals are shredded. Obviously they have multiple
back-ups but they are convinced that this is the only way to go. FWIIW
Marty

On 7/1/2012 10:46 PM, Nora & Bruce Mai wrote:
>
> You both are reinforcing what I was thinking already. I’m trying to
> get rid
> of stuff and stacks of paperwork seemed like a good target.
> If I’ve got the originals scanned and saved, I think that should be an
> acceptable record and can then shred the originals.
>
> Nora
>
> —–Original Message—–
> From: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> [mailto:runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>] On
> Behalf Of
> Byron Connell
> Sent: Sunday, July 01, 2012 6:51 PM
> To: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> Subject: Re: [runacc] Signed releases
>
> I agree with Marty about E-signatures and that scanned copies of original
> signatures probably are OK.
>
> I keep releases in perpetuity because mine include model releases as
> well as
> liability. I’ve got lots of photos that are more than five years old,
> as do
> the ICG archives and the Costume-ConNections Web site.
>
> Byron
>
> On Jul 1, 2012, at 5:55 PM, Bruce & Nora Mai wrote:
>
> > I’m referring to scanned hard copies.
> > Although the question of e-signatures is interesting but maybe another
> > day 🙂
> >
> > — On Sun, 7/1/12, martingear@comcast.net
> <mailto:martingear%40comcast.net> <MartinGear@comcast.net
> <mailto:MartinGear%40comcast.net>> wrote:
> >
> > From: martingear@comcast.net <mailto:martingear%40comcast.net>
> <MartinGear@comcast.net <mailto:MartinGear%40comcast.net>>
> > Subject: Re: [runacc] Signed releases
> > To: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> > Date: Sunday, July 1, 2012, 2:37 PM
> >
> > I keep mine for 5 years. Scanned copies of a form with an original
> > signature will probably pass muster. I would not count on eforms
> > necessarily passing the test unless the individual has a “security
> > certificate” and your software captures that to.
> > Marty
> >
> > Sent from my Verizon Wireless Phone
> >
> > —–Original message—–
> > From: Nora & Bruce Mai <casamai@sbcglobal.net
> <mailto:casamai%40sbcglobal.net>>
> > To: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> > Sent: Sun, Jul 1, 2012 13:35:02 GMT+00:00
> > Subject: [runacc] Signed releases
> >
> > How long should these be kept?
> > And how do we feel about scanning them? Are e-files of the releases
> > still as valid?
> >
> > Nora
> >
> > [Non-text portions of this message have been removed]
> >
> > ————————————
> >
> > View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> > Groups Links
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
> [Non-text portions of this message have been removed]
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups
> Links
>
> —–
> No virus found in this message.
> Checked by AVG – www.avg.com
> Version: 10.0.1424 / Virus Database: 2437/5105 – Release Date: 07/01/12
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2456 From: Trudy Leonard Date: 7/5/2012
Subject: contacting Ricky Dick
Ricky – could you please contact me off-list. Thank you. Trudy

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2457 From: Nora & Bruce Mai Date: 7/23/2012
Subject: Costume-Con Gallery “down”
Any ideas on how to deal with this?

http://www.costume-con.org/gallery2/upgrade/index.php

Bruce

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2458 From: Kevin Roche Date: 7/23/2012
Subject: Re: Costume-Con Gallery “down”

A quick survey suggests the hosting service may have changed something
that’s confusing the gallery system; if it can’t find the right version
file it thinks an update may be required.

http://gallery.menalto.com/node/94639

Kevin

On Mon, Jul 23, 2012 at 5:30 AM, Nora & Bruce Mai <casamai@sbcglobal.net>wrote:

> Any ideas on how to deal with this?
>
>
>
> http://www.costume-con.org/gallery2/upgrade/index.php
>
>
>
>
>
> Bruce
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2459 From: Kaijugal . Date: 7/23/2012
Subject: Membership Numbers
Hello all,

As you may know we are a little less than 2 years out from CC32.

Can any former Con-Chairs or costume con members give me an idea of what our
membership numbers should be looking like?

~Dawn – CC32

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2460 From: osierhenry@cs.com Date: 7/23/2012
Subject: Re: Membership Numbers

In a message dated 7/23/2012 1:17:57 PM Central Daylight Time,
kaijugal@hotmail.com writes:

> Can any former Con-Chairs or costume con members give me an idea of what
> our
> membership numbers should be looking like?

If I remember correctly, you should start seeing more memberships coming
in. I increased the membership rate every six months by $5, and often had
special rates. I think it did help, and kept CC28 in folks’ minds.

Henry Osier

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2461 From: Elaine Mami Date: 7/23/2012
Subject: Re: Membership Numbers
Dawn, memberships seem to be higher on the sides of the continent, probably because of higher local population. However, they seldom seem to be below 250. We were fortunate enough to have 368! The key is constant regional publicity and copious amounts of flyers at every possible venue that is even vaguely related to costumes: bookstores, quilt & fabric stores, craft stores, local sewing/quilting clubs & events. I even left them in the dentist’s office!

Elaine
Retired Costume-Con Chair

To: runacc@yahoogroups.com
From: kaijugal@hotmail.com
Date: Mon, 23 Jul 2012 14:17:53 -0400
Subject: [runacc] Membership Numbers

Hello all,

As you may know we are a little less than 2 years out from CC32.

Can any former Con-Chairs or costume con members give me an idea of what our
membership numbers should be looking like?

~Dawn – CC32

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2462 From: Kaijugal . Date: 7/24/2012
Subject: Re: Membership Numbers

368 people registered 2 years out Elaine? Wow that’s impressive! 🙂

Of course we have an uphill battle as there are less people in the entire COUNTRY of CANADA than in the STATE OF CALIFORNIA! ^_^;

Add to that people’s disproportional fears of crossing the border. (Which is easy, I do it for conventions frequently with all sorts of
costumes, giant monsters, skulls and whatnot by car, plane, bus and train).
We even had so little luggage room when going to cc36, (I brought a mascot among other things), that
we Torontonians had to wear our full Pirate costumes through airport security
and on the plane!

Thank you for your answer Elaine! 🙂 🙂 🙂

I look forward to hearing from you other experienced Con-chairs!

~Dawn 🙂

> To: runacc@yahoogroups.com
> From: ecmami@hotmail.com
> Date: Mon, 23 Jul 2012 20:46:59 -0400
> Subject: RE: [runacc] Membership Numbers
>
>
> Dawn, memberships seem to be higher on the sides of the continent, probably because of higher local population. However, they seldom seem to be below 250. We were fortunate enough to have 368! The key is constant regional publicity and copious amounts of flyers at every possible venue that is even vaguely related to costumes: bookstores, quilt & fabric stores, craft stores, local sewing/quilting clubs & events. I even left them in the dentist’s office!
>
> Elaine
> Retired Costume-Con Chair
>
>
>
>
> To: runacc@yahoogroups.com
> From: kaijugal@hotmail.com
> Date: Mon, 23 Jul 2012 14:17:53 -0400
> Subject: [runacc] Membership Numbers
>
>
>
>
>
>
>
> Hello all,
>
> As you may know we are a little less than 2 years out from CC32.
>
> Can any former Con-Chairs or costume con members give me an idea of what our
> membership numbers should be looking like?
>
> ~Dawn – CC32
>
>
> [Non-text portions of this message have been removed]
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2463 From: Gravely MacCabre Date: 7/24/2012
Subject: Re: Membership Numbers

did cc-30 have 368 at this point out??? or total at con???

since I know we want 500 or so in a perfect world for 32, I go by my 27 numbers, and if after denver this year, we are between 225-250 with a year to go, we’ll be fine

we sell 100 in that last year, then 100 at the door

done, or close to it, especially with the tons of anime north 1 day kids at more than thier fare share of the 100 dollar price. like 40-50 for a day pass?

they dont help the hotel, but thier $$ will help pay the hotel bill if needed

we used to have to budget upwards of 4K for the folio, just that off the table, pre con, is huge for all future cons.
gee and to think everyone resisted electric for so long.

Gravely MacCabre
http://www.castleblood.com
http://facebook.com/gravelymaccabre
http://etsy.com/shops/gravelymaccabre

tv show clip samples at
http://www.veoh.com/channels/castleblood

________________________________
From: Kaijugal . <kaijugal@hotmail.com>
To: runacc@yahoogroups.com
Sent: Tuesday, July 24, 2012 4:49 PM
Subject: RE: [runacc] Membership Numbers

368 people registered 2 years out Elaine? Wow that’s impressive! 🙂

Of course we have an uphill battle as there are less people in the entire COUNTRY of CANADA than in the STATE OF CALIFORNIA! ^_^;

Add to that people’s disproportional fears of crossing the border. (Which is easy, I do it for conventions frequently with all sorts of
costumes, giant monsters, skulls and whatnot by car, plane, bus and train).
We even had so little luggage room when going to cc36, (I brought a mascot among other things), that
we Torontonians had to wear our full Pirate costumes through airport security
and on the plane!

Thank you for your answer Elaine! 🙂 🙂 🙂

I look forward to hearing from you other experienced Con-chairs!

~Dawn 🙂

> To: mailto:runacc%40yahoogroups.com
> From: mailto:ecmami%40hotmail.com
> Date: Mon, 23 Jul 2012 20:46:59 -0400
> Subject: RE: [runacc] Membership Numbers
>
>
> Dawn, memberships seem to be higher on the sides of the continent, probably because of higher local population. However, they seldom seem to be below 250. We were fortunate enough to have 368! The key is constant regional publicity and copious amounts of flyers at every possible venue that is even vaguely related to costumes: bookstores, quilt & fabric stores, craft stores, local sewing/quilting clubs & events. I even left them in the dentist’s office!
>
> Elaine
> Retired Costume-Con Chair
>
>
>
>
> To: mailto:runacc%40yahoogroups.com
> From: mailto:kaijugal%40hotmail.com
> Date: Mon, 23 Jul 2012 14:17:53 -0400
> Subject: [runacc] Membership Numbers
>
>
>
>
>
>
>
> Hello all,
>
> As you may know we are a little less than 2 years out from CC32.
>
> Can any former Con-Chairs or costume con members give me an idea of what our
> membership numbers should be looking like?
>
> ~Dawn – CC32
>
>
> [Non-text portions of this message have been removed]
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2464 From: Kaijugal . Date: 7/24/2012
Subject: Re: Membership Numbers

They didn’t. Elaine meant that was her total attendance. It was a miscommunication.
Marg gave me the actual number in private email. 🙂
Cheers!
~Dawn 🙂

To: runacc@yahoogroups.com
From: gravelymac@yahoo.com
Date: Tue, 24 Jul 2012 15:20:01 -0700
Subject: Re: [runacc] Membership Numbers

did cc-30 have 368 at this point out??? or total at con???

since I know we want 500 or so in a perfect world for 32, I go by my 27 numbers, and if after denver this year, we are between 225-250 with a year to go, we’ll be fine

we sell 100 in that last year, then 100 at the door

done, or close to it, especially with the tons of anime north 1 day kids at more than thier fare share of the 100 dollar price. like 40-50 for a day pass?

they dont help the hotel, but thier $$ will help pay the hotel bill if needed

we used to have to budget upwards of 4K for the folio, just that off the table, pre con, is huge for all future cons.

gee and to think everyone resisted electric for so long.

Gravely MacCabre

http://www.castleblood.com

http://facebook.com/gravelymaccabre

http://etsy.com/shops/gravelymaccabre

tv show clip samples at

http://www.veoh.com/channels/castleblood

________________________________

From: Kaijugal . <kaijugal@hotmail.com>

To: runacc@yahoogroups.com

Sent: Tuesday, July 24, 2012 4:49 PM

Subject: RE: [runacc] Membership Numbers

368 people registered 2 years out Elaine? Wow that’s impressive! 🙂

Of course we have an uphill battle as there are less people in the entire COUNTRY of CANADA than in the STATE OF CALIFORNIA! ^_^;

Add to that people’s disproportional fears of crossing the border. (Which is easy, I do it for conventions frequently with all sorts of

costumes, giant monsters, skulls and whatnot by car, plane, bus and train).

We even had so little luggage room when going to cc36, (I brought a mascot among other things), that

we Torontonians had to wear our full Pirate costumes through airport security

and on the plane!

Thank you for your answer Elaine! 🙂 🙂 🙂

I look forward to hearing from you other experienced Con-chairs!

~Dawn 🙂

> To: mailto:runacc%40yahoogroups.com

> From: mailto:ecmami%40hotmail.com

> Date: Mon, 23 Jul 2012 20:46:59 -0400

> Subject: RE: [runacc] Membership Numbers

>

>

> Dawn, memberships seem to be higher on the sides of the continent, probably because of higher local population. However, they seldom seem to be below 250. We were fortunate enough to have 368! The key is constant regional publicity and copious amounts of flyers at every possible venue that is even vaguely related to costumes: bookstores, quilt & fabric stores, craft stores, local sewing/quilting clubs & events. I even left them in the dentist’s office!

>

> Elaine

> Retired Costume-Con Chair

>

>

>

>

> To: mailto:runacc%40yahoogroups.com

> From: mailto:kaijugal%40hotmail.com

> Date: Mon, 23 Jul 2012 14:17:53 -0400

> Subject: [runacc] Membership Numbers

>

>

>

>

>

>

>

> Hello all,

>

> As you may know we are a little less than 2 years out from CC32.

>

> Can any former Con-Chairs or costume con members give me an idea of what our

> membership numbers should be looking like?

>

> ~Dawn – CC32

>

>

> [Non-text portions of this message have been removed]

>

>

>

>

>

>

> [Non-text portions of this message have been removed]

>

>

>

> ————————————

>

> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links

>

>

>

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2465 From: Elaine Mami Date: 7/24/2012
Subject: Re: Membership Numbers

No, sorry. That was at the end. 2 years out we were looking at about 60. The closer you get, the more people are willing to commit. The biggest increase comes in the final 3 months.

Elaine
Nil significat nisi oscillat!

To: runacc@yahoogroups.com
From: kaijugal@hotmail.com
Date: Tue, 24 Jul 2012 16:49:33 -0400
Subject: RE: [runacc] Membership Numbers

368 people registered 2 years out Elaine? Wow that’s impressive! 🙂

Of course we have an uphill battle as there are less people in the entire COUNTRY of CANADA than in the STATE OF CALIFORNIA! ^_^;

Add to that people’s disproportional fears of crossing the border. (Which is easy, I do it for conventions frequently with all sorts of
costumes, giant monsters, skulls and whatnot by car, plane, bus and train).
We even had so little luggage room when going to cc36, (I brought a mascot among other things), that
we Torontonians had to wear our full Pirate costumes through airport security
and on the plane!

Thank you for your answer Elaine! 🙂 🙂 🙂

I look forward to hearing from you other experienced Con-chairs!

~Dawn 🙂

> To: runacc@yahoogroups.com
> From: ecmami@hotmail.com
> Date: Mon, 23 Jul 2012 20:46:59 -0400
> Subject: RE: [runacc] Membership Numbers
>
>
> Dawn, memberships seem to be higher on the sides of the continent, probably because of higher local population. However, they seldom seem to be below 250. We were fortunate enough to have 368! The key is constant regional publicity and copious amounts of flyers at every possible venue that is even vaguely related to costumes: bookstores, quilt & fabric stores, craft stores, local sewing/quilting clubs & events. I even left them in the dentist’s office!
>
> Elaine
> Retired Costume-Con Chair
>
>
>
>
> To: runacc@yahoogroups.com
> From: kaijugal@hotmail.com
> Date: Mon, 23 Jul 2012 14:17:53 -0400
> Subject: [runacc] Membership Numbers
>
>
>
>
>
>
>
> Hello all,
>
> As you may know we are a little less than 2 years out from CC32.
>
> Can any former Con-Chairs or costume con members give me an idea of what our
> membership numbers should be looking like?
>
> ~Dawn – CC32
>
>
> [Non-text portions of this message have been removed]
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2466 From: Nora & Bruce Mai Date: 7/24/2012
Subject: Re: Costume-Con Gallery “down”

I would guess that would require Karen (or someone) to contact them, then?

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Kevin Roche
Sent: Monday, July 23, 2012 11:57 AM
To: runacc@yahoogroups.com
Subject: Re: [runacc] Costume-Con Gallery “down”

A quick survey suggests the hosting service may have changed something
that’s confusing the gallery system; if it can’t find the right version file
it thinks an update may be required.

http://gallery.menalto.com/node/94639

Kevin

On Mon, Jul 23, 2012 at 5:30 AM, Nora & Bruce Mai
<casamai@sbcglobal.net>wrote:

> Any ideas on how to deal with this?
>
>
>
> http://www.costume-con.org/gallery2/upgrade/index.php
>
>
>
>
>
> Bruce
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 10.0.1424 / Virus Database: 2437/5147 – Release Date: 07/22/12

 

Group: runacc Message: 2467 From: Nora & Bruce Mai Date: 7/24/2012
Subject: Re: Membership Numbers

I think Elaine meant 368 was the total. Two years out, you’re probably
looking at 100+. Mr. Mike’s totals will probably be more accurate.
However, given your unique situation with all the costumers who attend all
the anime cons there, you’ll probably have more trickle in sooner.

It used to be a real nail-biter (except maybe for CC26 – Kevin and Andy can
fill you in on that) up until the last 5-6 months before the con, but buying
habits have changed. If the economy continues its slide into the crapper,
it still might be. You’re going to get a lot of walk-ins. Also, up until
CC 28 or so, we had to deal with the costs of the FFF beforehand. Now that
it’s electronic, that takes a heck of a lot of pressure off you upfront,
except for initial hotel deposits, etc.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Kaijugal .
Sent: Tuesday, July 24, 2012 3:50 PM
To: runacc@yahoogroups.com
Subject: RE: [runacc] Membership Numbers
Importance: High

368 people registered 2 years out Elaine? Wow that’s impressive! 🙂

Of course we have an uphill battle as there are less people in the entire
COUNTRY of CANADA than in the STATE OF CALIFORNIA! ^_^;

Add to that people’s disproportional fears of crossing the border. (Which is
easy, I do it for conventions frequently with all sorts of costumes, giant
monsters, skulls and whatnot by car, plane, bus and train).
We even had so little luggage room when going to cc36, (I brought a mascot
among other things), that we Torontonians had to wear our full Pirate
costumes through airport security and on the plane!

Thank you for your answer Elaine! 🙂 🙂 🙂

I look forward to hearing from you other experienced Con-chairs!

~Dawn 🙂

> To: runacc@yahoogroups.com
> From: ecmami@hotmail.com
> Date: Mon, 23 Jul 2012 20:46:59 -0400
> Subject: RE: [runacc] Membership Numbers
>
>
> Dawn, memberships seem to be higher on the sides of the continent,

probably because of higher local population. However, they seldom seem to
be below 250. We were fortunate enough to have 368! The key is constant
regional publicity and copious amounts of flyers at every possible venue
that is even vaguely related to costumes: bookstores, quilt & fabric
stores, craft stores, local sewing/quilting clubs & events. I even left
them in the dentist’s office!

>
> Elaine
> Retired Costume-Con Chair
>
>
>
>
> To: runacc@yahoogroups.com
> From: kaijugal@hotmail.com
> Date: Mon, 23 Jul 2012 14:17:53 -0400
> Subject: [runacc] Membership Numbers
>
>
>
>
>
>
>
> Hello all,
>
> As you may know we are a little less than 2 years out from CC32.
>
> Can any former Con-Chairs or costume con members give me an idea of
> what our membership numbers should be looking like?
>
> ~Dawn – CC32
>
>
> [Non-text portions of this message have been removed]
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 10.0.1424 / Virus Database: 2437/5150 – Release Date: 07/23/12

 

Group: runacc Message: 2468 From: bruno@soulmasque.com Date: 7/25/2012
Subject: Re: Membership Numbers

I’m at 129 including Attending, Supporting, Voted not converted, and a
comps given as masquerade prizes.

Michael

On 2012-07-24 20:15, Nora & Bruce Mai wrote:
> I think Elaine meant 368 was the total. Two years out, you’re
> probably
> looking at 100+. Mr. Mike’s totals will probably be more accurate.
> However, given your unique situation with all the costumers who
> attend all
> the anime cons there, you’ll probably have more trickle in sooner.
>
> It used to be a real nail-biter (except maybe for CC26 – Kevin and
> Andy can
> fill you in on that) up until the last 5-6 months before the con,
> but
> buying
> habits have changed. If the economy continues its slide into the
> crapper,
> it still might be. You’re going to get a lot of walk-ins. Also, up
> until
> CC 28 or so, we had to deal with the costs of the FFF beforehand.
> Now
> that
> it’s electronic, that takes a heck of a lot of pressure off you
> upfront,
> except for initial hotel deposits, etc.
>
> Bruce

 

Group: runacc Message: 2469 From: Kevin Roche Date: 7/25/2012
Subject: Re: Membership Numbers
Dawn —

I’ll look for my backup of the full CC26 registration database, I’ll see if
I can extract a numbers vs reg-date plot for you.

Kevin

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2470 From: Kaijugal . Date: 7/25/2012
Subject: Re: Membership Numbers

Ironically you would think that it would be an easy sell at a 20,000+ person anime convention that is heavily into
costuming, however that hasn’t been the case at all, most of our memberships have come from the sci-fi, fantasy
and other communities. I’d be hard pressed to count a half dozen of our current memberships coming out
of Anime North (20,000+) and Otakuthon (6000+) not including Trixy and the other now Costume-Con
dedicated Montrealers.

I guess the attitude is, “I have the best costuming weekend at Anime North for $50, why would I pay more
to go to another, smaller con and risk having a crummy time?”

Working on attitude adjustments, including mine XD

~Dawn

To: runacc@yahoogroups.com
From: casamai@sbcglobal.net
Date: Tue, 24 Jul 2012 22:15:31 -0500
Subject: RE: [runacc] Membership Numbers

I think Elaine meant 368 was the total. Two years out, you’re probably

looking at 100+. Mr. Mike’s totals will probably be more accurate.

However, given your unique situation with all the costumers who attend all

the anime cons there, you’ll probably have more trickle in sooner.

It used to be a real nail-biter (except maybe for CC26 – Kevin and Andy can

fill you in on that) up until the last 5-6 months before the con, but buying

habits have changed. If the economy continues its slide into the crapper,

it still might be. You’re going to get a lot of walk-ins. Also, up until

CC 28 or so, we had to deal with the costs of the FFF beforehand. Now that

it’s electronic, that takes a heck of a lot of pressure off you upfront,

except for initial hotel deposits, etc.

Bruce

—–Original Message—–

From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of

Kaijugal .

Sent: Tuesday, July 24, 2012 3:50 PM

To: runacc@yahoogroups.com

Subject: RE: [runacc] Membership Numbers

Importance: High

368 people registered 2 years out Elaine? Wow that’s impressive! 🙂

Of course we have an uphill battle as there are less people in the entire

COUNTRY of CANADA than in the STATE OF CALIFORNIA! ^_^;

Add to that people’s disproportional fears of crossing the border. (Which is

easy, I do it for conventions frequently with all sorts of costumes, giant

monsters, skulls and whatnot by car, plane, bus and train).

We even had so little luggage room when going to cc36, (I brought a mascot

among other things), that we Torontonians had to wear our full Pirate

costumes through airport security and on the plane!

Thank you for your answer Elaine! 🙂 🙂 🙂

I look forward to hearing from you other experienced Con-chairs!

~Dawn 🙂

> To: runacc@yahoogroups.com

> From: ecmami@hotmail.com

> Date: Mon, 23 Jul 2012 20:46:59 -0400

> Subject: RE: [runacc] Membership Numbers

>

>

> Dawn, memberships seem to be higher on the sides of the continent,

probably because of higher local population. However, they seldom seem to

be below 250. We were fortunate enough to have 368! The key is constant

regional publicity and copious amounts of flyers at every possible venue

that is even vaguely related to costumes: bookstores, quilt & fabric

stores, craft stores, local sewing/quilting clubs & events. I even left

them in the dentist’s office!

>

> Elaine

> Retired Costume-Con Chair

>

>

>

>

> To: runacc@yahoogroups.com

> From: kaijugal@hotmail.com

> Date: Mon, 23 Jul 2012 14:17:53 -0400

> Subject: [runacc] Membership Numbers

>

>

>

>

>

>

>

> Hello all,

>

> As you may know we are a little less than 2 years out from CC32.

>

> Can any former Con-Chairs or costume con members give me an idea of

> what our membership numbers should be looking like?

>

> ~Dawn – CC32

>

>

> [Non-text portions of this message have been removed]

>

>

>

>

>

>

> [Non-text portions of this message have been removed]

>

>

>

> ————————————

>

> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!

> Groups Links

>

>

>

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups

Links

—–

No virus found in this message.

Checked by AVG – www.avg.com

Version: 10.0.1424 / Virus Database: 2437/5150 – Release Date: 07/23/12

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2471 From: Kaijugal . Date: 7/25/2012
Subject: Re: Membership Numbers
That would be super lovely and helpful, thank you Kevin. 🙂

~Dawn

To: runacc@yahoogroups.com
From: kevin@twistedimage.com
Date: Wed, 25 Jul 2012 12:49:15 -0700
Subject: Re: [runacc] Membership Numbers

Dawn —

I’ll look for my backup of the full CC26 registration database, I’ll see if

I can extract a numbers vs reg-date plot for you.

Kevin

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2472 From: Kevin Roche Date: 7/25/2012
Subject: Re: Membership Numbers

I don’t remember if this group allows attachments; if it does, here’s a
plot of our pre-registration vs date, sorted by membership type, plus the
total.

If the image gets stripped, I’ll post it to the files section.

Our final count at-con was 876, so that means we sold an additional 228
memberships on-site.

Kevin

On Wed, Jul 25, 2012 at 2:00 PM, Kaijugal . <kaijugal@hotmail.com> wrote:

>
>
>
> That would be super lovely and helpful, thank you Kevin. 🙂
>
> ~Dawn
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2473 From: runacc@yahoogroups.com Date: 7/25/2012
Subject: New file uploaded to runacc
Hello,

This email message is a notification to let you know that
a file has been uploaded to the Files area of the runacc
group.

File : /CC26 prereg.JPG
Uploaded by : sjleather <kevin@twistedimage.com>
Description : Costume-Con 26 Pre-registration vs date

You can access this file at the URL:
http://groups.yahoo.com/group/runacc/files/CC26%20prereg.JPG

To learn more about file sharing for your group, please visit:
http://help.yahoo.com/l/us/yahoo/groups/original/members/web/index.html
Regards,

sjleather <kevin@twistedimage.com>

 

Group: runacc Message: 2474 From: Kevin Roche Date: 7/25/2012
Subject: Re: Membership Numbers

So the answer is, yes, it does strip attachments. I’ve just uploaded the
graph.

<
http://f1.grp.yahoofs.com/v1/gIgQUB9fsbFN0hmjK8F-pfghxN7AQ8JCz931vKKDesKcGe-tOgqJ-fJ4hOqmp7zPzp8PMf3aVxzcZTdQu7W4PQHF_pJ52fY/CC26%20prereg.JPG

>

Kevin

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2475 From: bruno@soulmasque.com Date: 7/26/2012
Subject: Re: Membership Numbers

Dawn,

I really think that issue with drawing 20,000+ cosplayers from Anime
North (or any large local anime convention for that matter) is totally
due to semantics. I think that if you had flyers that said
“Cosplay-Con” they wouldn’t think twice about going. I’m planning to
make special color postcards for our upcoming 10,000 person anime
convention with cosplay in giant letters and written to specifically to
them because that is what they seem to respond to. If you happened to
see any of the coverage of San Diego Comic-Con on G4, anytime they
talked about costumes, it was always called cosplay.

Michael

On 2012-07-25 13:59, Kaijugal . wrote:
> Ironically you would think that it would be an easy sell at a 20,000+
> person anime convention that is heavily into
> costuming, however that hasn’t been the case at all, most of our
> memberships have come from the sci-fi, fantasy
> and other communities. I’d be hard pressed to count a half dozen of
> our current memberships coming out
> of Anime North (20,000+) and Otakuthon (6000+) not including Trixy
> and the other now Costume-Con
> dedicated Montrealers.
>
> I guess the attitude is, “I have the best costuming weekend at Anime
> North for $50, why would I pay more
> to go to another, smaller con and risk having a crummy time?”
>
> Working on attitude adjustments, including mine XD
>
> ~Dawn
>

 

Group: runacc Message: 2476 From: Martin Gear Date: 7/26/2012
Subject: Re: Membership Numbers
While Michael has a point, I really worked the East coast anime conventions,Otakon’ Katsucon’ Anime USA, and New York Anime Festival before CC-27. The feeling that I got from a large number of cosplayers who could hold their own with the best was that they somehow felt that they weren’t in the same league with Costume Con. May I suggest that you use people who are familiar faces, e.g. Rickey, Gordon etc. to tell them how much their work is appreciated by us old farts and how much we’d like to learn from them.
It couldn’t hurt.
Marty

 

Group: runacc Message: 2477 From: Kaijugal . Date: 7/26/2012
Subject: Re: Membership Numbers

I agree Bruno.

This past Anime North I made up hot pink flyers with
Sailor Moon and Link from Legend of Zelda on it and
pitched it more towards cosplay focus for that reason,
BECAUSE IT’S TRUE! ^_^ You are wise. XD

~Dawn 🙂
To: runacc@yahoogroups.com
From: bruno@soulmasque.com
Date: Wed, 25 Jul 2012 21:01:48 -0700
Subject: RE: [runacc] Membership Numbers

Dawn,

I really think that issue with drawing 20,000+ cosplayers from Anime

North (or any large local anime convention for that matter) is totally

due to semantics. I think that if you had flyers that said

“Cosplay-Con” they wouldn’t think twice about going. I’m planning to

make special color postcards for our upcoming 10,000 person anime

convention with cosplay in giant letters and written to specifically to

them because that is what they seem to respond to. If you happened to

see any of the coverage of San Diego Comic-Con on G4, anytime they

talked about costumes, it was always called cosplay.

Michael

On 2012-07-25 13:59, Kaijugal . wrote:

> Ironically you would think that it would be an easy sell at a 20,000+

> person anime convention that is heavily into

> costuming, however that hasn’t been the case at all, most of our

> memberships have come from the sci-fi, fantasy

> and other communities. I’d be hard pressed to count a half dozen of

> our current memberships coming out

> of Anime North (20,000+) and Otakuthon (6000+) not including Trixy

> and the other now Costume-Con

> dedicated Montrealers.

>

> I guess the attitude is, “I have the best costuming weekend at Anime

> North for $50, why would I pay more

> to go to another, smaller con and risk having a crummy time?”

>

> Working on attitude adjustments, including mine XD

>

> ~Dawn

>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2478 From: Nora & Bruce Mai Date: 7/26/2012
Subject: Re: Membership Numbers
I’ll bet a lot of that breaks down by age. The younger ones have the attitude that Dawn mentioned, because it’s all about being the characters. The ones Marty mentioned are somewhat older. IN any case, for better or worse, it’s an uphill battle with that term “Cosplay” being applied to all costuming because of sheer numbers of more people are familiar with that term, even though I suspect a lot of them (certainly the media) doesn’t know the context.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of Martin Gear
Sent: Wednesday, July 25, 2012 11:34 PM
To: runacc@yahoogroups.com
Subject: RE: [runacc] Membership Numbers

While Michael has a point, I really worked the East coast anime conventions,Otakon’ Katsucon’ Anime USA, and New York Anime Festival before CC-27. The feeling that I got from a large number of cosplayers who could hold their own with the best was that they somehow felt that they weren’t in the same league with Costume Con. May I suggest that you use people who are familiar faces, e.g. Rickey, Gordon etc. to tell them how much their work is appreciated by us old farts and how much we’d like to learn from them.
It couldn’t hurt.
Marty

 

Group: runacc Message: 2479 From: Betsy Marks Delaney Date: 7/26/2012
Subject: Re: Membership Numbers
There’s also a fine line between attracting costumers from different
backgrounds and just pulling in people from one area.

With CCXV I found I spent a LOT of time convincing historic costumers
(reenactors and such) that it was worth the time because the focus wasn’t
solely on media or fantasy costuming. If we don’t want the Historical
Masquerade to go away, we need to address those folks separately.

Trying to be all things to all people is difficult at best. There is no
single best approach to attract everyone. What will appeal to one group
will turn the other one off, unless you can get the stuff out there that
both want to see.

I urge everyone with CCs coming in the next few years to get your programs
in line ASAP so you can start to put that out to the folks who will be your
potential participants. I can’t tell you how many times I heard “what will
we do while we’re there” in the course of pushing my own CC.

Even if you can’t publish the whole list of panels and workshops, the
sooner you list the ones you know you’ll have (or would really like), the
better. Make it worth their money to come and learn techniques they might
not know already. That’s the best way to catch folks who might see the cost
as a problem!

Oh, and a picture’s worth a thousand words. Just saying.

(My $0.02, from the lurker’s corner. It looks very much like Toronto might
be my next best hope for a CC.)

Betsy



Betsy Marks Delaney

http://www.hawkeswood.com/

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2480 From: Kevin Roche Date: 7/26/2012
Subject: Re: Membership Numbers
CC26 developed a whole series of specialized “XXX at Costume-Con? Of
Course!” fliers for different markets. They proved useful for just the
reasons people have been describing.

Kevin

Sent from my iPad

 

Group: runacc Message: 2481 From: martingear@comcast.net Date: 7/26/2012
Subject: Re: Membership Numbers
Bruce,
Yes, the ones that I was thinking about who didn’t think that were “good
enough” were in their 20’s, were FIT or Parson’s graduates and are now
working in the theater or fashion industries. It just blows my mind.

Sent from my Verizon Wireless Phone

—–Original message—–
From: Nora & Bruce Mai <casamai@sbcglobal.net>
To: runacc@yahoogroups.com
Sent: Thu, Jul 26, 2012 12:22:15 GMT+00:00
Subject: RE: [runacc] Membership Numbers

I’ll bet a lot of that breaks down by age. The younger ones have the
attitude that Dawn mentioned, because it’s all about being the characters.
The ones Marty mentioned are somewhat older. IN any case, for better or
worse, it’s an uphill battle with that term “Cosplay” being applied to all
costuming because of sheer numbers of more people are familiar with that
term, even though I suspect a lot of them (certainly the media) doesn’t know
the context.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Martin Gear
Sent: Wednesday, July 25, 2012 11:34 PM
To: runacc@yahoogroups.com
Subject: RE: [runacc] Membership Numbers

While Michael has a point, I really worked the East coast anime
conventions,Otakon’ Katsucon’ Anime USA, and New York Anime Festival before
CC-27. The feeling that I got from a large number of cosplayers who could
hold their own with the best was that they somehow felt that they weren’t in
the same league with Costume Con. May I suggest that you use people who are
familiar faces, e.g. Rickey, Gordon etc. to tell them how much their work is
appreciated by us old farts and how much we’d like to learn from them.
It couldn’t hurt.
Marty

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2482 From: Kaijugal . Date: 7/26/2012
Subject: Re: Membership Numbers
Although that might play some part it’s not specifically about being their character.
It’s about spending $50 for a yearly pilgrimage/comprehensive con experience with
all their school friends and about 20,000 other people
as opposed to spending $50+ for a con they and their 16 year old friends know nothing about
and don’t want to risk their money on if it might suck.

Unfortunately in the Anime World, everybody and his cat starts conventions
thinking it’s the easy way to a quick buck, so there are oodles of first time,
never to be seen again, crash a burn cons. People are leery of spending their
dollar at something they don’t know anything about.

~Dane

To: runacc@yahoogroups.com
From: casamai@sbcglobal.net
Date: Thu, 26 Jul 2012 07:22:15 -0500
Subject: RE: [runacc] Membership Numbers

I’ll bet a lot of that breaks down by age. The younger ones have the attitude that Dawn mentioned, because it’s all about being the characters. The ones Marty mentioned are somewhat older. IN any case, for better or worse, it’s an uphill battle with that term “Cosplay” being applied to all costuming because of sheer numbers of more people are familiar with that term, even though I suspect a lot of them (certainly the media) doesn’t know the context.

Bruce

—–Original Message—–

From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of Martin Gear

Sent: Wednesday, July 25, 2012 11:34 PM

To: runacc@yahoogroups.com

Subject: RE: [runacc] Membership Numbers

While Michael has a point, I really worked the East coast anime conventions,Otakon’ Katsucon’ Anime USA, and New York Anime Festival before CC-27. The feeling that I got from a large number of cosplayers who could hold their own with the best was that they somehow felt that they weren’t in the same league with Costume Con. May I suggest that you use people who are familiar faces, e.g. Rickey, Gordon etc. to tell them how much their work is appreciated by us old farts and how much we’d like to learn from them.

It couldn’t hurt.

Marty

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2483 From: osierhenry@cs.com Date: 7/26/2012
Subject: Re: Membership Numbers

In a message dated 7/26/2012 8:25:53 AM Central Daylight Time,
aramintamd@gmail.com writes:

> There’s also a fine line between attracting costumers from different
> backgrounds and just pulling in people from one area.
>
> With CCXV I found I spent a LOT of time convincing historic costumers
> (reenactors and such) that it was worth the time because the focus wasn’t
> solely on media or fantasy costuming. If we don’t want the Historical
> Masquerade to go away, we need to address those folks separately.
>
>
>

I totally agree! I have found that amongst the Historical Reenactors, there
are fabric and costume enthusiasts. The trick is find them. And they will
bring a few friends to the con.

Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2484 From: Byron Connell Date: 7/26/2012
Subject: Re: Membership Numbers

I agree. We tend to develop our programming too late (a habit we inherited from SF cons that we should break). Potential members want to know what they’ll be doing before they buy memberships, so descriptions (or at least lists) of demonstrations, workshops, discussions, and so forth — even if tentative — are needed as early as possible, not just the descriptions of the major stage events. Photos should extend to candid shots of members of prior cons enjoying the activities — especially in hall costumes — as well as shots of stage costumes. Photos of the venue don’t hurt, either (assuming it’s attractive).

Byron

.

On Jul 26, 2012, at 9:25 AM, Betsy Marks Delaney wrote:

> There’s also a fine line between attracting costumers from different
> backgrounds and just pulling in people from one area.
>
> With CCXV I found I spent a LOT of time convincing historic costumers
> (reenactors and such) that it was worth the time because the focus wasn’t
> solely on media or fantasy costuming. If we don’t want the Historical
> Masquerade to go away, we need to address those folks separately.
>
> Trying to be all things to all people is difficult at best. There is no
> single best approach to attract everyone. What will appeal to one group
> will turn the other one off, unless you can get the stuff out there that
> both want to see.
>
> I urge everyone with CCs coming in the next few years to get your programs
> in line ASAP so you can start to put that out to the folks who will be your
> potential participants. I can’t tell you how many times I heard “what will
> we do while we’re there” in the course of pushing my own CC.
>
> Even if you can’t publish the whole list of panels and workshops, the
> sooner you list the ones you know you’ll have (or would really like), the
> better. Make it worth their money to come and learn techniques they might
> not know already. That’s the best way to catch folks who might see the cost
> as a problem!
>
> Oh, and a picture’s worth a thousand words. Just saying.
>
> (My $0.02, from the lurker’s corner. It looks very much like Toronto might
> be my next best hope for a CC.)
>
> Betsy
> —
> —
> —
> Betsy Marks Delaney
>
> http://www.hawkeswood.com/
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2485 From: Byron Connell Date: 7/26/2012
Subject: Re: Membership Numbers

So, in addition to my response to Betsy, it might make sense to emphasize that we’ve been running these for over 30 years and draw on a North America-wide network of persons with experience in doing so.

Byron

.

On Jul 26, 2012, at 2:12 PM, Kaijugal . wrote:

>
>
> Although that might play some part it’s not specifically about being their character.
> It’s about spending $50 for a yearly pilgrimage/comprehensive con experience with
> all their school friends and about 20,000 other people
> as opposed to spending $50+ for a con they and their 16 year old friends know nothing about
> and don’t want to risk their money on if it might suck.
>
> Unfortunately in the Anime World, everybody and his cat starts conventions
> thinking it’s the easy way to a quick buck, so there are oodles of first time,
> never to be seen again, crash a burn cons. People are leery of spending their
> dollar at something they don’t know anything about.
>
> ~Dane
>
> To: runacc@yahoogroups.com
> From: casamai@sbcglobal.net
> Date: Thu, 26 Jul 2012 07:22:15 -0500
> Subject: RE: [runacc] Membership Numbers
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> I’ll bet a lot of that breaks down by age. The younger ones have the attitude that Dawn mentioned, because it’s all about being the characters. The ones Marty mentioned are somewhat older. IN any case, for better or worse, it’s an uphill battle with that term “Cosplay” being applied to all costuming because of sheer numbers of more people are familiar with that term, even though I suspect a lot of them (certainly the media) doesn’t know the context.
>
>
>
> Bruce
>
>
>
> —–Original Message—–
>
> From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of Martin Gear
>
> Sent: Wednesday, July 25, 2012 11:34 PM
>
> To: runacc@yahoogroups.com
>
> Subject: RE: [runacc] Membership Numbers
>
>
>
> While Michael has a point, I really worked the East coast anime conventions,Otakon’ Katsucon’ Anime USA, and New York Anime Festival before CC-27. The feeling that I got from a large number of cosplayers who could hold their own with the best was that they somehow felt that they weren’t in the same league with Costume Con. May I suggest that you use people who are familiar faces, e.g. Rickey, Gordon etc. to tell them how much their work is appreciated by us old farts and how much we’d like to learn from them.
>
> It couldn’t hurt.
>
> Marty
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>

 

Group: runacc Message: 2486 From: Elaine Mami Date: 7/26/2012
Subject: Re: Membership Numbers
For CC 30 Marg made variations of our flier for different target audiences. Folks at Estrella War were not as interested in anime programming as in historical, and so forth. We even had some especially for quilt shows, and got 2 vendors from them – one for fabrics and one for trims.

Elaine
Nil significat nisi oscillat!

To: runacc@yahoogroups.com
From: aramintamd@gmail.com
Date: Thu, 26 Jul 2012 08:25:49 -0500
Subject: Re: [runacc] Membership Numbers

There’s also a fine line between attracting costumers from different
backgrounds and just pulling in people from one area.

With CCXV I found I spent a LOT of time convincing historic costumers
(reenactors and such) that it was worth the time because the focus wasn’t
solely on media or fantasy costuming. If we don’t want the Historical
Masquerade to go away, we need to address those folks separately.

Trying to be all things to all people is difficult at best. There is no
single best approach to attract everyone. What will appeal to one group
will turn the other one off, unless you can get the stuff out there that
both want to see.

I urge everyone with CCs coming in the next few years to get your programs
in line ASAP so you can start to put that out to the folks who will be your
potential participants. I can’t tell you how many times I heard “what will
we do while we’re there” in the course of pushing my own CC.

Even if you can’t publish the whole list of panels and workshops, the
sooner you list the ones you know you’ll have (or would really like), the
better. Make it worth their money to come and learn techniques they might
not know already. That’s the best way to catch folks who might see the cost
as a problem!

Oh, and a picture’s worth a thousand words. Just saying.

(My $0.02, from the lurker’s corner. It looks very much like Toronto might
be my next best hope for a CC.)

Betsy



Betsy Marks Delaney

http://www.hawkeswood.com/

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2487 From: cgalway@xmission.com Date: 7/27/2012
Subject: Re: Membership Numbers
Back at CC-23 in 2005 (Ogden, Utah), I was looking into placing an ad
in “Threads” Magazine. It didn’t make financial sense for us to buy
an ad in a national publication (just for us), but I thought it might
make sense for 3 cons to do so. (I can’t recall if we ever placed an
ad.)

If someone reading Threads realized they wanted to go, and that they
might have one reasonably close in the next three years, I thought it
would help bring in new (non-SF-Con) attendees.

I even wonder if Threads might like to do an article on Costume-Con.
They might find it picturesque.

Charles Galway

 

Group: runacc Message: 2488 From: Byron Connell Date: 7/27/2012
Subject: Re: Membership Numbers

Threads ran at least one article about Costume-Con in the past, if I recall correctly, so a new one might not be out of the question.

A multi-year CC ad might be cost-effective, depending on the ad rates.

Byron

On Jul 27, 2012, at 12:44 PM, cgalway@xmission.com wrote:

> Back at CC-23 in 2005 (Ogden, Utah), I was looking into placing an ad
> in “Threads” Magazine. It didn’t make financial sense for us to buy
> an ad in a national publication (just for us), but I thought it might
> make sense for 3 cons to do so. (I can’t recall if we ever placed an
> ad.)
>
> If someone reading Threads realized they wanted to go, and that they
> might have one reasonably close in the next three years, I thought it
> would help bring in new (non-SF-Con) attendees.
>
> I even wonder if Threads might like to do an article on Costume-Con.
> They might find it picturesque.
>
> Charles Galway
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2489 From: Trudy Leonard Date: 7/27/2012
Subject: Re: Membership Numbers

CC22 did place an ad in the back section of Threads. It got us listed in their calendar of events, monthly. We also received a batch of addresses each month on press-on labels of those who had expressed interest in learning more. I then mailed flyers to those folks. I know at least one person who told me that they were attending because they saw it in Threads. That one membership paid for the ad. Even it that was the only person it got us, we felt it was worth it.

(It also got us free issues of Threads for a year, but that was just a bonus)

Trudy

> To: runacc@yahoogroups.com
> From: byronpconnell@gmail.com
> Date: Fri, 27 Jul 2012 19:31:21 -0400
> Subject: Re: [runacc] Membership Numbers
>
> Threads ran at least one article about Costume-Con in the past, if I recall correctly, so a new one might not be out of the question.
>
> A multi-year CC ad might be cost-effective, depending on the ad rates.
>
> Byron
>
>
> On Jul 27, 2012, at 12:44 PM, cgalway@xmission.com wrote:
>
> > Back at CC-23 in 2005 (Ogden, Utah), I was looking into placing an ad
> > in “Threads” Magazine. It didn’t make financial sense for us to buy
> > an ad in a national publication (just for us), but I thought it might
> > make sense for 3 cons to do so. (I can’t recall if we ever placed an
> > ad.)
> >
> > If someone reading Threads realized they wanted to go, and that they
> > might have one reasonably close in the next three years, I thought it
> > would help bring in new (non-SF-Con) attendees.
> >
> > I even wonder if Threads might like to do an article on Costume-Con.
> > They might find it picturesque.
> >
> > Charles Galway
> >
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2490 From: bruno@soulmasque.com Date: 8/21/2012
Subject: input required on folio rules
We have submissions from two designers for the CC31 folio, who
photographed their designs, rather than scanning them. They also just
sent colored sketches and not black and white. One is a 12 yo English
girl (who really dreams of being a designer), the other is an adult.
Both designers have been asked to resubmit per the rules, neither have
complied appropriately. We’re considering making an exception for the
child and maybe retracing her designs to get line drawings. The adults
photographs are actually worse than the child’s; at an angle, with her
arm in the picture, etc. We feel the adult should be able to follow the
instructions.

Any thoughts from the gallery?

Michael
CC31

 

Group: runacc Message: 2491 From: Kaijugal . Date: 8/21/2012
Subject: Re: input required on folio rules
Personally I draw shaded sketches in almost every instance but I have always
tried to clean up or retrace my art in black and white line art as per the rules.

A couple of times in the past folios have published shaded sketches, and
I found it to be quite annoying as it seems to mean the rules only apply
to certain people.

You have to decide if they are rules or guidelines.

Obviously in the case of Children as with most competitions and activities
having some leeway is sensible. I’d be happy to volunteer to use photoshop
to trace out or convert the child’s entry as true to the original as possible in the spirit
of being helpful.

~Dawn
To: runacc@yahoogroups.com
From: bruno@soulmasque.com
Date: Mon, 20 Aug 2012 21:28:51 -0700
Subject: [runacc] input required on folio rules

We have submissions from two designers for the CC31 folio, who

photographed their designs, rather than scanning them. They also just

sent colored sketches and not black and white. One is a 12 yo English

girl (who really dreams of being a designer), the other is an adult.

Both designers have been asked to resubmit per the rules, neither have

complied appropriately. We’re considering making an exception for the

child and maybe retracing her designs to get line drawings. The adults

photographs are actually worse than the child’s; at an angle, with her

arm in the picture, etc. We feel the adult should be able to follow the

instructions.

Any thoughts from the gallery?

Michael

CC31

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2492 From: bruno@soulmasque.com Date: 8/21/2012
Subject: Re: input required on folio rules

We have another designer who sent mostly shaded sketches and a few line
drawings. I feel that the photographs of the sketches are a bigger
problem than the colored in sketches.

Michael

On 2012-08-20 22:37, Kaijugal . wrot

> Personally I draw shaded sketches in almost every instance but I have
> always
> tried to clean up or retrace my art in black and white line art as
> per the rules.
>
> A couple of times in the past folios have published shaded sketches,
> and
> I found it to be quite annoying as it seems to mean the rules only
> apply
> to certain people.
>
> You have to decide if they are rules or guidelines.
>
> Obviously in the case of Children as with most competitions and
> activities
> having some leeway is sensible. I’d be happy to volunteer to use
> photoshop
> to trace out or convert the child’s entry as true to the original as
> possible in the spirit
> of being helpful.
>
> ~Dawn

 

Group: runacc Message: 2493 From: Martin Gear Date: 8/21/2012
Subject: Re: input required on folio rules

What Dawn said. Cut the kid some slack, expect the adult to follow the
rules or not appear, particularly since you have asked him/her to do so.
Marty

On 8/21/2012 1:37 AM, Kaijugal . wrote:
>
> Personally I draw shaded sketches in almost every instance but I have always
> tried to clean up or retrace my art in black and white line art as per the rules.
>
> A couple of times in the past folios have published shaded sketches, and
> I found it to be quite annoying as it seems to mean the rules only apply
> to certain people.
>
> You have to decide if they are rules or guidelines.
>
> Obviously in the case of Children as with most competitions and activities
> having some leeway is sensible. I’d be happy to volunteer to use photoshop
> to trace out or convert the child’s entry as true to the original as possible in the spirit
> of being helpful.
>
> ~Dawn
> To: runacc@yahoogroups.com
> From: bruno@soulmasque.com
> Date: Mon, 20 Aug 2012 21:28:51 -0700
> Subject: [runacc] input required on folio rules
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> We have submissions from two designers for the CC31 folio, who
>
> photographed their designs, rather than scanning them. They also just
>
> sent colored sketches and not black and white. One is a 12 yo English
>
> girl (who really dreams of being a designer), the other is an adult.
>
> Both designers have been asked to resubmit per the rules, neither have
>
> complied appropriately. We’re considering making an exception for the
>
> child and maybe retracing her designs to get line drawings. The adults
>
> photographs are actually worse than the child’s; at an angle, with her
>
> arm in the picture, etc. We feel the adult should be able to follow the
>
> instructions.
>
>
>
> Any thoughts from the gallery?
>
>
>
> Michael
>
> CC31
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>
>

 

Group: runacc Message: 2494 From: Bruce & Nora Mai Date: 8/21/2012
Subject: Re: input required on folio rules

You also have to decide if they amount of time required to clean them up is worth it. Several hours of tweaking is generally too much for a single design. All designs will require some amount of manipulation but if you devote that amount of time to every submitted design then the production required for the completed folio is prohibitive.

We have made allowances for children and designers from other countries (non-English speaking) in the past but I’m not sure that’s always a good idea. In this case the adult has no valid reason for not complying. The young designer is 12 (not that young) and English-speaking so has little reason to not understand what you are asking for. If they have been contacted and still fail to comply I would generally feel that you have every reason to disqualify both.

And we don’t need to go into how tracing and large amounts of tweaking actual change the original sketch sufficiently that you may actually be altering their original intent – from a designer point of view.

Nora

— On Tue, 8/21/12, Kaijugal . <kaijugal@hotmail.com> wrote:

From: Kaijugal . <kaijugal@hotmail.com>
Subject: RE: [runacc] input required on folio rules
To: runacc@yahoogroups.com
Date: Tuesday, August 21, 2012, 12:37 AM

Personally I draw shaded sketches in almost every instance but I have always
tried to clean up or retrace my art in black and white line art as per the rules.

A couple of times in the past folios have published shaded sketches, and
I found it to be quite annoying as it seems to mean the rules only apply
to certain people.

You have to decide if they are rules or guidelines.

Obviously in the case of Children as with most competitions and activities
having some leeway is sensible. I’d be happy to volunteer to use photoshop
to trace out or convert the child’s entry as true to the original as possible in the spirit
of being helpful.

~Dawn
To: runacc@yahoogroups.com
From: bruno@soulmasque.com
Date: Mon, 20 Aug 2012 21:28:51 -0700
Subject: [runacc] input required on folio rules

We have submissions from two designers for the CC31 folio, who

photographed their designs, rather than scanning them.  They also just

sent colored sketches and not black and white.  One is a 12 yo English

girl (who really dreams of being a designer), the other is an adult.

Both designers have been asked to resubmit per the rules, neither have

complied appropriately.  We’re considering making an exception for the

child and maybe retracing her designs to get line drawings.  The adults

photographs are actually worse than the child’s; at an angle, with her

arm in the picture, etc.  We feel the adult should be able to follow the

instructions.

Any thoughts from the gallery?

Michael

CC31

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2495 From: Byron Connell Date: 8/21/2012
Subject: Re: input required on folio rules

I agree. Not too much slack.

Byron

On Aug 21, 2012, at 12:42 PM, Martin Gear <MartinGear@comcast.net> wrote:

> What Dawn said. Cut the kid some slack, expect the adult to follow the
> rules or not appear, particularly since you have asked him/her to do so.
> Marty
> On 8/21/2012 1:37 AM, Kaijugal . wrote:
> >
> > Personally I draw shaded sketches in almost every instance but I have always
> > tried to clean up or retrace my art in black and white line art as per the rules.
> >
> > A couple of times in the past folios have published shaded sketches, and
> > I found it to be quite annoying as it seems to mean the rules only apply
> > to certain people.
> >
> > You have to decide if they are rules or guidelines.
> >
> > Obviously in the case of Children as with most competitions and activities
> > having some leeway is sensible. I’d be happy to volunteer to use photoshop
> > to trace out or convert the child’s entry as true to the original as possible in the spirit
> > of being helpful.
> >
> > ~Dawn
> > To: runacc@yahoogroups.com
> > From: bruno@soulmasque.com
> > Date: Mon, 20 Aug 2012 21:28:51 -0700
> > Subject: [runacc] input required on folio rules
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > We have submissions from two designers for the CC31 folio, who
> >
> > photographed their designs, rather than scanning them. They also just
> >
> > sent colored sketches and not black and white. One is a 12 yo English
> >
> > girl (who really dreams of being a designer), the other is an adult.
> >
> > Both designers have been asked to resubmit per the rules, neither have
> >
> > complied appropriately. We’re considering making an exception for the
> >
> > child and maybe retracing her designs to get line drawings. The adults
> >
> > photographs are actually worse than the child’s; at an angle, with her
> >
> > arm in the picture, etc. We feel the adult should be able to follow the
> >
> > instructions.
> >
> >
> >
> > Any thoughts from the gallery?
> >
> >
> >
> > Michael
> >
> > CC31
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ————————————
> >
> > View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
> >
> >
> >
> >
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2496 From: bruno@soulmasque.com Date: 10/28/2012
Subject: historical workmanship judging guidelines
I had someone ask me yesterday if there are judging guidelines for the
historical workmanship so that people know exactly what they are being
judged on. The question came from someone who is a pretty serious
historical costumer, is a past officer in Costume Society of America and
never been to CC. Is more weight given to hand sewing or is machine
sewing acceptable for the historical?

Michael

 

Group: runacc Message: 2497 From: Aurora Celeste Date: 10/28/2012
Subject: Re: historical workmanship judging guidelines

The main thing they look for is research. Modern substitutions are allowed
but they need to be declared modern. For example, a 15th century dress
will be marked down if it is machine sewn and there’s no research, but will
not be marked down if there is research saying “the original garment would
have been hand sewn, mine is machine sewn for expediency”. There is always
a slight bias towards the historical methods, but only slight if things are
well researched. I will work more on getting judging guidelines officially
written up for the website.

On Sun, Oct 28, 2012 at 11:26 PM, <bruno@soulmasque.com> wrote:

> I had someone ask me yesterday if there are judging guidelines for the
> historical workmanship so that people know exactly what they are being
> judged on. The question came from someone who is a pretty serious
> historical costumer, is a past officer in Costume Society of America and
> never been to CC. Is more weight given to hand sewing or is machine
> sewing acceptable for the historical?
>
> Michael
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2498 From: Karen Heim Date: 10/29/2012
Subject: Re: historical workmanship judging guidelines

Machine sewing is acceptable. As always, document what
would have been done, such as a particular seam finishing
technique best done by hand, for example. If s/he is
working in a period pre-sewing machine, it is his/her
choice. As a former Historical judge, I understand that
we don’t all have the time to do everything by hand,
whether that would have been the only method or not.

Karen

On Sun, 28 Oct 2012 20:26:40 -0700
bruno@soulmasque.com wrote:

> I had someone ask me yesterday if there are judging
>guidelines for the
> historical workmanship so that people know exactly what
>they are being
> judged on. The question came from someone who is a
>pretty serious
> historical costumer, is a past officer in Costume
>Society of America and
> never been to CC. Is more weight given to hand sewing
>or is machine
> sewing acceptable for the historical?
>
> Michael
>

 

Group: runacc Message: 2499 From: Byron Connell Date: 10/29/2012
Subject: Re: historical workmanship judging guidelines

Yes, there are judging guidelines. The masquerade director usually includes them as part of the rules for the masquerade.

For nearly 15 years, judging at historical masquerades has covered (1) research and documentation, (2) workmanship, and (3) presentation. However, the relative weight — and the details — are decided by the MD and the judges. Usually, the documentation ought to describe and justify departures such as machine sewing, if a garment is from a pre-sewing-machine era, or substitution of fabrics. You could steer the costumer making the inquiry to my rules for the CC 29 Historical, which discussed our expectations and which are still available on the CC 29 web site:

http://www.cc29nj.com/historical.aspx

Detailed questions probably would have to be answered by the director of the masquerade in question, however.

Byron

On Oct 29, 2012, at 4:18 AM, “Karen Heim” <axejudge@accessus.net> wrote:

> Machine sewing is acceptable. As always, document what
> would have been done, such as a particular seam finishing
> technique best done by hand, for example. If s/he is
> working in a period pre-sewing machine, it is his/her
> choice. As a former Historical judge, I understand that
> we don’t all have the time to do everything by hand,
> whether that would have been the only method or not.
>
> Karen
>
> On Sun, 28 Oct 2012 20:26:40 -0700
> bruno@soulmasque.com wrote:
> > I had someone ask me yesterday if there are judging
> >guidelines for the
> > historical workmanship so that people know exactly what
> >they are being
> > judged on. The question came from someone who is a
> >pretty serious
> > historical costumer, is a past officer in Costume
> >Society of America and
> > never been to CC. Is more weight given to hand sewing
> >or is machine
> > sewing acceptable for the historical?
> >
> > Michael
> >
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2500 From: bruno@soulmasque.com Date: 10/29/2012
Subject: one day memberships and masquerade entries
A recent thought on one day memberships . . . at most conventions, one
could get a one day membership for Saturday only, register for the
masquerade that day and be in the masquerade. However, I think at CC,
masquerade registration traditionally closes on Friday night. Are
people allowed to enter the masquerades with only a membership for the
day of the masquerade. I know we generally want full weekend attending
memberships, but we could lose potential masquerade entries and one day
memberships.

Thoughts?

Michael
CC31

 

Group: runacc Message: 2501 From: Elaine Mami Date: 10/30/2012
Subject: Re: one day memberships and masquerade entries
When I’ve run the SF/F at CCs, registration closed around noon-ish on the day of the masquerade. I’ve seen that to be the rule, rather than the exception.
Elaine

To: runacc@yahoogroups.com
From: bruno@soulmasque.com
Date: Mon, 29 Oct 2012 20:09:04 -0700
Subject: [runacc] one day memberships and masquerade entries

A recent thought on one day memberships . . . at most conventions, one

could get a one day membership for Saturday only, register for the

masquerade that day and be in the masquerade. However, I think at CC,

masquerade registration traditionally closes on Friday night. Are

people allowed to enter the masquerades with only a membership for the

day of the masquerade. I know we generally want full weekend attending

memberships, but we could lose potential masquerade entries and one day

memberships.

Thoughts?

Michael

CC31

[Non-text portions of this message have been removed]

 

 

Yahoo Archive: Page 49 of 67

 

Messages in runacc group. Page 49 of 67.

Group: runacc Message: 2402 From: Betsy Marks Delaney Date: 6/9/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits
Group: runacc Message: 2403 From: Andrew Trembley Date: 6/9/2012
Subject: Re: Costume-Con Review – Runacc: Panel Programming
Group: runacc Message: 2404 From: lisa58@juno.com Date: 6/10/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits
Group: runacc Message: 2405 From: osierhenry@cs.com Date: 6/10/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits
Group: runacc Message: 2406 From: Pierre & Sandy Pettinger Date: 6/10/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits
Group: runacc Message: 2407 From: Nora & Bruce Mai Date: 6/11/2012
Subject: Re: Costume-Con Review – Runacc: Panel Programming
Group: runacc Message: 2408 From: Lisa Ashton Date: 6/11/2012
Subject: Re: Costume-Con Review – Runacc: Panel Programming
Group: runacc Message: 2409 From: Nora & Bruce Mai Date: 6/11/2012
Subject: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pattern
Group: runacc Message: 2410 From: Nora & Bruce Mai Date: 6/12/2012
Subject: Costume-Con 30 Review – Runacc: Dealers Room
Group: runacc Message: 2411 From: tinathebookworm Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2412 From: Margie Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2413 From: Sarah Bloy Date: 6/12/2012
Subject: Talking to Your Venue
Group: runacc Message: 2414 From: lisa58@juno.com Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2415 From: osierhenry@cs.com Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2416 From: osierhenry@cs.com Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single…
Group: runacc Message: 2417 From: Elaine Mami Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2418 From: Martin Gear Date: 6/12/2012
Subject: Re: Talking to Your Venue
Group: runacc Message: 2419 From: Margie Date: 6/12/2012
Subject: Re: Talking to Your Venue
Group: runacc Message: 2420 From: bruno@soulmasque.com Date: 6/13/2012
Subject: Re: Talking to Your Venue
Group: runacc Message: 2421 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2422 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Re: Talking to Your Venue
Group: runacc Message: 2423 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Costume-Con 30 Review – Runacc:: SF & F masquerade
Group: runacc Message: 2424 From: Margie Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2425 From: Martin Gear Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2426 From: Martin Gear Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc:: SF & F masquerade
Group: runacc Message: 2427 From: Martin Gear Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2428 From: osierhenry@cs.com Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single…
Group: runacc Message: 2429 From: osierhenry@cs.com Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2430 From: Martin Gear Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2431 From: Trudy Leonard Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2432 From: Betsy Marks Delaney Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2433 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Costume-Con 30 Review – Runacc: Future Fashion Folio and Show
Group: runacc Message: 2434 From: Martin Gear Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Future Fashion Folio and Show
Group: runacc Message: 2435 From: Pierre & Sandy Pettinger Date: 6/14/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2436 From: Margie Date: 6/14/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2437 From: osierhenry@cs.com Date: 6/14/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2438 From: Byron Connell Date: 6/14/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2439 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2440 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Re: Talking to Your Venue – The contract
Group: runacc Message: 2441 From: osierhenry@cs.com Date: 6/15/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single…
Group: runacc Message: 2442 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Costume-Con 30 Review – Runacc: Historical Masq
Group: runacc Message: 2443 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Costume-Con 30 Review – Runacc: General masquerade notes
Group: runacc Message: 2444 From: Byron Connell Date: 6/16/2012
Subject: Re: Costume-Con 30 Review – Runacc: Historical Masq
Group: runacc Message: 2445 From: Nora & Bruce Mai Date: 6/17/2012
Subject: Costume-Con 30 Review – Runacc: Wrap up
Group: runacc Message: 2446 From: Andrew Trembley Date: 6/18/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
Group: runacc Message: 2447 From: bruno@soulmasque.com Date: 6/18/2012
Subject: Re: Costume-Con 30 Review – Runacc: General masquerade notes
Group: runacc Message: 2448 From: Margie Date: 6/19/2012
Subject: Re: Costume-Con 30 Review – Runacc: Wrap up
Group: runacc Message: 2449 From: Margie Date: 6/19/2012
Subject: Re: Costume-Con 30 Review – Runacc: General masquerade notes
Group: runacc Message: 2450 From: Nora & Bruce Mai Date: 7/1/2012
Subject: Signed releases
Group: runacc Message: 2451 From: martingear@comcast.net Date: 7/1/2012
Subject: Re: Signed releases

 


 

Group: runacc Message: 2402 From: Betsy Marks Delaney Date: 6/9/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits
You could schedule exhibit tours for a couple of specific times each day,
or days (if the exhibit rotates). I could be wrong, but it seems to me that
exhibits have been static a very long time. There was a time (until just
after CC9, maybe) when exhibits rotated at least once. I had one rotation –
Friday/Saturday and Sunday/Monday, so we had two different sets of items on
display. The first rotation was fantasy/SF oriented and the second
historical. Included was a retrospective of Jennifer Ketcham’s work (which
spanned both exhibits). I had every snow queen to date on exhibit there,
IIRC.

I’ve been sad to see exhibits so reduced. Some years there haven’t been
labels for the artists or the works, and we’ve had to guess who did what.

Exhibit set-up/tear down is a lot of work, especially if the exhibit
changes, but I think it’s worth the time if you can get enough folks to
agree to show their stuff.

Then again, I am all about show and tell.

Betsy



Betsy Marks Delaney

http://www.hawkeswood.com/

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2403 From: Andrew Trembley Date: 6/9/2012
Subject: Re: Costume-Con Review – Runacc: Panel Programming

On Fri, Jun 8, 2012 at 5:24 AM, Nora & Bruce Mai <casamai@sbcglobal.net>wrote:

> The Monday Costume-Con operations seminar track, which ran just about all
> day, was surprisingly and moderately, successful. Panels ran 30 minutes
> each, and covered topics such as running masquerades, setting the rules,
> paperwork, choosing judges, judges etiquette documentation, etc. No new
> people, but those who were on future committees found the discussions of
> interest. So, this track seemed to work.
>

the morning topics were very lightly attended, the afternoon topics had a
much more full room. It appeared to be a time-of-day thing, not the topics
themselves.

andy

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2404 From: lisa58@juno.com Date: 6/10/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits

At least for CC33, which I am programming, I will look for someone/s to
docent tours on Sat. and and on Sun. mornings. (Maybe we will have 2 of
us do it together for about an hour each time). I Can put it in as a
“regular” program item, and work with the person designated to do
Exhibits, so maybe there are some Exhibits known in advance. Knowing in
advance can make the difference between good, really informative signage,
and little to no signage, as well. If the Quilts/dolls/special contests
are exhibited in the same area, perhaps this could be included. I’d
like to include a “Novice” or “Basic” costume track, sprinkled through
out the weekend, to try to appeal to people with different skill sets. I
thought the CC just past did this well–I stopped in on several of the
“Steampunk” make it yourself workshops, and they were terrific (and quite
well-attended). And I think it gives people a nice sense of inclusion,
to be able to make some accessory that they can wear immediately.

We also did a “Mini-hat” decorating workshop at Balticon right after that
(we made up kits for $10 including a miniature hat with hair clips on it,
and various trim, tulle, decorations, and fringe, that could be hot-glued
on, and we ran out of kits! it was so popular). And for the rest of the
con, we saw various and sundry people wearing their mini-hats
everywhere–which was the best advertising ever. And many of those who
came were not really “costumers” (at least not known to our Guild
previously). (I digress only to say that people really love workshops).

Just brainstorming…..maybe the docented tour could concluded each day
with 10 mins. discussion/questions about what was displayed. i.e. How
does that [detail] get manufactured? What kind of tool is needed for
[making that element]? How do you start making a complex costume?

Yours in cosutmign,Lisa a

On Fri, 8 Jun 2012 20:04:17 -0500 “Nora & Bruce Mai”
<casamai@sbcglobal.net> writes:

> Yes! I believe we’ve talked about docented tours in the past.
> Kinda
> forgot about that suggestion. I think that would require more prep
> ahead of
> time, to be sure of what you’d be getting. Then, you have to give
> your
> docent (and you’ll probably need more than one) lead time to learn
> the stuff
> – or at least have notes to read from. This almost requires having
> a vet or
> at least someone who has costumed for many years.
>
> Bruce
>
> —–Original Message—–
> From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On
> Behalf Of
> lisa58@juno.com
> Sent: Friday, June 08, 2012 8:24 AM
> To: runacc@yahoogroups.com
> Subject: Re: [runacc] Costume-Con 30 Review – Runacc: Exhibits
>
> My two cents on Exhibits:
>
>
>
> I’ve often felt that Exhibits gets marginalized a little bit. I’d
> liket o
> see, at least on Sat. and Sunday of hte con, a morning docented tour
> through
> it, with a “more experienced” costumer maybe pointing out details
> that
> wouldn’t otherwise be noticed. I’d also like to see an area where
> historical or other masq. documentation could be perhaps exhibited,
> even
> looked at more closely.
>
>
> Yorus in costuming,Lisa A
>
>
>
>
> On Fri, 8 Jun 2012 07:05:05 -0500 “Nora & Bruce Mai”
> <casamai@sbcglobal.net> writes:
> > Seemed..okay given that Henry had to scramble when he was asked to
>
> > pick up for Dora when she couldn’t come. It had a few more
> historical
> > costumes than FS & F/Fantasy, but you’re really at the mercy of
> who
> > bothers to bring stuff. Henry can address this more. The number
> of
> > quilts was probably pretty good, given that they’re not costumes.
>
> > That had around a dozen, as well. And the Doll contest had a good
>
> > turnout. Space for all these was adequate.
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups
> Links
>
>
>
> —–
> No virus found in this message.
> Checked by AVG – www.avg.com
> Version: 10.0.1424 / Virus Database: 2433/5056 – Release Date:
> 06/08/12
>
>
>
> ————————————
>
> View the Document:
> http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>
>

 

Group: runacc Message: 2405 From: osierhenry@cs.com Date: 6/10/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits

In a message dated 6/8/2012 7:05:10 AM Central Daylight Time,
casamai@sbcglobal.net writes:

> Seemed..okay given that Henry had to scramble when he was asked to pick
> up
> for Dora when she couldn’t come. It had a few more historical costumes
> than
> FS &F/Fantasy, but you’re really at the mercy of who bothers to bring
> stuff. Henry can address this more.
>
>
>

I was concerned about getting enough costumes more than a variety. At one
point before the con, I found out that my assistant, who was more of cohort,
had been working on getting outfits to display also. We had some overlap,
but some ones different from each other. There was also some vagueness in
whether someone was bring a dress form, or an outfit, or both. I tried to get
outfits from local folks, and we did get some.

I also attempted to get outfits from local Cowboy Reenactors and Native
American Dancers because I, personally, know how great their outfits are.
Unfortunately, we did not have any from them.

Henry Osier

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2406 From: Pierre & Sandy Pettinger Date: 6/10/2012
Subject: Re: Costume-Con 30 Review – Runacc: Exhibits

At 07:05 AM 6/8/2012, you wrote:

Two Dozen Quilts

>Seemed..okay given that Henry had to scramble when he was asked to pick up
>for Dora when she couldn’t come. It had a few more historical costumes than
>FS & F/Fantasy, but you’re really at the mercy of who bothers to bring
>stuff. Henry can address this more. The number of quilts was probably
>pretty good, given that they’re not costumes. That had around a dozen, as
>well. And the Doll contest had a good turnout. Space for all these was
>adequate.

International Costumers’ Guild Archivist

http://www.costume.org/gallery2/main.php

“Those Who Fail to Learn History
Are Doomed to Repeat It;
Those Who Fail To Learn History Correctly –
Why They Are Simply Doomed.”

Achemdro’hm
“The Illusion of Historical Fact”
— C. Y. 4971

Andromeda

 

Group: runacc Message: 2407 From: Nora & Bruce Mai Date: 6/11/2012
Subject: Re: Costume-Con Review – Runacc: Panel Programming

That’s not too surprising, I suppose. People have to drag themselves out of
bed. Wonder if there’s any way to motivate people to get to the earlier
panels?

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Andrew Trembley
Sent: Saturday, June 09, 2012 9:31 AM
To: runacc@yahoogroups.com
Subject: Re: [runacc] Costume-Con Review – Runacc: Panel Programming

On Fri, Jun 8, 2012 at 5:24 AM, Nora & Bruce Mai
<casamai@sbcglobal.net>wrote:

> The Monday Costume-Con operations seminar track, which ran just about
> all day, was surprisingly and moderately, successful. Panels ran 30
> minutes each, and covered topics such as running masquerades, setting
> the rules, paperwork, choosing judges, judges etiquette documentation,
> etc. No new people, but those who were on future committees found the
> discussions of interest. So, this track seemed to work.
>

the morning topics were very lightly attended, the afternoon topics had a
much more full room. It appeared to be a time-of-day thing, not the topics
themselves.

andy

[Non-text portions of this message have been removed]

Release Date: 06/09/12

 

Group: runacc Message: 2408 From: Lisa Ashton Date: 6/11/2012
Subject: Re: Costume-Con Review – Runacc: Panel Programming

There were a fair number of 9:00 am panels, and I thought they were decently attended. There are so many big events, masquerades, the Fashion Show, that we must use all the time we can for panels, since there are so many time slots that cannot be scheduled. I thought that having the Con Suite sponsored with breakfasts was totally awesome, and the breakfasts were AMAZING! Well worth getting up for (esp. the crepes from the Toronto group–thank you all!).
Many of use are early risers, so having breakfast/coffee available and being able to get to panels at that hour is a real treat.
Yours in cosutming, Lisa A
Subject: RE: [runacc] Costume-Con Review – Runacc: Panel Programming
Date: Mon, 11 Jun 2012 07:22:01 -0500

That’s not too surprising, I suppose. People have to drag themselves out of
bed. Wonder if there’s any way to motivate people to get to the earlier
panels?

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Andrew Trembley
Sent: Saturday, June 09, 2012 9:31 AM
To: runacc@yahoogroups.com
Subject: Re: [runacc] Costume-Con Review – Runacc: Panel Programming

On Fri, Jun 8, 2012 at 5:24 AM, Nora & Bruce Mai
<casamai@sbcglobal.net>wrote:

> The Monday Costume-Con operations seminar track, which ran just about
> all day, was surprisingly and moderately, successful. Panels ran 30
> minutes each, and covered topics such as running masquerades, setting
> the rules, paperwork, choosing judges, judges etiquette documentation,
> etc. No new people, but those who were on future committees found the
> discussions of interest. So, this track seemed to work.
>

the morning topics were very lightly attended, the afternoon topics had a
much more full room. It appeared to be a time-of-day thing, not the topics
themselves.

andy

[Non-text portions of this message have been removed]

Release Date: 06/09/12

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2409 From: Nora & Bruce Mai Date: 6/11/2012
Subject: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pattern
This generated quite a bit of discussion among the reviewers.

Separating the Single Pattern Show from the Future Fashion Show was a good
idea, but the way it was combined with the Social was not. The theory was
the Social theme was supposed to be the whole steampunk/weird west thing.
However, there was nothing decoration-wise that would have given that idea.

(There were some people in Old West Steampunk attire, though.) I’d
volunteered to bring down my “Wild Wild West” movie banner, which was hung
at the back of the stage, but given the lack of any other decorations, it
seemed incongruous to the rest of the goings-on.

The seating was another issue. Setting up the chairs most of the available
theatre-style made for difficulty moving around the room when there’s
supposed to be a “Social” going on.

The Single Pattern was run like a formal masquerade, which didn’t help,
either. It was very regimented: the Director insisted that every entry have
some sort of explanation/text for their entry(like the Folio) and wouldn’t
take “don’t have any” for an answer. They also insisted people should show
up in the Green Room as close to 5:00 as possible (with the show at 8:00) so
that judging would be able to take place. Given the (ordinarily) simplicity
of the Show, this was overkill.

When people arrived, the Director indicated that the entrants had to go to
one location to be judged, then move to a different location for
photography. The reasoning for this was so that it was known when people
were through with both tasks. Several people were annoyed by the confusion
this engendered.

The show itself went okay, although the MC was apparently unfamiliar with
what “CC” means. He also had some problems with some pronunciations. The
judging, took way too long. I can’t remember how many awards there were,
but it probably could have used a maximum, like the Fashion Show traditional
three. The more there are, the longer the judges will deliberate.

The “Social” amounted to being part of the halftime for the show. At least
the appetizers served were good and plentiful (however, they didn’t turn up
the lights up after the show so you couldn’t read the signs identifying what
some of the less obvious ones were).

Part of the wait for judges was occupied with the “Project Costume-Con”
show/competition (patterned after the “Project Runway” show). The concept
was an interesting idea, and the participants enjoyed themselves, but for me
and the people I was sitting with, it went on way too long. For anyone who
wasn’t a fan of the show, the pacing of the presenting of the outfits and
judging dragged and didn’t make for very interesting watching. At least the
outfits were well done. Most people thought PCC worth fine-tuning &
continuing, but there was a good suggestion made that perhaps it should be
spun off as a daytime program event where people could walk in and out of
the room, rather than having a “captive audience” as it was on Friday night.

The night continued to drag on, waiting for the judges to return. People
were getting bored, despite the runway show, and the photo run. The
drawing of names for door prizes with the tickets that had been handed out
earlier in the evening should have occurred throughout the evening – not at
the end. By the time the awards were announced, it was near or past 10:30
and people were heading for the exits.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2410 From: Nora & Bruce Mai Date: 6/12/2012
Subject: Costume-Con 30 Review – Runacc: Dealers Room
There appeared to be a pretty good selection of stuff for people who haven’t
been costuming as long. It would have been nice if there was more than one
book dealer, but at least that one book dealer was Janet Wilson-Anderson.
It was good to see her, considering she’d been having some serious health
issues in the past few years. Patterns of Time Looks to be a good source,
and we understand they’ll be very close to the CC31 site. From various
sources, some dealers did relatively well, but others did not sell much.
The room’s location (not being around the courtyard) probably didn’t help,
but at least it was open to the public.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2411 From: tinathebookworm Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

Re: the Single Pattern Director: Does the phrase “Control Freak” ring a bell? She ran roughshod over everyone who had any job function even remotely associated with the show/Social. The Social WAS set up for socializing; she is the one who forced them to reset it theater style. She also wanted to reorganize the managing of the Green Room (with limited success, as Byron wouldn’t put up with it). Tried to bully the photographer into only taking photos in run order, rather than as the contestants were ready for photographing. That’s only what I know about – I wouldn’t be surprised if she did her best to “manage” in other inapppropriate areas as well, while at the same time she neglected the more uninteresting normal duties of a masquerade director, such as familiarizing herself with the route to the stage from the Green Room. She obviously wanted this show to be about HER, not the contestants.

Tina

— In runacc@yahoogroups.com, “Nora & Bruce Mai” <casamai@…> wrote:
>
> This generated quite a bit of discussion among the reviewers.
>
>
>
> Separating the Single Pattern Show from the Future Fashion Show was a good
> idea, but the way it was combined with the Social was not. The theory was
> the Social theme was supposed to be the whole steampunk/weird west thing.
> However, there was nothing decoration-wise that would have given that idea.
>
> (There were some people in Old West Steampunk attire, though.) I’d
> volunteered to bring down my “Wild Wild West” movie banner, which was hung
> at the back of the stage, but given the lack of any other decorations, it
> seemed incongruous to the rest of the goings-on.
>
>
>
> The seating was another issue. Setting up the chairs most of the available
> theatre-style made for difficulty moving around the room when there’s
> supposed to be a “Social” going on.
>
>
>
> The Single Pattern was run like a formal masquerade, which didn’t help,
> either. It was very regimented: the Director insisted that every entry have
> some sort of explanation/text for their entry(like the Folio) and wouldn’t
> take “don’t have any” for an answer. They also insisted people should show
> up in the Green Room as close to 5:00 as possible (with the show at 8:00) so
> that judging would be able to take place. Given the (ordinarily) simplicity
> of the Show, this was overkill.
>
>
>
> When people arrived, the Director indicated that the entrants had to go to
> one location to be judged, then move to a different location for
> photography. The reasoning for this was so that it was known when people
> were through with both tasks. Several people were annoyed by the confusion
> this engendered.
>
>
>
> The show itself went okay, although the MC was apparently unfamiliar with
> what “CC” means. He also had some problems with some pronunciations. The
> judging, took way too long. I can’t remember how many awards there were,
> but it probably could have used a maximum, like the Fashion Show traditional
> three. The more there are, the longer the judges will deliberate.
>
>
>
> The “Social” amounted to being part of the halftime for the show. At least
> the appetizers served were good and plentiful (however, they didn’t turn up
> the lights up after the show so you couldn’t read the signs identifying what
> some of the less obvious ones were).
>
>
>
> Part of the wait for judges was occupied with the “Project Costume-Con”
> show/competition (patterned after the “Project Runway” show). The concept
> was an interesting idea, and the participants enjoyed themselves, but for me
> and the people I was sitting with, it went on way too long. For anyone who
> wasn’t a fan of the show, the pacing of the presenting of the outfits and
> judging dragged and didn’t make for very interesting watching. At least the
> outfits were well done. Most people thought PCC worth fine-tuning &
> continuing, but there was a good suggestion made that perhaps it should be
> spun off as a daytime program event where people could walk in and out of
> the room, rather than having a “captive audience” as it was on Friday night.
>
>
>
>
> The night continued to drag on, waiting for the judges to return. People
> were getting bored, despite the runway show, and the photo run. The
> drawing of names for door prizes with the tickets that had been handed out
> earlier in the evening should have occurred throughout the evening – not at
> the end. By the time the awards were announced, it was near or past 10:30
> and people were heading for the exits.
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

 

Group: runacc Message: 2412 From: Margie Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

I won’t comment on the person running the Single Pattern Show other than to say “I could write a book”.

However, I do want to mention that I spent about an hour decorating the room you say was not decorated. Because people always tend to take pictures of other people and not the decor, there is not much photographic evidence of it, but I have found some (if you’re interested).

We had gear collages on the walls around the room, two signs that said Wild Wild West, two signs that said Welcome to Miss Elaine’s Saloon, and little “red mountain” candle centerpieces (with blue bandanas and sheriff’s badges) on most every table.

Sorry that you missed seeing them.

We also had a few hours of ragtime & steampunk music playing quietly in the background, two costumed poker dealers (who, due to poor timing issues, sadly never got put into action), and our steampunk cake & cupcakes. Plus there were special cow napkins to accompany the food and drink.

— In runacc@yahoogroups.com, “Nora & Bruce Mai” <casamai@…> wrote:
>
> This generated quite a bit of discussion among the reviewers.
>
>
>
> Separating the Single Pattern Show from the Future Fashion Show was a good
> idea, but the way it was combined with the Social was not. The theory was
> the Social theme was supposed to be the whole steampunk/weird west thing.
> However, there was nothing decoration-wise that would have given that idea.
>
> (There were some people in Old West Steampunk attire, though.) I’d
> volunteered to bring down my “Wild Wild West” movie banner, which was hung
> at the back of the stage, but given the lack of any other decorations, it
> seemed incongruous to the rest of the goings-on.
>
>
>
> The seating was another issue. Setting up the chairs most of the available
> theatre-style made for difficulty moving around the room when there’s
> supposed to be a “Social” going on.
>
>
>
> The Single Pattern was run like a formal masquerade, which didn’t help,
> either. It was very regimented: the Director insisted that every entry have
> some sort of explanation/text for their entry(like the Folio) and wouldn’t
> take “don’t have any” for an answer. They also insisted people should show
> up in the Green Room as close to 5:00 as possible (with the show at 8:00) so
> that judging would be able to take place. Given the (ordinarily) simplicity
> of the Show, this was overkill.
>
>
>
> When people arrived, the Director indicated that the entrants had to go to
> one location to be judged, then move to a different location for
> photography. The reasoning for this was so that it was known when people
> were through with both tasks. Several people were annoyed by the confusion
> this engendered.
>
>
>
> The show itself went okay, although the MC was apparently unfamiliar with
> what “CC” means. He also had some problems with some pronunciations. The
> judging, took way too long. I can’t remember how many awards there were,
> but it probably could have used a maximum, like the Fashion Show traditional
> three. The more there are, the longer the judges will deliberate.
>
>
>
> The “Social” amounted to being part of the halftime for the show. At least
> the appetizers served were good and plentiful (however, they didn’t turn up
> the lights up after the show so you couldn’t read the signs identifying what
> some of the less obvious ones were).
>
>
>
> Part of the wait for judges was occupied with the “Project Costume-Con”
> show/competition (patterned after the “Project Runway” show). The concept
> was an interesting idea, and the participants enjoyed themselves, but for me
> and the people I was sitting with, it went on way too long. For anyone who
> wasn’t a fan of the show, the pacing of the presenting of the outfits and
> judging dragged and didn’t make for very interesting watching. At least the
> outfits were well done. Most people thought PCC worth fine-tuning &
> continuing, but there was a good suggestion made that perhaps it should be
> spun off as a daytime program event where people could walk in and out of
> the room, rather than having a “captive audience” as it was on Friday night.
>
>
>
>
> The night continued to drag on, waiting for the judges to return. People
> were getting bored, despite the runway show, and the photo run. The
> drawing of names for door prizes with the tickets that had been handed out
> earlier in the evening should have occurred throughout the evening – not at
> the end. By the time the awards were announced, it was near or past 10:30
> and people were heading for the exits.
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

 

Group: runacc Message: 2413 From: Sarah Bloy Date: 6/12/2012
Subject: Talking to Your Venue
Greetings, all!

Up here in the area around Madison, WI, we’re trying to put together a bid
for 2016. We’re running into a problem right now concerning the hotel from
which we want to get a letter of intent. The place is perfect; size,
location, familiarity with niche cons (it hosts the feminist Sci-fi Wiscon
every year and played host to North American Disc World Con last year).

Our first correspondence with them indicated that they were very interested
and enthusiatic. This gave way to a misunderstanding that we wanted a
contract right away and they told us they couldn’t do one until a year out
from our prospective dates. When we corrected that notion and said we were
just looking for a letter that said they were interested, they came back
and said that they couldn’t host a convention that did not fill their hotel
for the weekend (360 rooms!) and were therefore no longer interested.

So, I’m looking to hear from this group about this sort of thing. In your
experience, is this a ploy to see if we are serious? Should we ask for
another face-to-face? What sort of pitfalls should we look for with them
int he future? Or should we just cut our losses and look elsewhere?

Thanks!

– Sarah Bloy
CC Madison Bid Committee Chair

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2414 From: lisa58@juno.com Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

I agree with what has been said, that the decorations, the buffet and the
“social” aspect got pretty much shovved to the background. I know that
When I first enetered the room and saw the theater seating, I wondered,
“How in the world are we supposed to mingle and socialize”. I would hate
to see the Friday night social become just another contest.

Yours in cosutmiagn,Lisa a

On Tue, 12 Jun 2012 17:13:58 -0000 “Margie” <marg1066@gmail.com> writes:

> I won’t comment on the person running the Single Pattern Show other
> than to say “I could write a book”.
>
> However, I do want to mention that I spent about an hour decorating
> the room you say was not decorated. Because people always tend to
> take pictures of other people and not the decor, there is not much
> photographic evidence of it, but I have found some (if you’re
> interested).
>
> We had gear collages on the walls around the room, two signs that
> said Wild Wild West, two signs that said Welcome to Miss Elaine’s
> Saloon, and little “red mountain” candle centerpieces (with blue
> bandanas and sheriff’s badges) on most every table.
>
> Sorry that you missed seeing them.
>
> We also had a few hours of ragtime & steampunk music playing quietly
> in the background, two costumed poker dealers (who, due to poor
> timing issues, sadly never got put into action), and our steampunk
> cake & cupcakes. Plus there were special cow napkins to accompany
> the food and drink.
>
> — In runacc@yahoogroups.com, “Nora & Bruce Mai” <casamai@…>
> wrote:
> >
> > This generated quite a bit of discussion among the reviewers.
> >
> >
> >
> > Separating the Single Pattern Show from the Future Fashion Show
> was a good
> > idea, but the way it was combined with the Social was not. The
> theory was
> > the Social theme was supposed to be the whole steampunk/weird west
> thing.
> > However, there was nothing decoration-wise that would have given
> that idea.
> >
> > (There were some people in Old West Steampunk attire, though.)
> I’d
> > volunteered to bring down my “Wild Wild West” movie banner, which
> was hung
> > at the back of the stage, but given the lack of any other
> decorations, it
> > seemed incongruous to the rest of the goings-on.
> >
> >
> >
> > The seating was another issue. Setting up the chairs most of the
> available
> > theatre-style made for difficulty moving around the room when
> there’s
> > supposed to be a “Social” going on.
> >
> >
> >
> > The Single Pattern was run like a formal masquerade, which didn’t
> help,
> > either. It was very regimented: the Director insisted that every
> entry have
> > some sort of explanation/text for their entry(like the Folio) and
> wouldn’t
> > take “don’t have any” for an answer. They also insisted people
> should show
> > up in the Green Room as close to 5:00 as possible (with the show
> at 8:00) so
> > that judging would be able to take place. Given the (ordinarily)
> simplicity
> > of the Show, this was overkill.
> >
> >
> >
> > When people arrived, the Director indicated that the entrants had
> to go to
> > one location to be judged, then move to a different location for
> > photography. The reasoning for this was so that it was known when
> people
> > were through with both tasks. Several people were annoyed by the
> confusion
> > this engendered.
> >
> >
> >
> > The show itself went okay, although the MC was apparently
> unfamiliar with
> > what “CC” means. He also had some problems with some
> pronunciations. The
> > judging, took way too long. I can’t remember how many awards
> there were,
> > but it probably could have used a maximum, like the Fashion Show
> traditional
> > three. The more there are, the longer the judges will
> deliberate.
> >
> >
> >
> > The “Social” amounted to being part of the halftime for the show.
> At least
> > the appetizers served were good and plentiful (however, they
> didn’t turn up
> > the lights up after the show so you couldn’t read the signs
> identifying what
> > some of the less obvious ones were).
> >
> >
> >
> > Part of the wait for judges was occupied with the “Project
> Costume-Con”
> > show/competition (patterned after the “Project Runway” show). The
> concept
> > was an interesting idea, and the participants enjoyed themselves,
> but for me
> > and the people I was sitting with, it went on way too long. For
> anyone who
> > wasn’t a fan of the show, the pacing of the presenting of the
> outfits and
> > judging dragged and didn’t make for very interesting watching. At
> least the
> > outfits were well done. Most people thought PCC worth fine-tuning
> &
> > continuing, but there was a good suggestion made that perhaps it
> should be
> > spun off as a daytime program event where people could walk in and
> out of
> > the room, rather than having a “captive audience” as it was on
> Friday night.
> >
> >
> >
> >
> > The night continued to drag on, waiting for the judges to return.
> People
> > were getting bored, despite the runway show, and the photo run.
> The
> > drawing of names for door prizes with the tickets that had been
> handed out
> > earlier in the evening should have occurred throughout the evening
> – not at
> > the end. By the time the awards were announced, it was near or
> past 10:30
> > and people were heading for the exits.
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
>
> ————————————
>
> View the Document:
> http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups Links
>
>
>
>

 

Group: runacc Message: 2415 From: osierhenry@cs.com Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
A few quick thoughts about the Friday Social from the top of my head, and I
am going to try not to repeat Bruce’s, which are very good.

Why Theater Seating for a Social?

Why wasn’t the Raffle used a filler during the course of the evening
instead of as an end piece?

I heard that after everything, there was a poker game happening there. But,
after everything else, I was not interested in staying longer. And why
wasn’t it going when people showed up, as it would have been in an Old West
Saloon?

General Question: When did the Friday Social become an event to get dinner
at? With a start time of 7 PM, at the earliest, shouldn’t it be time for
cocktail snacks?

Henry Osier

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2416 From: osierhenry@cs.com Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single…

In a message dated 6/12/2012 8:04:50 AM Central Daylight Time,
tina.connell@gmail.com writes:

> Re: the Single Pattern Director: Does the phrase “Control Freak” ring a
> bell?
>
>
>

Ooh. That explains it all! Thanks, Tina!

Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2417 From: Elaine Mami Date: 6/12/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

Tina has it right. In spades! I have nothing to add.

Elaine
Nil significat nisi oscillat!

Re: the Single Pattern Director: Does the phrase “Control Freak” ring a bell? She ran roughshod over everyone who had any job function even remotely associated with the show/Social. The Social WAS set up for socializing; she is the one who forced them to reset it theater style. She also wanted to reorganize the managing of the Green Room (with limited success, as Byron wouldn’t put up with it). Tried to bully the photographer into only taking photos in run order, rather than as the contestants were ready for photographing. That’s only what I know about – I wouldn’t be surprised if she did her best to “manage” in other inapppropriate areas as well, while at the same time she neglected the more uninteresting normal duties of a masquerade director, such as familiarizing herself with the route to the stage from the Green Room. She obviously wanted this show to be about HER, not the contestants.

Tina

— In runacc@yahoogroups.com, “Nora & Bruce Mai” <casamai@…> wrote:
>
> This generated quite a bit of discussion among the reviewers.
>
>
>
> Separating the Single Pattern Show from the Future Fashion Show was a good
> idea, but the way it was combined with the Social was not. The theory was
> the Social theme was supposed to be the whole steampunk/weird west thing.
> However, there was nothing decoration-wise that would have given that idea.
>
> (There were some people in Old West Steampunk attire, though.) I’d
> volunteered to bring down my “Wild Wild West” movie banner, which was hung
> at the back of the stage, but given the lack of any other decorations, it
> seemed incongruous to the rest of the goings-on.
>
>
>
> The seating was another issue. Setting up the chairs most of the available
> theatre-style made for difficulty moving around the room when there’s
> supposed to be a “Social” going on.
>
>
>
> The Single Pattern was run like a formal masquerade, which didn’t help,
> either. It was very regimented: the Director insisted that every entry have
> some sort of explanation/text for their entry(like the Folio) and wouldn’t
> take “don’t have any” for an answer. They also insisted people should show
> up in the Green Room as close to 5:00 as possible (with the show at 8:00) so
> that judging would be able to take place. Given the (ordinarily) simplicity
> of the Show, this was overkill.
>
>
>
> When people arrived, the Director indicated that the entrants had to go to
> one location to be judged, then move to a different location for
> photography. The reasoning for this was so that it was known when people
> were through with both tasks. Several people were annoyed by the confusion
> this engendered.
>
>
>
> The show itself went okay, although the MC was apparently unfamiliar with
> what “CC” means. He also had some problems with some pronunciations. The
> judging, took way too long. I can’t remember how many awards there were,
> but it probably could have used a maximum, like the Fashion Show traditional
> three. The more there are, the longer the judges will deliberate.
>
>
>
> The “Social” amounted to being part of the halftime for the show. At least
> the appetizers served were good and plentiful (however, they didn’t turn up
> the lights up after the show so you couldn’t read the signs identifying what
> some of the less obvious ones were).
>
>
>
> Part of the wait for judges was occupied with the “Project Costume-Con”
> show/competition (patterned after the “Project Runway” show). The concept
> was an interesting idea, and the participants enjoyed themselves, but for me
> and the people I was sitting with, it went on way too long. For anyone who
> wasn’t a fan of the show, the pacing of the presenting of the outfits and
> judging dragged and didn’t make for very interesting watching. At least the
> outfits were well done. Most people thought PCC worth fine-tuning &
> continuing, but there was a good suggestion made that perhaps it should be
> spun off as a daytime program event where people could walk in and out of
> the room, rather than having a “captive audience” as it was on Friday night.
>
>
>
>
> The night continued to drag on, waiting for the judges to return. People
> were getting bored, despite the runway show, and the photo run. The
> drawing of names for door prizes with the tickets that had been handed out
> earlier in the evening should have occurred throughout the evening – not at
> the end. By the time the awards were announced, it was near or past 10:30
> and people were heading for the exits.
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2418 From: Martin Gear Date: 6/12/2012
Subject: Re: Talking to Your Venue

Sarah –
Trust me, you do not want to deal with the hotel where the 2011 North
American Disc World convention was held. They basically screwed over the
convention who did fill the hotel and were still charged for function
space and everything else. If I have not already sent you a copy of the
draft Costume Con Hotel Contract, ping me off line and I will do so.
Take it into any hotel that you are considering, plunk it down with the
line “Our international organization requires that we use this as the
starting point for any hotel negotiations.” (this of course is a bunch
of BS) But if the hotel flatly refuses to consider that, then thank
them for their time and walk away. The hotels that are not willing to
use this as a starting point have an agenda all of their own and the
odds are that you will get screwed. Secondly, in spite of that hotel’s
spaces, it is far from ideally suited for a costume con. If you want a
detailed discussion as to why, again, ping me off list. Third, there
are several reasons that you should consider some city other than
Madison. The major problem is that the CC core people come in from all
over the country and there are no direct flights into Madison. When I
came out to the NADWCon, it took us 14 hours to get there by air, and
another 12 hours to get home. The Abbots drove there from Northern
Virginia and made it in less time than we did by air. I have nothing
against Madison itself, my older son graduated from there, but there are
factors that you need to consider for a Costume Con.

Marty

On 6/12/2012 3:07 PM, Sarah Bloy wrote:
>
> Greetings, all!
>
> Up here in the area around Madison, WI, we’re trying to put together a bid
> for 2016. We’re running into a problem right now concerning the hotel from
> which we want to get a letter of intent. The place is perfect; size,
> location, familiarity with niche cons (it hosts the feminist Sci-fi Wiscon
> every year and played host to North American Disc World Con last year).
>
> Our first correspondence with them indicated that they were very
> interested
> and enthusiatic. This gave way to a misunderstanding that we wanted a
> contract right away and they told us they couldn’t do one until a year out
> from our prospective dates. When we corrected that notion and said we were
> just looking for a letter that said they were interested, they came back
> and said that they couldn’t host a convention that did not fill their
> hotel
> for the weekend (360 rooms!) and were therefore no longer interested.
>
> So, I’m looking to hear from this group about this sort of thing. In your
> experience, is this a ploy to see if we are serious? Should we ask for
> another face-to-face? What sort of pitfalls should we look for with them
> int he future? Or should we just cut our losses and look elsewhere?
>
> Thanks!
>
> – Sarah Bloy
> CC Madison Bid Committee Chair
>
> [Non-text portions of this message have been removed]
>
>
>
> No virus found in this message.
> Checked by AVG – www.avg.com <http://www.avg.com>
> Version: 2012.0.2180 / Virus Database: 2433/5065 – Release Date: 06/12/12
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2419 From: Margie Date: 6/12/2012
Subject: Re: Talking to Your Venue

I agree with Marty. And I worked a fair amount with that hotel for NADWCon.

— In runacc@yahoogroups.com, Martin Gear <MartinGear@…> wrote:
>
> Sarah –
> Trust me, you do not want to deal with the hotel where the 2011 North
> American Disc World convention was held. They basically screwed over the
> convention who did fill the hotel and were still charged for function
> space and everything else. If I have not already sent you a copy of the
> draft Costume Con Hotel Contract, ping me off line and I will do so.
> Take it into any hotel that you are considering, plunk it down with the
> line “Our international organization requires that we use this as the
> starting point for any hotel negotiations.” (this of course is a bunch
> of BS) But if the hotel flatly refuses to consider that, then thank
> them for their time and walk away. The hotels that are not willing to
> use this as a starting point have an agenda all of their own and the
> odds are that you will get screwed. Secondly, in spite of that hotel’s
> spaces, it is far from ideally suited for a costume con. If you want a
> detailed discussion as to why, again, ping me off list. Third, there
> are several reasons that you should consider some city other than
> Madison. The major problem is that the CC core people come in from all
> over the country and there are no direct flights into Madison. When I
> came out to the NADWCon, it took us 14 hours to get there by air, and
> another 12 hours to get home. The Abbots drove there from Northern
> Virginia and made it in less time than we did by air. I have nothing
> against Madison itself, my older son graduated from there, but there are
> factors that you need to consider for a Costume Con.
>
> Marty
>
> On 6/12/2012 3:07 PM, Sarah Bloy wrote:
> >
> > Greetings, all!
> >
> > Up here in the area around Madison, WI, we’re trying to put together a bid
> > for 2016. We’re running into a problem right now concerning the hotel from
> > which we want to get a letter of intent. The place is perfect; size,
> > location, familiarity with niche cons (it hosts the feminist Sci-fi Wiscon
> > every year and played host to North American Disc World Con last year).
> >
> > Our first correspondence with them indicated that they were very
> > interested
> > and enthusiatic. This gave way to a misunderstanding that we wanted a
> > contract right away and they told us they couldn’t do one until a year out
> > from our prospective dates. When we corrected that notion and said we were
> > just looking for a letter that said they were interested, they came back
> > and said that they couldn’t host a convention that did not fill their
> > hotel
> > for the weekend (360 rooms!) and were therefore no longer interested.
> >
> > So, I’m looking to hear from this group about this sort of thing. In your
> > experience, is this a ploy to see if we are serious? Should we ask for
> > another face-to-face? What sort of pitfalls should we look for with them
> > int he future? Or should we just cut our losses and look elsewhere?
> >
> > Thanks!
> >
> > – Sarah Bloy
> > CC Madison Bid Committee Chair
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > No virus found in this message.
> > Checked by AVG – www.avg.com <http://www.avg.com>
> > Version: 2012.0.2180 / Virus Database: 2433/5065 – Release Date: 06/12/12
> >
>
>
> [Non-text portions of this message have been removed]
>

 

Group: runacc Message: 2420 From: bruno@soulmasque.com Date: 6/13/2012
Subject: Re: Talking to Your Venue

Sarah,

I started by contacting the local Visitor and Convention Bureau. They
asked me a bunch of questions, then sent my request out to bid to a
bunch of hotels. I only got a few bites and none of them worked out.
If I had gone with one of their hotels, they would have done all of the
negotiating with the hotels on my behalf. Despite not using one of
their hotels, they also have lots of resources for any event that brings
visitors to the city.

Michael
CC31

On 2012-06-12 12:07, Sarah Bloy wrote:
> Greetings, all!
>
> Up here in the area around Madison, WI, we’re trying to put together
> a bid
> for 2016. We’re running into a problem right now concerning the
> hotel
> from
> which we want to get a letter of intent. The place is perfect; size,
> location, familiarity with niche cons (it hosts the feminist Sci-fi
> Wiscon
> every year and played host to North American Disc World Con last
> year).
>
> Our first correspondence with them indicated that they were very
> interested
> and enthusiatic. This gave way to a misunderstanding that we wanted
> a
> contract right away and they told us they couldn’t do one until a
> year out
> from our prospective dates. When we corrected that notion and said
> we
> were
> just looking for a letter that said they were interested, they came
> back
> and said that they couldn’t host a convention that did not fill
> their
> hotel
> for the weekend (360 rooms!) and were therefore no longer
> interested.
>
> So, I’m looking to hear from this group about this sort of thing. In
> your
> experience, is this a ploy to see if we are serious? Should we ask
> for
> another face-to-face? What sort of pitfalls should we look for with
> them
> int he future? Or should we just cut our losses and look elsewhere?
>
> Thanks!
>
> – Sarah Bloy
> CC Madison Bid Committee Chair

 

Group: runacc Message: 2421 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

Now that you mention it, I think I remember the music. Guess the
decorations were too “sub-tul”. But the dim lighting didn’t help.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Margie
Sent: Tuesday, June 12, 2012 12:14 PM
To: runacc@yahoogroups.com
Subject: [runacc] Re: Costume-Con 30 Review – Runacc: Friday Night Social &
Single Pattern Show

I won’t comment on the person running the Single Pattern Show other than to
say “I could write a book”.

However, I do want to mention that I spent about an hour decorating the room
you say was not decorated. Because people always tend to take pictures of
other people and not the decor, there is not much photographic evidence of
it, but I have found some (if you’re interested).

We had gear collages on the walls around the room, two signs that said Wild
Wild West, two signs that said Welcome to Miss Elaine’s Saloon, and little
“red mountain” candle centerpieces (with blue bandanas and sheriff’s badges)
on most every table.

Sorry that you missed seeing them.

We also had a few hours of ragtime & steampunk music playing quietly in the
background, two costumed poker dealers (who, due to poor timing issues,
sadly never got put into action), and our steampunk cake & cupcakes. Plus
there were special cow napkins to accompany the food and drink.

— In runacc@yahoogroups.com, “Nora & Bruce Mai” <casamai@…> wrote:
>
> This generated quite a bit of discussion among the reviewers.
>
>
>
> Separating the Single Pattern Show from the Future Fashion Show was a
> good idea, but the way it was combined with the Social was not. The
> theory was the Social theme was supposed to be the whole steampunk/weird
west thing.
> However, there was nothing decoration-wise that would have given that
idea.
>
> (There were some people in Old West Steampunk attire, though.) I’d
> volunteered to bring down my “Wild Wild West” movie banner, which was
> hung at the back of the stage, but given the lack of any other
> decorations, it seemed incongruous to the rest of the goings-on.
>
>
>
> The seating was another issue. Setting up the chairs most of the
> available theatre-style made for difficulty moving around the room
> when there’s supposed to be a “Social” going on.
>
>
>
> The Single Pattern was run like a formal masquerade, which didn’t
> help, either. It was very regimented: the Director insisted that
> every entry have some sort of explanation/text for their entry(like
> the Folio) and wouldn’t take “don’t have any” for an answer. They
> also insisted people should show up in the Green Room as close to 5:00
> as possible (with the show at 8:00) so that judging would be able to
> take place. Given the (ordinarily) simplicity of the Show, this was
overkill.
>
>
>
> When people arrived, the Director indicated that the entrants had to
> go to one location to be judged, then move to a different location for
> photography. The reasoning for this was so that it was known when
> people were through with both tasks. Several people were annoyed by
> the confusion this engendered.
>
>
>
> The show itself went okay, although the MC was apparently unfamiliar with
> what “CC” means. He also had some problems with some pronunciations.
The
> judging, took way too long. I can’t remember how many awards there
> were, but it probably could have used a maximum, like the Fashion Show
> traditional three. The more there are, the longer the judges will
deliberate.
>
>
>
> The “Social” amounted to being part of the halftime for the show. At
> least the appetizers served were good and plentiful (however, they
> didn’t turn up the lights up after the show so you couldn’t read the
> signs identifying what some of the less obvious ones were).
>
>
>
> Part of the wait for judges was occupied with the “Project Costume-Con”
> show/competition (patterned after the “Project Runway” show). The
> concept was an interesting idea, and the participants enjoyed
> themselves, but for me and the people I was sitting with, it went on
> way too long. For anyone who wasn’t a fan of the show, the pacing of
> the presenting of the outfits and judging dragged and didn’t make for
> very interesting watching. At least the outfits were well done. Most
> people thought PCC worth fine-tuning & continuing, but there was a
> good suggestion made that perhaps it should be spun off as a daytime
> program event where people could walk in and out of the room, rather than
having a “captive audience” as it was on Friday night.
>
>
>
>
> The night continued to drag on, waiting for the judges to return.
> People were getting bored, despite the runway show, and the photo
> run. The drawing of names for door prizes with the tickets that had
> been handed out earlier in the evening should have occurred throughout
> the evening – not at the end. By the time the awards were announced, it
was near or past 10:30
> and people were heading for the exits.
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 10.0.1424 / Virus Database: 2433/5063 – Release Date: 06/11/12

 

Group: runacc Message: 2422 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Re: Talking to Your Venue
Well, I was going to reply, but looks like Marty covered it all (although I
don’t see a copy of it in our Inbox – not sure why.

But in any case, I highly recommend Marty’s contract. It’ll save you a lot
of headaches. Should be standard issue for CCs. And most any other
convention, for that matter.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Sarah Bloy
Sent: Tuesday, June 12, 2012 2:08 PM
To: runacc@yahoogroups.com
Subject: [runacc] Talking to Your Venue

Greetings, all!

Up here in the area around Madison, WI, we’re trying to put together a bid
for 2016. We’re running into a problem right now concerning the hotel from
which we want to get a letter of intent. The place is perfect; size,
location, familiarity with niche cons (it hosts the feminist Sci-fi Wiscon
every year and played host to North American Disc World Con last year).

Our first correspondence with them indicated that they were very interested
and enthusiatic. This gave way to a misunderstanding that we wanted a
contract right away and they told us they couldn’t do one until a year out
from our prospective dates. When we corrected that notion and said we were
just looking for a letter that said they were interested, they came back and
said that they couldn’t host a convention that did not fill their hotel for
the weekend (360 rooms!) and were therefore no longer interested.

So, I’m looking to hear from this group about this sort of thing. In your
experience, is this a ploy to see if we are serious? Should we ask for
another face-to-face? What sort of pitfalls should we look for with them
int he future? Or should we just cut our losses and look elsewhere?

Thanks!

– Sarah Bloy
CC Madison Bid Committee Chair

[Non-text portions of this message have been removed]

————————————

View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo! Groups
Links

—–
No virus found in this message.
Checked by AVG – www.avg.com
Version: 10.0.1424 / Virus Database: 2433/5063 – Release Date: 06/11/12

 

Group: runacc Message: 2423 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Costume-Con 30 Review – Runacc:: SF & F masquerade
The show was well-paced – and Master-heavy. There weren’t any big costumes
or props. I can’t say it was an outstanding show, but the quality was
pretty good. There were some clever ideas that I’d not seen before. At
least this year, we didn’t hear complaints about the judging (especially by
the Workmanship judges).

However, we saw fewer awards given (in comparison to last year, anyway),
which may have been good or bad, depending on how you looked at it.

Byron can address the SF Green Room, but for Nora’s experience, it was big
enough to handle all the entries, and there seemed to be enough Den Moms.
Some Den Moms seemed to be distracted by one or another costumer’s issues,
and missed helping some people who could have used momentary assistance.
Byron could have used an assistant from time to time. Of course, he might
argue that. J

Even after the video masquerade and the photo run, we were still waiting for
the judges to return.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2424 From: Margie Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

Henry, since you’re asking, we requested theatre-style seating for 60, in part to acknowledge the CC Runway event & the Single Pattern Show, and figuring some people would just like to sit theatre-style for them.

The bulk of the space was designated for a mixture banquet and cocktail rounds, with a few tallboys for folks that might want to stand and socialize.

Yes, the poker games were supposed to start much earlier, but the proposed schedule for the evening went wonky somewhere (not sure what happened).

The food was appetizers only, but because our hotel contract gave us a hefty (in our minds) f&b minimum to meet, we thought we’d do that at the Friday Night Social, and surprise folks with some interesting fare.

For the record, we served:
chipotle deviled eggs (6 doz servings)
bbq steak bites (4 doz svgs)
bacon-wrapped jalapenos (6 doz svgs)
bbq shredded pork on biscuits (6 doz svgs)
chicken taquitos (6 doz svgs)
chips, salsa, guac platter (x1, serves 50)
cheese, fruit & veggie platters (x2 ea, serves 40-50 ea)

Our Catering person thought that would not be enough food, but as it turns out, it was more than enough. I did want to figure on having enough food that folks involved in the two shows would still have the opportunity for a variety to eat after they were released. And that was the logic behind the food.

I didn’t realize that “pumpkin time” for folks would be so early, and so was figuring the Social would run past 11pm. (It started at 8pm)

— In runacc@yahoogroups.com, osierhenry@… wrote:
>
> A few quick thoughts about the Friday Social from the top of my head, and I
> am going to try not to repeat Bruce’s, which are very good.
>
> Why Theater Seating for a Social?
>
> Why wasn’t the Raffle used a filler during the course of the evening
> instead of as an end piece?
>
> I heard that after everything, there was a poker game happening there. But,
> after everything else, I was not interested in staying longer. And why
> wasn’t it going when people showed up, as it would have been in an Old West
> Saloon?
>
> General Question: When did the Friday Social become an event to get dinner
> at? With a start time of 7 PM, at the earliest, shouldn’t it be time for
> cocktail snacks?
>
> Henry Osier
>
> [Non-text portions of this message have been removed]
>

 

Group: runacc Message: 2425 From: Martin Gear Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract

Bruce (and everyone else) –
Attached are copies of “The Hotel Contract”, a supplemental contract
(usually not necessary), and the form for an insurance company that is
both “con friendly” and reasonable. Feel free to post it and/or share it
wherever desired. From time to time I may update the main contract when
something new comes up. For anyone who does not know me or has not
heard me expound on this (usually at too great length) I am not a lawyer
and since most contracts are covered by state law, if you have any legal
questions take them up with your own lawyer. What I am is a contracts
negotiator with 45 years experience in negotiating contracts with the
U.S. Federal Government, 10 years experience negotiating the hotel
contracts for “Balticon” (Maryland regional S-F convention), negotiator
for the four Maryland Costume Cons, and facilities director/venue
negotiator for the 1998 Worldcon (10 separate hotels and a Convention
Center.)

One point to consider when you are considering a venue for a Costume
Con, you want to “Own the Hotel” which means being able to rent at least
half (more is better) of their sleeping rooms during the core nights
(Friday, Saturday & Sunday) and remember that on the average you should
figure on 3 people per room/night. i.e. if you expect to have a 300
attending members, then you will have 100 rooms per night. This means
that a 500 room hotel is right out no matter how great their
facilities. There are exceptions to all of this, of course, but these
are the figures that you should keep in mind when planning your con.

Marty

On 6/13/2012 8:05 AM, Nora & Bruce Mai wrote:
>
> Well, I was going to reply, but looks like Marty covered it all
> (although I
> don’t see a copy of it in our Inbox – not sure why.
>
> But in any case, I highly recommend Marty’s contract. It’ll save you a lot
> of headaches. Should be standard issue for CCs. And most any other
> convention, for that matter.
>
> Bruce
>
> —–Original Message—–
> From: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> [mailto:runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>] On
> Behalf Of
> Sarah Bloy
> Sent: Tuesday, June 12, 2012 2:08 PM
> To: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> Subject: [runacc] Talking to Your Venue
>
> Greetings, all!
>
> Up here in the area around Madison, WI, we’re trying to put together a bid
> for 2016. We’re running into a problem right now concerning the hotel from
> which we want to get a letter of intent. The place is perfect; size,
> location, familiarity with niche cons (it hosts the feminist Sci-fi Wiscon
> every year and played host to North American Disc World Con last year).
>
> Our first correspondence with them indicated that they were very
> interested
> and enthusiatic. This gave way to a misunderstanding that we wanted a
> contract right away and they told us they couldn’t do one until a year out
> from our prospective dates. When we corrected that notion and said we were
> just looking for a letter that said they were interested, they came
> back and
> said that they couldn’t host a convention that did not fill their
> hotel for
> the weekend (360 rooms!) and were therefore no longer interested.
>
> So, I’m looking to hear from this group about this sort of thing. In your
> experience, is this a ploy to see if we are serious? Should we ask for
> another face-to-face? What sort of pitfalls should we look for with them
> int he future? Or should we just cut our losses and look elsewhere?
>
> Thanks!
>
> – Sarah Bloy
> CC Madison Bid Committee Chair
>
> [Non-text portions of this message have been removed]
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups
> Links
>
> —–
> No virus found in this message.
> Checked by AVG – www.avg.com
> Version: 10.0.1424 / Virus Database: 2433/5063 – Release Date: 06/11/12
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2426 From: Martin Gear Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc:: SF & F masquerade

On 6/13/2012 8:14 AM, Nora & Bruce Mai wrote:
<snip>
>
> Even after the video masquerade and the photo run, we were still
> waiting for
> the judges to return.
>
There was some confusion as what exactly was going to be done during the
masquerade halftime and how much time should have been allotted. Also
point to keep in mind for the future, although “judges photos” were
taken and were left in the judging room, this was not pointed out to us
and we didn’t find them until after the judging had been completed. Had
we been aware of them, it might have saved perhaps 10 minutes of the
time that we took. Otherwise I was quite happy with the way that the
masquerade went off, and was extremely happy with my judging panel.

Marty

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2427 From: Martin Gear Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract

OK, I forgot that Yahoo Groups strips out attachments. Anyone who wants
a copy, please email me directly and I’ll be happy to send you a copy.
Bruce, you don’t have to, I’ll send you on directly now.
Marty

On 6/13/2012 2:14 PM, Martin Gear wrote:
>
> Bruce (and everyone else) –
> Attached are copies of “The Hotel Contract”, a supplemental contract
> (usually not necessary), and the form for an insurance company that is
> both “con friendly” and reasonable. Feel free to post it and/or share it
> wherever desired. From time to time I may update the main contract when
> something new comes up. For anyone who does not know me or has not
> heard me expound on this (usually at too great length) I am not a lawyer
> and since most contracts are covered by state law, if you have any legal
> questions take them up with your own lawyer. What I am is a contracts
> negotiator with 45 years experience in negotiating contracts with the
> U.S. Federal Government, 10 years experience negotiating the hotel
> contracts for “Balticon” (Maryland regional S-F convention), negotiator
> for the four Maryland Costume Cons, and facilities director/venue
> negotiator for the 1998 Worldcon (10 separate hotels and a Convention
> Center.)
>
> One point to consider when you are considering a venue for a Costume
> Con, you want to “Own the Hotel” which means being able to rent at least
> half (more is better) of their sleeping rooms during the core nights
> (Friday, Saturday & Sunday) and remember that on the average you should
> figure on 3 people per room/night. i.e. if you expect to have a 300
> attending members, then you will have 100 rooms per night. This means
> that a 500 room hotel is right out no matter how great their
> facilities. There are exceptions to all of this, of course, but these
> are the figures that you should keep in mind when planning your con.
>
> Marty
>
> On 6/13/2012 8:05 AM, Nora & Bruce Mai wrote:
> >
> > Well, I was going to reply, but looks like Marty covered it all
> > (although I
> > don’t see a copy of it in our Inbox – not sure why.
> >
> > But in any case, I highly recommend Marty’s contract. It’ll save you
> a lot
> > of headaches. Should be standard issue for CCs. And most any other
> > convention, for that matter.
> >
> > Bruce
> >
> > —–Original Message—–
> > From: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> <mailto:runacc%40yahoogroups.com>
> > [mailto:runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> <mailto:runacc%40yahoogroups.com>] On
> > Behalf Of
> > Sarah Bloy
> > Sent: Tuesday, June 12, 2012 2:08 PM
> > To: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> <mailto:runacc%40yahoogroups.com>
> > Subject: [runacc] Talking to Your Venue
> >
> > Greetings, all!
> >
> > Up here in the area around Madison, WI, we’re trying to put together
> a bid
> > for 2016. We’re running into a problem right now concerning the
> hotel from
> > which we want to get a letter of intent. The place is perfect; size,
> > location, familiarity with niche cons (it hosts the feminist Sci-fi
> Wiscon
> > every year and played host to North American Disc World Con last year).
> >
> > Our first correspondence with them indicated that they were very
> > interested
> > and enthusiatic. This gave way to a misunderstanding that we wanted a
> > contract right away and they told us they couldn’t do one until a
> year out
> > from our prospective dates. When we corrected that notion and said
> we were
> > just looking for a letter that said they were interested, they came
> > back and
> > said that they couldn’t host a convention that did not fill their
> > hotel for
> > the weekend (360 rooms!) and were therefore no longer interested.
> >
> > So, I’m looking to hear from this group about this sort of thing. In
> your
> > experience, is this a ploy to see if we are serious? Should we ask for
> > another face-to-face? What sort of pitfalls should we look for with them
> > int he future? Or should we just cut our losses and look elsewhere?
> >
> > Thanks!
> >
> > – Sarah Bloy
> > CC Madison Bid Committee Chair
> >
> > [Non-text portions of this message have been removed]
> >
> > ————————————
> >
> > View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> > Groups
> > Links
> >
> > —–
> > No virus found in this message.
> > Checked by AVG – www.avg.com
> > Version: 10.0.1424 / Virus Database: 2433/5063 – Release Date: 06/11/12
> >
> >
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2428 From: osierhenry@cs.com Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single…

In a message dated 6/13/2012 12:09:45 PM Central Daylight Time,
marg1066@gmail.com writes:

> Henry, since you’re asking,
>
>
>

Marg,
I read the thing about the Social person redoing the arrangement. To
me, it looked like a dinner buffet was happening. I do admit that I went to
bed earlier because I had to get up and work the next day at the con. I do
not recall any announcement about more stuff happening. And I think everyone
was bored after the raffle.
Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2429 From: osierhenry@cs.com Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract
Marty,
In regard to NADWCon in Madison, take it from me, who was on staff,
I am under the opinion that the two people who were running the thing really
had no idea what they were doing. The paid for an entire second stage to be
set up in the big ballroom for only one use. And it sat there in the way
all weekend. My reaction was “Really?”
Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2430 From: Martin Gear Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract

Henry –
I couldn’t agree with you more. But at the same time, the hotel saw them
coming and took advantage of them.
Marty

On 6/13/2012 2:53 PM, osierhenry@cs.com wrote:
>
> Marty,
> In regard to NADWCon in Madison, take it from me, who was on staff,
> I am under the opinion that the two people who were running the thing
> really
> had no idea what they were doing. The paid for an entire second stage
> to be
> set up in the big ballroom for only one use. And it sat there in the way
> all weekend. My reaction was “Really?”
> Henry
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2431 From: Trudy Leonard Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

We missed the beginning of the Social (and the Single Pattern Contest) because we had gone out to eat and then up to get dressed. Food at some recent Socials had been a bit sparse so we were not counting on getting anything there. Your menu sounds like it was quite tasty. I’m sorry I didn’t get to try any of it. I did see decorations on the tables and something on the walls, but it was so dark in the room that it was hard to make out much of the decor. It was also hard to make out the other people that were there. We met some nice folks who were there for the first time, but I would not have recognized them the next day. I think the darkness also added to a feeling of tiredness (well, that and the jet lag that some of us were suffering from). I like the idea of spreading the shows out through the weekend. I think I liked the Social format better in Milwaukee. Socialize the first hour. Have show. Socialze more while judges judge. Announce winners and socialze until everyone leaves. Trudy
To: runacc@yahoogroups.com
From: marg1066@gmail.com
Date: Wed, 13 Jun 2012 17:09:41 +0000
Subject: [runacc] Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat…

Henry, since you’re asking, we requested theatre-style seating for 60, in part to acknowledge the CC Runway event & the Single Pattern Show, and figuring some people would just like to sit theatre-style for them.

The bulk of the space was designated for a mixture banquet and cocktail rounds, with a few tallboys for folks that might want to stand and socialize.

Yes, the poker games were supposed to start much earlier, but the proposed schedule for the evening went wonky somewhere (not sure what happened).

The food was appetizers only, but because our hotel contract gave us a hefty (in our minds) f&b minimum to meet, we thought we’d do that at the Friday Night Social, and surprise folks with some interesting fare.

For the record, we served:

chipotle deviled eggs (6 doz servings)

bbq steak bites (4 doz svgs)

bacon-wrapped jalapenos (6 doz svgs)

bbq shredded pork on biscuits (6 doz svgs)

chicken taquitos (6 doz svgs)

chips, salsa, guac platter (x1, serves 50)

cheese, fruit & veggie platters (x2 ea, serves 40-50 ea)

Our Catering person thought that would not be enough food, but as it turns out, it was more than enough. I did want to figure on having enough food that folks involved in the two shows would still have the opportunity for a variety to eat after they were released. And that was the logic behind the food.

I didn’t realize that “pumpkin time” for folks would be so early, and so was figuring the Social would run past 11pm. (It started at 8pm)

— In runacc@yahoogroups.com, osierhenry@… wrote:

>

> A few quick thoughts about the Friday Social from the top of my head, and I

> am going to try not to repeat Bruce’s, which are very good.

>

> Why Theater Seating for a Social?

>

> Why wasn’t the Raffle used a filler during the course of the evening

> instead of as an end piece?

>

> I heard that after everything, there was a poker game happening there. But,

> after everything else, I was not interested in staying longer. And why

> wasn’t it going when people showed up, as it would have been in an Old West

> Saloon?

>

> General Question: When did the Friday Social become an event to get dinner

> at? With a start time of 7 PM, at the earliest, shouldn’t it be time for

> cocktail snacks?

>

> Henry Osier

>

> [Non-text portions of this message have been removed]

>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2432 From: Betsy Marks Delaney Date: 6/13/2012
Subject: Re: Talking to Your Venue – The contract

Anyone who is a member of this group may upload files to our files section,
which has the advantage of storing all sorts of cool stuff. You are
encouraged to share files this way!

Betsy



Betsy Marks Delaney
www.hawkeswood.com

On Jun 13, 2012 2:28 PM, “Martin Gear” <MartinGear@comcast.net> wrote:

> OK, I forgot that Yahoo Groups strips out attachments. Anyone who wants
> a copy, please email me directly and I’ll be happy to send you a copy.
> Bruce, you don’t have to, I’ll send you on directly now.
> Marty
>
> On 6/13/2012 2:14 PM, Martin Gear wrote:
> >
> > Bruce (and everyone else) –
> > Attached are copies of “The Hotel Contract”, a supplemental contract
> > (usually not necessary), and the form for an insurance company that is
> > both “con friendly” and reasonable. Feel free to post it and/or share it
> > wherever desired. From time to time I may update the main contract when
> > something new comes up. For anyone who does not know me or has not
> > heard me expound on this (usually at too great length) I am not a lawyer
> > and since most contracts are covered by state law, if you have any legal
> > questions take them up with your own lawyer. What I am is a contracts
> > negotiator with 45 years experience in negotiating contracts with the
> > U.S. Federal Government, 10 years experience negotiating the hotel
> > contracts for “Balticon” (Maryland regional S-F convention), negotiator
> > for the four Maryland Costume Cons, and facilities director/venue
> > negotiator for the 1998 Worldcon (10 separate hotels and a Convention
> > Center.)
> >
> > One point to consider when you are considering a venue for a Costume
> > Con, you want to “Own the Hotel” which means being able to rent at least
> > half (more is better) of their sleeping rooms during the core nights
> > (Friday, Saturday & Sunday) and remember that on the average you should
> > figure on 3 people per room/night. i.e. if you expect to have a 300
> > attending members, then you will have 100 rooms per night. This means
> > that a 500 room hotel is right out no matter how great their
> > facilities. There are exceptions to all of this, of course, but these
> > are the figures that you should keep in mind when planning your con.
> >
> > Marty
> >
> > On 6/13/2012 8:05 AM, Nora & Bruce Mai wrote:
> > >
> > > Well, I was going to reply, but looks like Marty covered it all
> > > (although I
> > > don’t see a copy of it in our Inbox – not sure why.
> > >
> > > But in any case, I highly recommend Marty’s contract. It’ll save you
> > a lot
> > > of headaches. Should be standard issue for CCs. And most any other
> > > convention, for that matter.
> > >
> > > Bruce
> > >
> > > —–Original Message—–
> > > From: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> > <mailto:runacc%40yahoogroups.com>
> > > [mailto:runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> > <mailto:runacc%40yahoogroups.com>] On
> > > Behalf Of
> > > Sarah Bloy
> > > Sent: Tuesday, June 12, 2012 2:08 PM
> > > To: runacc@yahoogroups.com <mailto:runacc%40yahoogroups.com>
> > <mailto:runacc%40yahoogroups.com>
> > > Subject: [runacc] Talking to Your Venue
> > >
> > > Greetings, all!
> > >
> > > Up here in the area around Madison, WI, we’re trying to put together
> > a bid
> > > for 2016. We’re running into a problem right now concerning the
> > hotel from
> > > which we want to get a letter of intent. The place is perfect; size,
> > > location, familiarity with niche cons (it hosts the feminist Sci-fi
> > Wiscon
> > > every year and played host to North American Disc World Con last year).
> > >
> > > Our first correspondence with them indicated that they were very
> > > interested
> > > and enthusiatic. This gave way to a misunderstanding that we wanted a
> > > contract right away and they told us they couldn’t do one until a
> > year out
> > > from our prospective dates. When we corrected that notion and said
> > we were
> > > just looking for a letter that said they were interested, they came
> > > back and
> > > said that they couldn’t host a convention that did not fill their
> > > hotel for
> > > the weekend (360 rooms!) and were therefore no longer interested.
> > >
> > > So, I’m looking to hear from this group about this sort of thing. In
> > your
> > > experience, is this a ploy to see if we are serious? Should we ask for
> > > another face-to-face? What sort of pitfalls should we look for with
> them
> > > int he future? Or should we just cut our losses and look elsewhere?
> > >
> > > Thanks!
> > >
> > > – Sarah Bloy
> > > CC Madison Bid Committee Chair
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > > ————————————
> > >
> > > View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> > > Groups
> > > Links
> > >
> > > —–
> > > No virus found in this message.
> > > Checked by AVG – www.avg.com
> > > Version: 10.0.1424 / Virus Database: 2433/5063 – Release Date: 06/11/12
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ————————————
>
> View the Document: http://www.Costume-Con.org/procedure/runacc/Yahoo!
> Groups Links
>
>
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2433 From: Nora & Bruce Mai Date: 6/13/2012
Subject: Costume-Con 30 Review – Runacc: Future Fashion Folio and Show
Cobbling from what Nora reported on first:

Submissions: We had over 300, 111 made it into the Folio. Good turnout,
lots of enthusiasm. Roughly 95% received via email. So we’ve pretty much
made the jump to electronic submissions now, which will make an editor’s job
somewhat easier.

Judging: We use the “Gang Method” we’ve used in St Louis before (meaning, we
gathered a group of our Guild members and poured over them in an afternoon.
Makes for a diverse set of opinions. Of course, sometimes there’s a bit of
cat herding. Worked fairly well, as usual, but she could see room for some
tweaking to the method after having used it a couple of times.

Production: All designs were entered into a spreadsheet as received. And
she scanned and partially edited (lightened, cropped) all the designs as
received. She also typed up and corrected any descriptions.
This made for a much faster actual production time since everything was
already electronic and just needed a little more tidying and to be applied
to the layout. She had determined the layout beforehand, one of
the few things you can do before the judging.

Distribution: Used an online storage site and sent the URL with password to
members. Uploaded both a .pdf and .doc version, most downloads were of the
.pdf. Members had few problems with the download that she was aware of,
she helped those that contacted her directly and they were individual IT
problems, not problems with the site or documents. The Vice Chair took care
of most of the notifications to members.

Pros – Electronic version saves tons of money; accessible to most users with
no problem; ease of distribution (email); gets the Folio into the hands of
the members faster so more likely to help increase
the number of participants in the FFS. The “Tons of Money” part should be
repeated – given that it was roughly $7.50 per copy when we last published
the CC25 FFF, it will make things much easier on a future CC. Could make
the difference with providing better “horse divers” for the FNS, which can
get pricey when the hotel does the catering.

Cons – Folks with no email or download capability don’t have access. The
number of these is very small but they are still there and we need to have a
plan for them. Not sure what Marg & Elaine’s final solution
was for them but she said at least one person didn’t ever get the Folio, and
he’s notoriously tech-phobic. He also admitted that he may have had some
communication from you that he never properly responded to so partly his own
fault. Plus, it was only thought of after the con about how to distribute
the Folio to at-the-door registrants (after all, the con membership is
supposed to include the FFF). Future committees may need to investigate
producing a stack of CDs to hand out at registration.

Unfortunately, as the Folio Show Director, I committed a number of rookie
mistakes. Ones I can remember off-hand:

When in contact with my entrants before the con, I neglected to say, “Come
see me at Registration so I can pre-check you in”. As a result, some noobs
didn’t know to let me know they were there, so I could plan for them to be
in the show (we wanted to do at least some minimal stage direction during
tech rehearsal).

One issue beyond my control was the inability to have documents printed in
Ops. Sunday morning, they were having a problem with their computer
connections and couldn’t send documents to their printer (why it wasn’t
directly connected to the computer, I don’t know). I wound up having to run
down to the Business Center and shell out $13 to print out my MC’s script.

The Official Photographer was about 20 minutes late getting into the Green
Room to get set up. Luckily, taking Fashion Show pictures is easy to set up
and go, but it was annoying.

The show itself went pretty well. However, I completely spaced about having
the tech crew project the Folio designs as the entrants took their turns on
stage. I’d meant to check with Tadao about that, and it got lost in the
shuffle.

Worse, I forgot to have the awards ready at the end of the show. My judges
were great – they were Gypsy Ames, Bjo Trimble & Randall Whitlock (from the
AZ Guild). They got everything done almost on time for the show to start –
I held it over for 7 minutes and then we were good to go. However, they
caught me off guard when they made up two more awards beyond the 3 I’d
planned for. Compounding this, I didn’t think to ask where my allotted
ribbons and certificates were ahead of time (they were in Con Ops – maybe it
was mentioned on the CC30 list, but nobody bothered to tell me, on site,
either). They probably should have been brought to me. I wound up running
to Ops to bring them back while the show was in progress. So what wound
up happening was I had to get the judges to sign the certificates after the
show and track down my winners later. It took until late afternoon before
I could get the other 2 certificates printed and give them to the ones the
judges had recognized.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2434 From: Martin Gear Date: 6/13/2012
Subject: Re: Costume-Con 30 Review – Runacc: Future Fashion Folio and Show

Bruce –
Re your printer problem, you could have asked me. When I am running a
major event at a con, I travel with a color printer/copier/scanner and
would have been happy to have let you use it. This is something to keep
in mind for the next time that we are both running something at a CC.
Marty

On 6/13/2012 10:53 PM, Nora & Bruce Mai wrote:
>
> Cobbling from what Nora reported on first:
>
> Submissions: We had over 300, 111 made it into the Folio. Good turnout,
> lots of enthusiasm. Roughly 95% received via email. So we’ve pretty much
> made the jump to electronic submissions now, which will make an
> editor’s job
> somewhat easier.
>
> Judging: We use the “Gang Method” we’ve used in St Louis before
> (meaning, we
> gathered a group of our Guild members and poured over them in an
> afternoon.
> Makes for a diverse set of opinions. Of course, sometimes there’s a bit of
> cat herding. Worked fairly well, as usual, but she could see room for some
> tweaking to the method after having used it a couple of times.
>
> Production: All designs were entered into a spreadsheet as received. And
> she scanned and partially edited (lightened, cropped) all the designs as
> received. She also typed up and corrected any descriptions.
> This made for a much faster actual production time since everything was
> already electronic and just needed a little more tidying and to be applied
> to the layout. She had determined the layout beforehand, one of
> the few things you can do before the judging.
>
> Distribution: Used an online storage site and sent the URL with
> password to
> members. Uploaded both a .pdf and .doc version, most downloads were of the
> .pdf. Members had few problems with the download that she was aware of,
> she helped those that contacted her directly and they were individual IT
> problems, not problems with the site or documents. The Vice Chair took
> care
> of most of the notifications to members.
>
> Pros – Electronic version saves tons of money; accessible to most
> users with
> no problem; ease of distribution (email); gets the Folio into the hands of
> the members faster so more likely to help increase
> the number of participants in the FFS. The “Tons of Money” part should be
> repeated – given that it was roughly $7.50 per copy when we last published
> the CC25 FFF, it will make things much easier on a future CC. Could make
> the difference with providing better “horse divers” for the FNS, which can
> get pricey when the hotel does the catering.
>
> Cons – Folks with no email or download capability don’t have access. The
> number of these is very small but they are still there and we need to
> have a
> plan for them. Not sure what Marg & Elaine’s final solution
> was for them but she said at least one person didn’t ever get the
> Folio, and
> he’s notoriously tech-phobic. He also admitted that he may have had some
> communication from you that he never properly responded to so partly
> his own
> fault. Plus, it was only thought of after the con about how to distribute
> the Folio to at-the-door registrants (after all, the con membership is
> supposed to include the FFF). Future committees may need to investigate
> producing a stack of CDs to hand out at registration.
>
> Unfortunately, as the Folio Show Director, I committed a number of rookie
> mistakes. Ones I can remember off-hand:
>
> When in contact with my entrants before the con, I neglected to say, “Come
> see me at Registration so I can pre-check you in”. As a result, some noobs
> didn’t know to let me know they were there, so I could plan for them to be
> in the show (we wanted to do at least some minimal stage direction during
> tech rehearsal).
>
> One issue beyond my control was the inability to have documents printed in
> Ops. Sunday morning, they were having a problem with their computer
> connections and couldn’t send documents to their printer (why it wasn’t
> directly connected to the computer, I don’t know). I wound up having
> to run
> down to the Business Center and shell out $13 to print out my MC’s script.
>
> The Official Photographer was about 20 minutes late getting into the Green
> Room to get set up. Luckily, taking Fashion Show pictures is easy to
> set up
> and go, but it was annoying.
>
> The show itself went pretty well. However, I completely spaced about
> having
> the tech crew project the Folio designs as the entrants took their
> turns on
> stage. I’d meant to check with Tadao about that, and it got lost in the
> shuffle.
>
> Worse, I forgot to have the awards ready at the end of the show. My judges
> were great – they were Gypsy Ames, Bjo Trimble & Randall Whitlock
> (from the
> AZ Guild). They got everything done almost on time for the show to start –
> I held it over for 7 minutes and then we were good to go. However, they
> caught me off guard when they made up two more awards beyond the 3 I’d
> planned for. Compounding this, I didn’t think to ask where my allotted
> ribbons and certificates were ahead of time (they were in Con Ops –
> maybe it
> was mentioned on the CC30 list, but nobody bothered to tell me, on site,
> either). They probably should have been brought to me. I wound up running
> to Ops to bring them back while the show was in progress. So what wound
> up happening was I had to get the judges to sign the certificates
> after the
> show and track down my winners later. It took until late afternoon before
> I could get the other 2 certificates printed and give them to the ones the
> judges had recognized.
>
> [Non-text portions of this message have been removed]
>
>
>
> No virus found in this message.
> Checked by AVG – www.avg.com <http://www.avg.com>
> Version: 2012.0.2180 / Virus Database: 2433/5068 – Release Date: 06/13/12
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2435 From: Pierre & Sandy Pettinger Date: 6/14/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

Sandy only here:
Out of the foods listed, the only things I could
eat were on the cheese, etc. platter. Kind of
disappointing when seeing the size of the
spread. I realize you can’t cater to everyones’
tastes, but EVERYTHING else there was spicy. It
needed at least one other item that wasn’t spicy.

Also, I don’t know whose idea it was to put the
lit candles on the floor under the buffet table,
but that was a REALLY bad idea. I gather one
person’s costume actually did catch on fire
briefly. Not a good way to start….

At 12:09 PM 6/13/2012, you wrote:

>Henry, since you’re asking, we requested
>theatre-style seating for 60, in part to
>acknowledge the CC Runway event & the Single
>Pattern Show, and figuring some people would
>just like to sit theatre-style for them.
>
>The bulk of the space was designated for a
>mixture banquet and cocktail rounds, with a few
>tallboys for folks that might want to stand and socialize.
>
>Yes, the poker games were supposed to start much
>earlier, but the proposed schedule for the
>evening went wonky somewhere (not sure what happened).
>
>The food was appetizers only, but because our
>hotel contract gave us a hefty (in our minds)
>f&b minimum to meet, we thought we’d do that at
>the Friday Night Social, and surprise folks with some interesting fare.
>
>For the record, we served:
>chipotle deviled eggs (6 doz servings)
>bbq steak bites (4 doz svgs)
>bacon-wrapped jalapenos (6 doz svgs)
>bbq shredded pork on biscuits (6 doz svgs)
>chicken taquitos (6 doz svgs)
>chips, salsa, guac platter (x1, serves 50)
>cheese, fruit & veggie platters (x2 ea, serves 40-50 ea)
>
>Our Catering person thought that would not be
>enough food, but as it turns out, it was more
>than enough. I did want to figure on having
>enough food that folks involved in the two shows
>would still have the opportunity for a variety
>to eat after they were released. And that was the logic behind the food.
>
>I didn’t realize that “pumpkin time” for folks
>would be so early, and so was figuring the
>Social would run past 11pm. (It started at 8pm)
>
>— In
><mailto:runacc%40yahoogroups.com>runacc@yahoogroups.com, osierhenry@… wrote:
> >
> > A few quick thoughts about the Friday Social
> from the top of my head, and I
> > am going to try not to repeat Bruce’s, which are very good.
> >
> > Why Theater Seating for a Social?
> >
> > Why wasn’t the Raffle used a filler during the course of the evening
> > instead of as an end piece?
> >
> > I heard that after everything, there was a
> poker game happening there. But,
> > after everything else, I was not interested in staying longer. And why
> > wasn’t it going when people showed up, as it
> would have been in an Old West
> > Saloon?
> >
> > General Question: When did the Friday Social become an event to get dinner
> > at? With a start time of 7 PM, at the earliest, shouldn’t it be time for
> > cocktail snacks?
> >
> > Henry Osier
> >
> > [Non-text portions of this message have been removed]
> >
>
>

International Costumers’ Guild Archivist

http://www.costume.org/gallery2/main.php

“Those Who Fail to Learn History
Are Doomed to Repeat It;
Those Who Fail To Learn History Correctly –
Why They Are Simply Doomed.”

Achemdro’hm
“The Illusion of Historical Fact”
— C. Y. 4971

Andromeda

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2436 From: Margie Date: 6/14/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

Sandy –

When I was looking for appetizers that were “southwestern”, I guess spicy is just their nature, because that was all I found. I really didn’t think about it, just tried to get a variety. I guess the chicken taquitos were spicy too? (I didn’t actually eat anything in there myself, as I was too busy.) I guess that only left biscuits, chips, cheeses, veggies & fruit as options for you. 🙁 Sorry about that.

Yeah, the oil candles under the table was the hotel’s idea. Fail. I’m sure under normal circumstances that might work fine/be pretty for them, but not for a group with big skirts!

— In runacc@yahoogroups.com, Pierre & Sandy Pettinger <costumrs@…> wrote:
>
> Sandy only here:
> Out of the foods listed, the only things I could
> eat were on the cheese, etc. platter. Kind of
> disappointing when seeing the size of the
> spread. I realize you can’t cater to everyones’
> tastes, but EVERYTHING else there was spicy. It
> needed at least one other item that wasn’t spicy.
>
> Also, I don’t know whose idea it was to put the
> lit candles on the floor under the buffet table,
> but that was a REALLY bad idea. I gather one
> person’s costume actually did catch on fire
> briefly. Not a good way to start….
>
> At 12:09 PM 6/13/2012, you wrote:
>
> >Henry, since you’re asking, we requested
> >theatre-style seating for 60, in part to
> >acknowledge the CC Runway event & the Single
> >Pattern Show, and figuring some people would
> >just like to sit theatre-style for them.
> >
> >The bulk of the space was designated for a
> >mixture banquet and cocktail rounds, with a few
> >tallboys for folks that might want to stand and socialize.
> >
> >Yes, the poker games were supposed to start much
> >earlier, but the proposed schedule for the
> >evening went wonky somewhere (not sure what happened).
> >
> >The food was appetizers only, but because our
> >hotel contract gave us a hefty (in our minds)
> >f&b minimum to meet, we thought we’d do that at
> >the Friday Night Social, and surprise folks with some interesting fare.
> >
> >For the record, we served:
> >chipotle deviled eggs (6 doz servings)
> >bbq steak bites (4 doz svgs)
> >bacon-wrapped jalapenos (6 doz svgs)
> >bbq shredded pork on biscuits (6 doz svgs)
> >chicken taquitos (6 doz svgs)
> >chips, salsa, guac platter (x1, serves 50)
> >cheese, fruit & veggie platters (x2 ea, serves 40-50 ea)
> >
> >Our Catering person thought that would not be
> >enough food, but as it turns out, it was more
> >than enough. I did want to figure on having
> >enough food that folks involved in the two shows
> >would still have the opportunity for a variety
> >to eat after they were released. And that was the logic behind the food.
> >
> >I didn’t realize that “pumpkin time” for folks
> >would be so early, and so was figuring the
> >Social would run past 11pm. (It started at 8pm)
> >
> >— In
> ><mailto:runacc%40yahoogroups.com>runacc@yahoogroups.com, osierhenry@ wrote:
> > >
> > > A few quick thoughts about the Friday Social
> > from the top of my head, and I
> > > am going to try not to repeat Bruce’s, which are very good.
> > >
> > > Why Theater Seating for a Social?
> > >
> > > Why wasn’t the Raffle used a filler during the course of the evening
> > > instead of as an end piece?
> > >
> > > I heard that after everything, there was a
> > poker game happening there. But,
> > > after everything else, I was not interested in staying longer. And why
> > > wasn’t it going when people showed up, as it
> > would have been in an Old West
> > > Saloon?
> > >
> > > General Question: When did the Friday Social become an event to get dinner
> > > at? With a start time of 7 PM, at the earliest, shouldn’t it be time for
> > > cocktail snacks?
> > >
> > > Henry Osier
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
> >
>
> International Costumers’ Guild Archivist
>
> http://www.costume.org/gallery2/main.php
>
> “Those Who Fail to Learn History
> Are Doomed to Repeat It;
> Those Who Fail To Learn History Correctly –
> Why They Are Simply Doomed.”
>
> Achemdro’hm
> “The Illusion of Historical Fact”
> — C. Y. 4971
>
> Andromeda
>
> [Non-text portions of this message have been removed]
>

 

Group: runacc Message: 2437 From: osierhenry@cs.com Date: 6/14/2012
Subject: Re: Talking to Your Venue – The contract

In a message dated 6/13/2012 2:07:54 PM Central Daylight Time,
MartinGear@comcast.net writes:

> Henry –
> I couldn’t agree with you more. But at the same time, the hotel saw them
> coming and took advantage of them.
>
>
>

To be blunt, F yea! And, in my opinion, those idiots deserved to get a raw
deal.

Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2438 From: Byron Connell Date: 6/14/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

The candles under the tables were the hotel’s idea?! I’m surprised the fire marshal permitted it. I’m even more surprised that the hotel’s insurance policy permitted it.

Future CC concoms need to remember that the fire marshal has the final say on any physical arrangements and can shut down without warning a space that does not meet the local fire code. The venue’s insurance policy also needs to be consulted for restrictions based on liability.

Byron

On Jun 14, 2012, at 1:09 PM, Margie wrote:

> Sandy –
>
> When I was looking for appetizers that were “southwestern”, I guess spicy is just their nature, because that was all I found. I really didn’t think about it, just tried to get a variety. I guess the chicken taquitos were spicy too? (I didn’t actually eat anything in there myself, as I was too busy.) I guess that only left biscuits, chips, cheeses, veggies & fruit as options for you. 🙁 Sorry about that.
>
> Yeah, the oil candles under the table was the hotel’s idea. Fail. I’m sure under normal circumstances that might work fine/be pretty for them, but not for a group with big skirts!
>
> — In runacc@yahoogroups.com, Pierre & Sandy Pettinger <costumrs@…> wrote:
> >
> > Sandy only here:
> > Out of the foods listed, the only things I could
> > eat were on the cheese, etc. platter. Kind of
> > disappointing when seeing the size of the
> > spread. I realize you can’t cater to everyones’
> > tastes, but EVERYTHING else there was spicy. It
> > needed at least one other item that wasn’t spicy.
> >
> > Also, I don’t know whose idea it was to put the
> > lit candles on the floor under the buffet table,
> > but that was a REALLY bad idea. I gather one
> > person’s costume actually did catch on fire
> > briefly. Not a good way to start….
> >
> > At 12:09 PM 6/13/2012, you wrote:
> >
> > >Henry, since you’re asking, we requested
> > >theatre-style seating for 60, in part to
> > >acknowledge the CC Runway event & the Single
> > >Pattern Show, and figuring some people would
> > >just like to sit theatre-style for them.
> > >
> > >The bulk of the space was designated for a
> > >mixture banquet and cocktail rounds, with a few
> > >tallboys for folks that might want to stand and socialize.
> > >
> > >Yes, the poker games were supposed to start much
> > >earlier, but the proposed schedule for the
> > >evening went wonky somewhere (not sure what happened).
> > >
> > >The food was appetizers only, but because our
> > >hotel contract gave us a hefty (in our minds)
> > >f&b minimum to meet, we thought we’d do that at
> > >the Friday Night Social, and surprise folks with some interesting fare.
> > >
> > >For the record, we served:
> > >chipotle deviled eggs (6 doz servings)
> > >bbq steak bites (4 doz svgs)
> > >bacon-wrapped jalapenos (6 doz svgs)
> > >bbq shredded pork on biscuits (6 doz svgs)
> > >chicken taquitos (6 doz svgs)
> > >chips, salsa, guac platter (x1, serves 50)
> > >cheese, fruit & veggie platters (x2 ea, serves 40-50 ea)
> > >
> > >Our Catering person thought that would not be
> > >enough food, but as it turns out, it was more
> > >than enough. I did want to figure on having
> > >enough food that folks involved in the two shows
> > >would still have the opportunity for a variety
> > >to eat after they were released. And that was the logic behind the food.
> > >
> > >I didn’t realize that “pumpkin time” for folks
> > >would be so early, and so was figuring the
> > >Social would run past 11pm. (It started at 8pm)
> > >
> > >— In
> > ><mailto:runacc%40yahoogroups.com>runacc@yahoogroups.com, osierhenry@ wrote:
> > > >
> > > > A few quick thoughts about the Friday Social
> > > from the top of my head, and I
> > > > am going to try not to repeat Bruce’s, which are very good.
> > > >
> > > > Why Theater Seating for a Social?
> > > >
> > > > Why wasn’t the Raffle used a filler during the course of the evening
> > > > instead of as an end piece?
> > > >
> > > > I heard that after everything, there was a
> > > poker game happening there. But,
> > > > after everything else, I was not interested in staying longer. And why
> > > > wasn’t it going when people showed up, as it
> > > would have been in an Old West
> > > > Saloon?
> > > >
> > > > General Question: When did the Friday Social become an event to get dinner
> > > > at? With a start time of 7 PM, at the earliest, shouldn’t it be time for
> > > > cocktail snacks?
> > > >
> > > > Henry Osier
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > >
> > >
> >
> > International Costumers’ Guild Archivist
> >
> > http://www.costume.org/gallery2/main.php
> >
> > “Those Who Fail to Learn History
> > Are Doomed to Repeat It;
> > Those Who Fail To Learn History Correctly –
> > Why They Are Simply Doomed.”
> >
> > Achemdro’hm
> > “The Illusion of Historical Fact”
> > — C. Y. 4971
> >
> > Andromeda
> >
> > [Non-text portions of this message have been removed]
> >
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2439 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat
I know Sandy couldn’t eat the stuff, but I enjoyed quite a bit of it all. I
really like SW food. As I believe you and I acknowledged, not having to
publish the Folio frees up more money for better catering.

As for “pumpkin time”, I think this can vary, but I think the pacing of the
evening sort of mentally drained any ability to stay up later. Or, maybe
we’re just getting’ old. 😉

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Margie
Sent: Wednesday, June 13, 2012 12:10 PM
To: runacc@yahoogroups.com
Subject: [runacc] Re: Costume-Con 30 Review – Runacc: Friday Night Social &
Single Pat…

The food was appetizers only, but because our hotel contract gave us a hefty
(in our minds) f&b minimum to meet, we thought we’d do that at the Friday
Night Social, and surprise folks with some interesting fare.

For the record, we served:
chipotle deviled eggs (6 doz servings)
bbq steak bites (4 doz svgs)
bacon-wrapped jalapenos (6 doz svgs)
bbq shredded pork on biscuits (6 doz svgs) chicken taquitos (6 doz svgs)
chips, salsa, guac platter (x1, serves 50) cheese, fruit & veggie platters
(x2 ea, serves 40-50 ea)

Our Catering person thought that would not be enough food, but as it turns
out, it was more than enough. I did want to figure on having enough food
that folks involved in the two shows would still have the opportunity for a
variety to eat after they were released. And that was the logic behind the
food.

I didn’t realize that “pumpkin time” for folks would be so early, and so was
figuring the Social would run past 11pm. (It started at 8pm)

 

Group: runacc Message: 2440 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Re: Talking to Your Venue – The contract
Yup – on the main nights, this was pretty much spot-on.

Bruce

—–Original Message—–
From: runacc@yahoogroups.com [mailto:runacc@yahoogroups.com] On Behalf Of
Martin Gear
Sent: Wednesday, June 13, 2012 1:15 PM
To: runacc@yahoogroups.com
Subject: Re: [runacc] Talking to Your Venue – The contract

One point to consider when you are considering a venue for a Costume Con,
you want to “Own the Hotel” which means being able to rent at least half
(more is better) of their sleeping rooms during the core nights (Friday,
Saturday & Sunday) and remember that on the average you should figure on 3
people per room/night. i.e. if you expect to have a 300 attending members,
then you will have 100 rooms per night. This means that a 500 room hotel is
right out no matter how great their facilities. There are exceptions to all
of this, of course, but these are the figures that you should keep in mind
when planning your con.

Marty

 

Group: runacc Message: 2441 From: osierhenry@cs.com Date: 6/15/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single…

In a message dated 6/15/2012 6:57:14 AM Central Daylight Time,
casamai@sbcglobal.net writes:

> As for “pumpkin time”, I think this can vary, but I think the pacing of
> the
> evening sort of mentally drained any ability to stay up later. Or, maybe
> we’re just getting’ old. 😉

I think I was also bored after the raffle.

Henry

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2442 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Costume-Con 30 Review – Runacc: Historical Masq
Mixing in the exhibitions was probably a good idea, otherwise, it would have
been a short show. It was paced well, and the MC was okay. Judging seemed
to take too long. You’d think that, since the documentation and close-up
judging had already taken care of, it should have been a relatively quick
task. But, it still took beyond the 20 minute bellydance troupe
performance, announcements &

photo run before they returned.

Awards – everyone got one. There were only 5 eligible entries. I’ll let

someone else address this topic.

In a conversation during a panel, Kevin had an interesting thought regarding
Historical Interpretation entries in the Historical. Given that they often
don’t need much in the way of documentation, it might speed up judging to
give the choice to just have a 5 minute interview to explain their concept,
since their focus is more for on stage performance. Our folks thought it a
good idea, so long as that route was optional.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2443 From: Nora & Bruce Mai Date: 6/15/2012
Subject: Costume-Con 30 Review – Runacc: General masquerade notes
The tech crew was pretty good at what they did, and were very accommodating
to quick, on the fly, changes of plan. Tadao, himself, was a little
overworked (having been working several other conventions shortly before
CC30). (Some people got tired of his filler “stand-up” because it was
always the same patter each time he had to stall.) It probably would have
been better if they’d just let people get up and wander around. Sometimes,
I think some con staff may’ve neglected to at least give him a heads up
about certain MD needs.

There was a noticeable lack of Guild awards this year, save for one during
the FNS (I think) and a couple backstage. Granted, In the past, there have
been problems with some Guild chapters taking up way too much time
explaining what their award was for. But an official announced policy
limiting the number of said awards pretty much put a damper on them all.
Some people missed them. Yes, they can get of hand, but there are other
ways of keeping presentations to a minimum without killing the whole
concept.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2444 From: Byron Connell Date: 6/16/2012
Subject: Re: Costume-Con 30 Review – Runacc: Historical Masq

Others, however, had strong reservations about making workmanship judging optional for historical interpretation entries.

Byron

On Jun 15, 2012, at 11:45 PM, Nora & Bruce Mai wrote:

> Mixing in the exhibitions was probably a good idea, otherwise, it would have
> been a short show. It was paced well, and the MC was okay. Judging seemed
> to take too long. You’d think that, since the documentation and close-up
> judging had already taken care of, it should have been a relatively quick
> task. But, it still took beyond the 20 minute bellydance troupe
> performance, announcements &
>
> photo run before they returned.
>
> Awards – everyone got one. There were only 5 eligible entries. I’ll let
>
> someone else address this topic.
>
> In a conversation during a panel, Kevin had an interesting thought regarding
> Historical Interpretation entries in the Historical. Given that they often
> don’t need much in the way of documentation, it might speed up judging to
> give the choice to just have a 5 minute interview to explain their concept,
> since their focus is more for on stage performance. Our folks thought it a
> good idea, so long as that route was optional.
>
> [Non-text portions of this message have been removed]
>
>

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2445 From: Nora & Bruce Mai Date: 6/17/2012
Subject: Costume-Con 30 Review – Runacc: Wrap up
Supposedly, there were hall costume awards given out, but neither nor I saw
any of the judges. Don’t know if that means they were good or not.

I couldn’t put my finger on it most of the weekend until the observation was
made that there was a lack of a critical mass of crowd energy, mostly
because there were rarely large groups of people in the same place at the
same time (except during breaks in the shows). If there were roughly 350+
attendees on site, you wouldn’t know it. The central atrium/hallways at
CC25 and CC27 had lots of people passing through, meeting new people and
old friends. While CC30 had lots of seating and tables, we didn’t see a lot
of people taking advantage of it, because it was all outside in the
courtyard – with the heat. That meant you had to wait until there was
shade, or until the evening. The hotel lobby had a fair amount of seating,
but all the traffic involved crossing the courtyard. We missed saying
goodbye to people leaving on Monday, because the traffic was so diffused.

Random notes from our last meeting, where we actually talked about CC30 in
person for the first time:

Allow observers in the workshops, even if all the workshop slots are full.

Programming note: Make sure people are prepared for their panels. There was
at least one person who brought the wrong thumb drive with the pictures of
ethnic costumes they were supposed to show, so the panelist spent the entire
talking about their own costume experiences – with no pictures. Dull.

The con website may’ve been taken down a little too fast. All that’s left
is the wrap-up pages. In any case, it might be good to save an entire copy
on a file somewhere for reference purposes.

Speaking of the website, one person remarked that the rules for the
Historical Masquerade came across as if talking down to potential entrants.
Since that part of the website is gone, I can’t verify that.

Having sewing machines in Ops was deemed a good idea – at least 2 people
availed themselves of it.

The CC30 committee should get credit for doing a good job of analysis of
their own performance after the event – if they were as good about their
discussions before the con, they might have had fewer problems behind the
scenes. At least these communications problems didn’t present themselves in
a way attendees would have noticed.

There was apparently a misunderstanding as to what the “Info Booth” was
supposed to be. People thought it was for info about the convention, but
was actually more about the surroundings of the hotel. It would have been
more useful for someone to be able to speak about schedule changes, what
panels were in what rooms, etc. I think what people were getting at was
perhaps someone who was a living pocket program. Not a bad idea, given the
technology available with computers and smart phones.

All the new people we met were having a good time, and many planned to
travel to Denver next year. It’s too bad that there was apparently no
official tracking of how many new people were at the con, but going by the
number of First Timer ribbons given out, there was something like 80+.

Mr. Mike can tell you how many pre-registrants he has so far for next year –
sounds pretty good for a year out.

Given that everyone we ran across expressed that they were having a good
time, we can say the con was a success. (One of our folks said that, out of
the 4 years they’ve attended so far, this one was the best for them). For
seasoned vets, you kind of get jaded after a while, so it’s harder to be
impressed, so many of them felt it was not the best CC they’ve been to, nor
was it the worst by any stretch of the imagination.

The consensus was CC30 was a 7 out of 10.

Keep in mind this review is highly subjective. However, it’s a good
representation of your average CC-goers, since the majority of the 12 – 15
of us have been attending CC for close to 20 years. Hopefully, the future
CC committee members on this list will take this review and use it to avoid
the most common pitfalls.

If there’s just one thing to take away from this review, it’s the importance
of good communication before and during the event. That, and reminding
those staff who have not attended a CC (which is highly recommended before
actually running one), that there are similarities, but CC has its own
quirks, community and traditions. Avoid what one person said: “A con is a
con is a con”. It’s not a “convention”: it’s a CONFERENCE.

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2446 From: Andrew Trembley Date: 6/18/2012
Subject: Re: Costume-Con 30 Review – Runacc: Friday Night Social & Single Pat

On Mon, Jun 11, 2012 at 8:42 PM, Nora & Bruce Mai <casamai@sbcglobal.net>wrote:

> The Single Pattern was run like a formal masquerade, which didn’t help,
> either. It was very regimented: the Director insisted that every entry
> have
> some sort of explanation/text for their entry(like the Folio) and wouldn’t
> take “don’t have any” for an answer. They also insisted people should show
> up in the Green Room as close to 5:00 as possible (with the show at 8:00)
> so
> that judging would be able to take place. Given the (ordinarily)
> simplicity
> of the Show, this was overkill.
>

I was working for Byron in the green room, so I had another view of this.

When people arrived, the Director indicated that the entrants had to go to

> one location to be judged, then move to a different location for
> photography. The reasoning for this was so that it was known when people
> were through with both tasks. Several people were annoyed by the confusion
> this engendered.
>

Seriously, Diane couldn’t have done a better job obsessing over things that
aren’t important and ignoring things that are.

Ferrying entrants through judging and photo didn’t need her undivided
attention. They just needed checklists in the hands of the right people
(green room head or clerk, judge’s clerk-did she have one?). These are
tasks that should be delegated.

Ensuring that entrants were photographed in run order didn’t need her
attention at all. It didn’t need to be done.

Explaining to the crew and the green room the traffic flow needed her
attention, but was only obtained by prying it out of her. If this had been
clear, the green room layout could have been optimized for the show.
Instead, single pattern entrants had to go through a (small) crowd of CC
Runway contestants, who were justifiably nervous themselves, and the edge
of the photo area. It was a suboptimal traffic flow.

In the end, the green room crew and the tech crew cobbled together a
walk-through plan and got seating in the house for the single pattern
entrants reserved. This isn’t something we should have had to cobble
together on the fly, though.

Even with the unanticipated large number of entrants, the green room was
more than large enough to support 4 dens, the CC runway entrants, a big
photo area and judging (instead of doing it elsewhere). Simple things were
made unnecessarily complicated, and complicated things were left to chance.

The show itself went okay, although the MC was apparently unfamiliar with

> what “CC” means. He also had some problems with some pronunciations. The
> judging, took way too long. I can’t remember how many awards there were,
> but it probably could have used a maximum, like the Fashion Show
> traditional
> three. The more there are, the longer the judges will deliberate.
>

Single Pattern should have set awards. It was created to be a light,
low-pressure show. Kevin can elaborate on this more.

The “Social” amounted to being part of the halftime for the show. At least

> the appetizers served were good and plentiful (however, they didn’t turn up
> the lights up after the show so you couldn’t read the signs identifying
> what
> some of the less obvious ones were).
>

Had the single pattern contest not been such a mess, the social might have
been more social.

> Part of the wait for judges was occupied with the “Project Costume-Con”
> show/competition (patterned after the “Project Runway” show). The concept
> was an interesting idea, and the participants enjoyed themselves, but for
> me
> and the people I was sitting with, it went on way too long. For anyone who
> wasn’t a fan of the show, the pacing of the presenting of the outfits and
> judging dragged and didn’t make for very interesting watching. At least
> the
> outfits were well done. Most people thought PCC worth fine-tuning &
> continuing, but there was a good suggestion made that perhaps it should be
> spun off as a daytime program event where people could walk in and out of
> the room, rather than having a “captive audience” as it was on Friday
> night.
>

CC Runway was interesting, and the individual parts were nice and short. If
it happens again, the folks involved have to binge on the segments of the
show being recreated on stage to really get a feel for making the process
entertaining for the audience.

The night continued to drag on, waiting for the judges to return. People

were getting bored, despite the runway show, and the photo run. The

drawing of names for door prizes with the tickets that had been handed out

> earlier in the evening should have occurred throughout the evening – not at
> the end. By the time the awards were announced, it was near or past 10:30
> and people were heading for the exits.
>

The judges ran a bit long, but the real wait was on the prizes. Diane
wasn’t willing to announce without the physical prizes in hand. She wasn’t
willing to do anything to facilitate prize item pick-up on Saturday or
later. And I guess she wasn’t willing to go with anybody to ops to pick up
the prizes herself.

This is something that should have been obsessed over before the show
started, not when people want to get on with the social. She could have
taken care of this when she was going psycho over photo happening in run
order.

So the short? It could have been much worse if Byron wasn’t a great green
room head and Tadao’s crew wasn’t capable of improvising. I came out of it
with a list of new things I’m never doing if/when I run a show again.

andy

[Non-text portions of this message have been removed]

 

Group: runacc Message: 2447 From: bruno@soulmasque.com Date: 6/18/2012
Subject: Re: Costume-Con 30 Review – Runacc: General masquerade notes

Personally I felt like I was being held hostage after each show by
having the lights kept down in the room.

Michael

On 2012-06-15 20:51, Nora & Bruce Mai wrote:

> CC30). (Some people got tired of his filler “stand-up” because it
> was
> always the same patter each time he had to stall.) It probably would
> have
> been better if they’d just let people get up and wander around.
> Sometimes,
> I think some con staff may’ve neglected to at least give him a heads
> up
> about certain MD needs.

 

Group: runacc Message: 2448 From: Margie Date: 6/19/2012
Subject: Re: Costume-Con 30 Review – Runacc: Wrap up

I respectfully disagree. I’d say we get an 8 out of 10.

— In runacc@yahoogroups.com, “Nora & Bruce Mai” <casamai@…> wrote:
>
> Supposedly, there were hall costume awards given out, but neither nor I saw
> any of the judges. Don’t know if that means they were good or not.
>
>
>
> I couldn’t put my finger on it most of the weekend until the observation was
> made that there was a lack of a critical mass of crowd energy, mostly
> because there were rarely large groups of people in the same place at the
> same time (except during breaks in the shows). If there were roughly 350+
> attendees on site, you wouldn’t know it. The central atrium/hallways at
> CC25 and CC27 had lots of people passing through, meeting new people and
> old friends. While CC30 had lots of seating and tables, we didn’t see a lot
> of people taking advantage of it, because it was all outside in the
> courtyard – with the heat. That meant you had to wait until there was
> shade, or until the evening. The hotel lobby had a fair amount of seating,
> but all the traffic involved crossing the courtyard. We missed saying
> goodbye to people leaving on Monday, because the traffic was so diffused.
>
>
>
> Random notes from our last meeting, where we actually talked about CC30 in
> person for the first time:
>
>
>
> Allow observers in the workshops, even if all the workshop slots are full.
>
>
>
> Programming note: Make sure people are prepared for their panels. There was
> at least one person who brought the wrong thumb drive with the pictures of
> ethnic costumes they were supposed to show, so the panelist spent the entire
> talking about their own costume experiences – with no pictures. Dull.
>
>
>
> The con website may’ve been taken down a little too fast. All that’s left
> is the wrap-up pages. In any case, it might be good to save an entire copy
> on a file somewhere for reference purposes.
>
>
>
> Speaking of the website, one person remarked that the rules for the
> Historical Masquerade came across as if talking down to potential entrants.
> Since that part of the website is gone, I can’t verify that.
>
>
>
> Having sewing machines in Ops was deemed a good idea – at least 2 people
> availed themselves of it.
>
>
>
> The CC30 committee should get credit for doing a good job of analysis of
> their own performance after the event – if they were as good about their
> discussions before the con, they might have had fewer problems behind the
> scenes. At least these communications problems didn’t present themselves in
> a way attendees would have noticed.
>
>
>
> There was apparently a misunderstanding as to what the “Info Booth” was
> supposed to be. People thought it was for info about the convention, but
> was actually more about the surroundings of the hotel. It would have been
> more useful for someone to be able to speak about schedule changes, what
> panels were in what rooms, etc. I think what people were getting at was
> perhaps someone who was a living pocket program. Not a bad idea, given the
> technology available with computers and smart phones.
>
>
>
> All the new people we met were having a good time, and many planned to
> travel to Denver next year. It’s too bad that there was apparently no
> official tracking of how many new people were at the con, but going by the
> number of First Timer ribbons given out, there was something like 80+.
>
>
>
> Mr. Mike can tell you how many pre-registrants he has so far for next year –
> sounds pretty good for a year out.
>
>
>
> Given that everyone we ran across expressed that they were having a good
> time, we can say the con was a success. (One of our folks said that, out of
> the 4 years they’ve attended so far, this one was the best for them). For
> seasoned vets, you kind of get jaded after a while, so it’s harder to be
> impressed, so many of them felt it was not the best CC they’ve been to, nor
> was it the worst by any stretch of the imagination.
>
>
>
> The consensus was CC30 was a 7 out of 10.
>
>
>
> Keep in mind this review is highly subjective. However, it’s a good
> representation of your average CC-goers, since the majority of the 12 – 15
> of us have been attending CC for close to 20 years. Hopefully, the future
> CC committee members on this list will take this review and use it to avoid
> the most common pitfalls.
>
>
>
> If there’s just one thing to take away from this review, it’s the importance
> of good communication before and during the event. That, and reminding
> those staff who have not attended a CC (which is highly recommended before
> actually running one), that there are similarities, but CC has its own
> quirks, community and traditions. Avoid what one person said: “A con is a
> con is a con”. It’s not a “convention”: it’s a CONFERENCE.
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

 

Group: runacc Message: 2449 From: Margie Date: 6/19/2012
Subject: Re: Costume-Con 30 Review – Runacc: General masquerade notes

I agree, and that certainly wasn’t the plan (or on the schedule). :/

— In runacc@yahoogroups.com, bruno@… wrote:
>
> Personally I felt like I was being held hostage after each show by
> having the lights kept down in the room.
>
> Michael
>
> On 2012-06-15 20:51, Nora & Bruce Mai wrote:
>
> > CC30). (Some people got tired of his filler “stand-up” because it
> > was
> > always the same patter each time he had to stall.) It probably would
> > have
> > been better if they’d just let people get up and wander around.
> > Sometimes,
> > I think some con staff may’ve neglected to at least give him a heads
> > up
> > about certain MD needs.
>

 

Group: runacc Message: 2450 From: Nora & Bruce Mai Date: 7/1/2012
Subject: Signed releases
How long should these be kept?
And how do we feel about scanning them? Are e-files of the releases still as
valid?

Nora

 

Group: runacc Message: 2451 From: martingear@comcast.net Date: 7/1/2012
Subject: Re: Signed releases
I keep mine for 5 years. Scanned copies of a form with an original signature
will probably pass muster. I would not count on eforms necessarily passing
the test unless the individual has a “security certificate” and your
software captures that to.
Marty

Sent from my Verizon Wireless Phone

—–Original message—–
From: Nora & Bruce Mai <casamai@sbcglobal.net>
To: runacc@yahoogroups.com
Sent: Sun, Jul 1, 2012 13:35:02 GMT+00:00
Subject: [runacc] Signed releases

How long should these be kept?
And how do we feel about scanning them? Are e-files of the releases still as
valid?

Nora

[Non-text portions of this message have been removed]