This is the event that received the harshest criticism for a number of
reasons.
“The SFF masq was run atrociously. It seemed only a modicum of organization
was thrown at it and very little of it stuck.”
That’s just one person’s opinion. To be fair, I don’t think everyone who
participated felt this strongly, but among a number of our folks who have
experience with other con masquerades, they had a lot to say.
The online masquerade system worked well, but a lot of our people didn’t
bother – a lot of people never do. Archon has had such a system for years,
and gets maybe 25% of their data that way. Having no onsite registration
form was a mistake. It required entrants to have to wait in line and then
dictate their info to the MD and their assistant.
(“I don’t particularly like broadcasting my entry to everyone in the hall!”)
“.you should always test you tech equipment before the actual event doubly
so of the tech crew is unfamiliar with the equipment and each other. That
was the first rule when I used to run tech in high school and college
productions and should have been the first thing that they did once the
equipment was in place. There is no way, at least to my knowledge, that a
piece of music just automatically loops itself back to the beginning without
someone touching a button or setting it up to be that way.”
I’m going to let one of our members give his overall experience, Let me
preface this by saying that the mandatory meeting for masquerade entries was
a very good idea. Archon has been doing this for years. However, that
being said, the time was not utilized well, at all. It wound up setting
back the first tech rehearsal 30 minutes and never caught up. I’ll insert a
couple of comments where necessary:
“The mandatory masq meeting ran way too long. No one who was asked to speak
seemed prepared to say anything even though they all had info we needed to
know. They just rambled on, and barfed up info as it occurred to them.
My tech was at 1:45 after the extensive 11:00 meeting. I arrived for my
tech rehearsal 15 minutes early, only to learn that they were running a half
hour behind and that the order we had signed up in was completely tossed out
the window.
The green room was not able to check anyone in at the scheduled opening
time, as no run order was available, so no den assignments could be made.
Additionally, the workmanship judges couldn’t begin judging. No run order
numbers. I can’t believe it’s that hard to put together a run order between
masq reg close and beginning of meeting.
Again, to be fair, some of this next part was based on hearsay, to an
extent. Any corrections would be appreciated.
I heard rumors of problems printing out the scripts from the database. This
is not a valid excuse. When masq registration closed the scripts should
have been immediately printed and available at tech rehearsals. This is the
only real chance the MC has to annotate pronunciations and the sound and
lighting crews have to also annotate the scripts so that they get things
correct. The scripts were reprinted just before the masquerade started.
WTF. What good was the tech rehearsal if the scripts were reprinted? All
we accomplished at tech was for the contestants to get a warm fuzzy feeling
about the stage configuration. I heard it was because the “Created by”
credit was omitted from the first printing. This is something that could
have been taken care of during tech. Anyone who cared about that credit
being read after their presentation could have told the MC and he could have
annotated his script. Being in Den 1, I was in line for much longer than I
would have liked, waiting while the MC stretched as the scripts were
reprinted and not yet available. I can walk around all day, but I can’t
stand still in one place for too long. It kills my feet.
As with a number of people, there were many technical problems:
I know they say the judges recognize this sort of thing and don’t hold it
against you, but do they really? ..To their credit, about half a dozen con
staff apologized to me personally, including the audio folks. The
explanation I got from them was that their CD player ate my CD. .It’s kind
of an old chestnut, but bears repeating. It’s a poor workman who blames his
tools. Mr. Roche is commended for attempting to deflect the blame upon
himself, but my problem was not his fault and blame needs to be properly
assessed. I heard from the ladies who went on before me (Devil’s Darning
Needle) that the audio folks somehow ate the center of their music, which
included the cue for two of the three of them to enter. Again, not Kevin’s
fault.
The other problem with audio was that the audio folks at tech weren’t the
same audio folks who worked the masquerade. Again WTF!! Yet another thing
that tech is supposed to accomplish that was not. The audio folks were
encountering the show for the first time as it was being performed. WT MF
SOB! Does it seem like I get a little agitated when I think back on it?
For another perspective on the lateness of tech rehearsals: I had the last
tech rehearsal, the 4:45 slot before the green room opened at 5:00.
Planning ahead, I dressed in my entry so that if time got short I could just
go to the green room and do my makeup. Good thing I was thinking. Not only
was my 15 minute time slot shared with 2 other entries, but I didn’t get
into tech until 6:30 almost 7
That’s enough of that. You get the idea. On another note, I’ll step in
here to say that the backstage ninjas/crew people did a creditable job for
all the shows.
Guild awards: The special costuming group awards are starting to get out of
hand. All the awards during the halftime must’ve taken at least 20 minutes.
This is one of the lesser reasons the SLCG elected to stop giving out the
Slattern. Maybe what needs to happen is for the MC to read the award,
rather than the groups themselves.
Presentation and Workmanship Awards: The perception was that, given the
quality of just about every costume on stage, the award totals were
noticeably low. Just for “fun”, I recently did some number crunching, based
on what I could glean from the Costume-Con website and other sources and
found some interesting statistics. Granted this is general numbers, but I
still think it’s accurate.
First of all, while CC26 had one of the largest masquerades in years, but
when it comes to the ratio of number of people on stage to total attendance,
CC15 may have had the largest percentage of participants: CC15 had an
attendance around 435, with 69 participants spread among 45 entries. That’s
almost 16% of the convention presenting their works.
CC26 had roughly 876 attendees, with 79 participants spread among 48
entries. That’s about 9% of the people at the con presenting.
Without boring you too much, the SF & F masquerades in the past 5 years
averaged anywhere from 50% to 66% of the entries receiving some sort of
awards in each Skill Division. This is how CC26 broke down, excluding Best
In Show:
10 Novices
13 Journeymen
24 Masters
Workmanship awards
Novices – 5 (50%)
Journeymen – 7 (53%)
Masters – 7 – (29%)
Presentation awards
Novices – 4 (40%)
Journeymen – 4 (30%)
Masters – 7 (29%)
Maybe I could see that the presentations for Journeymen might not have been
stellar, but what obviously stands out is the low percentage for Masters.
To me, something was amiss. Given the quality of the costumes I saw back
stage, the Costume-Con axiom “Excellence Deserves Recognition” was clearly
not well served – especially for the Master entries.
Along these lines we had a report of questionable comments by a judge, if
accurate. Already upset about the tech errors, this added insult to injury:
“Public apologies aside, there was no way to truly make up for the
humiliation that I felt at the time and then to later hear that they wanted
to give us an award but didn’t because we were ‘cosplayers’ just pissed me
off more”. To be fair, I can’t verify this claim.
Here’s a different tale of difficulties with judging: “I rushed into the
green room, put on my makeup, and was the last to see workmanship judging.
My costume was largely tear-away, so I had on the under outfit and had the
overdress next to me. I clarified with the clerk that they had my
documentation (had a spare on hand just in case) and showed them what I was
wearing. Turned around and grabbed my hat and there was only one judge of
the two left. Showed her my hat, thinking she’d explain to the other, then
turned around to pick up my dress. Gathering it took a minute, and when I
got it back there were no judges. I asked a den mom and the green room
manager if I would have a chance to *finish* my workmanship judging and I
was told that the judges only had 2 minutes per group, they were already
deliberating, and that if I wanted more time I should have arrived earlier.”
In other words, it was this person’s fault that the tech rehearsals had
delayed them, making them late to be judged?
I hesitated with this next part, because it may come across as sour grapes,
but future MDs and Con Chairs ought to be aware of it. Most people on this
list probably already know that an SF & F Workmanship award was overlooked
during the announcements, appearing later in the convention newsletter and
is now on the website. That was mine. While I was disappointed when I
thought I hadn’t won anything, it wouldn’t have been the first time that the
judges did not feel I was good enough. To the credit of the con chair, MD
and one of the Workmanship judges, they all apologized for the oversight
later that night or Sunday evening. A “placeholder” (my term) certificate
was printed up after the Historical and one with the signatures of the
judges was promised to come in the mail, later. (That has not appeared yet,
by the way.)
Imagine if this had occurred to a different costumer – someone less
experienced? We all know that while a ribbon or a certificate is nice, what
we really live for is the audience applause and recognition. Speaking as a
former con chair, I believe it would have been a good idea to have the
overlooked person’s award announced at the beginning of the next show and
have that person stand up.
Videos are treated as official records where other types are incomplete.
Essentially, these two awards will not exist unless you know where to look.
I urge everyone in the future to be aware of these occurrences so they don’t
happen again.
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